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Le Miroir de Musique|In seculum viellatoris: The Medieval Vielle

In seculum viellatoris: The Medieval Vielle

Le miroir de musique and Baptiste Romain

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Do not confuse the medieval vielle, which is played with a bow, with the vielle à roue, or hurdy-gurdy, whose strings are plucked by a wheel which is turned with a crank. The vielle is one of the older instruments, and it is typical of the Middle Ages. Larger models are similar in size to the modern viola, and it is related to a smaller instrument which would generally become known as a rebec at the end of the 14th century. The broad and generic meaning of the word vielle (or viola, in Occitan) was drawn out by the arrival of more specific terms like gigue (from the German-speaking world), rebebe (from the Arabic rebab) or crwth or rotte (from the Celtic fringe). The vielle is characterised by a flat casing, oval or oblong in shape, sometimes cut fairly low laterally, with a variable number of strings. In other words, there were many different versions of this generic instrument, and on this album we find it in many different shapes, sizes and regional origins. He leaves it to the listener to form their own view of the many different sounds, which vary so widely from each piece to the next; and whose manuscripts vary so widely in terms of their origins: Germany, Italy, Flanders, Occitania, and Celtic regions. The majority of these pieces are anonymous, but we can still identify Perdigon, the Ardechois troubadour from the early 13th century; the Flemish Johannes Ciconia (1370-1412) and the famous Burgundian Guillaume Dufay, who needs no introduction. The Miroir de Musique ensemble, led by Baptiste Romain, specialises in the music of the Middle Ages and the Renaissance; their members sing and play many different forms of vielle, harp, percussion instruments and the bagpipes! © SM/Qobuz

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In seculum viellatoris: The Medieval Vielle

Le Miroir de Musique

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1
Ar ne kuthe ich sorghe non
00:04:28

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist - Grace Newcombe, MainArtist

2018 Outhere 2017 Outhere

2
Los mals d'amors ai eu ben toz apres
00:04:31

Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist - Perdigon, Composer

2018 Outhere 2017 Outhere

3
Bele Ysabelot / Je me cuidoie / Entre Copin et Bourjois
00:02:42

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

4
Tut l'an mi ten amors de tal faisson
00:06:55

Anonymous, Lyricist - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Paulin Bündgen, MainArtist - Le Miroir de Musique, MainArtist - Perdigon, Composer

2018 Outhere 2017 Outhere

5
La uitime estampie Real
00:01:58

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

6
In seculum viellatoris
00:01:00

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

7
Belicha
00:09:13

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

8
Non credo, donna, che la dolçe fiamma
00:03:32

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Sabine Lutzenberger, MainArtist - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

9
Ghaetta
00:09:37

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

10
O bella rosa
00:03:30

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

11
O rosa bella
00:05:23

Anonymous, Lyricist - Copyright Control, MusicPublisher - Johannes Ciconia, Composer - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

12
Tenor La belle se siet au pied de la tour
00:03:04

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

13
La belle se siet au pié de la tour
00:02:54

Anonymous, Lyricist - Copyright Control, MusicPublisher - Guillaume DuFay, Composer - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist - Béatrice Dunoyer, MainArtist

2018 Outhere 2017 Outhere

14
Esperance mi fait vivre en doulour
00:03:45

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

15
J’aime la biauté
00:01:36

Anonymous, Composer - Copyright Control, MusicPublisher - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist

2018 Outhere 2017 Outhere

16
Soyés loyal a vo povoir
00:02:59

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Sabine Lutzenberger, MainArtist - Baptiste Romain, MainArtist - Le Miroir de Musique, MainArtist - Béatrice Dunoyer, MainArtist

2018 Outhere 2017 Outhere

Album review

Do not confuse the medieval vielle, which is played with a bow, with the vielle à roue, or hurdy-gurdy, whose strings are plucked by a wheel which is turned with a crank. The vielle is one of the older instruments, and it is typical of the Middle Ages. Larger models are similar in size to the modern viola, and it is related to a smaller instrument which would generally become known as a rebec at the end of the 14th century. The broad and generic meaning of the word vielle (or viola, in Occitan) was drawn out by the arrival of more specific terms like gigue (from the German-speaking world), rebebe (from the Arabic rebab) or crwth or rotte (from the Celtic fringe). The vielle is characterised by a flat casing, oval or oblong in shape, sometimes cut fairly low laterally, with a variable number of strings. In other words, there were many different versions of this generic instrument, and on this album we find it in many different shapes, sizes and regional origins. He leaves it to the listener to form their own view of the many different sounds, which vary so widely from each piece to the next; and whose manuscripts vary so widely in terms of their origins: Germany, Italy, Flanders, Occitania, and Celtic regions. The majority of these pieces are anonymous, but we can still identify Perdigon, the Ardechois troubadour from the early 13th century; the Flemish Johannes Ciconia (1370-1412) and the famous Burgundian Guillaume Dufay, who needs no introduction. The Miroir de Musique ensemble, led by Baptiste Romain, specialises in the music of the Middle Ages and the Renaissance; their members sing and play many different forms of vielle, harp, percussion instruments and the bagpipes! © SM/Qobuz

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