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Barbara Dennerlein|In a Silent Mood

In a Silent Mood

Barbara Dennerlein

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German Hammond B-3 innovator Barbara Dennerlein not only doesn't sound like Jimmy Smith on In a Silent Mood, it is really doubtful that these tracks could even be called jazz. A tranquil suite to the power of the inner life, In a Silent Mood is made up of carefully composed segments that stand individually on their own, but taken together, form a complete whole. Using only her B-3 here (and the occasional piano), and outfitted with foot pedals that trip her MIDI synthesizer settings, Dennerlein has assembled a beautiful album that glides and reaches into the rare, thin atmosphere of dreams. As much as Smith defined the possibilities of the B-3 at the end of the 20th century, Dennerlein is beginning to define it for the 21st.
© Steve Leggett /TiVo

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In a Silent Mood

Barbara Dennerlein

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1
Home Is Where My Heart Is
00:06:44

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

2
Always Remember
00:09:36

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

3
When You’re Looking Back
00:07:13

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

4
Last Call
00:05:52

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

5
I Miss You
00:07:58

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

6
Precious Moments
00:09:06

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

7
Lost Friends
00:06:28

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

8
Reflections
00:02:43

Barbara Dennerlein, Composer, MainArtist

2004 Bebab Records 2004 Bebab Records

Album review

German Hammond B-3 innovator Barbara Dennerlein not only doesn't sound like Jimmy Smith on In a Silent Mood, it is really doubtful that these tracks could even be called jazz. A tranquil suite to the power of the inner life, In a Silent Mood is made up of carefully composed segments that stand individually on their own, but taken together, form a complete whole. Using only her B-3 here (and the occasional piano), and outfitted with foot pedals that trip her MIDI synthesizer settings, Dennerlein has assembled a beautiful album that glides and reaches into the rare, thin atmosphere of dreams. As much as Smith defined the possibilities of the B-3 at the end of the 20th century, Dennerlein is beginning to define it for the 21st.
© Steve Leggett /TiVo

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