Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Chase Rice puts a vintage picture of his father on the cover of I Hate Cowboys & All Dogs Go to Hell, a record he calls his "first full album since 2017," a formulation that somehow bypasses a 2021 release that was actually titled The Album. His phrasing underscores how this 2023 LP is a personal one for him, dedicated to a father who died back in 2008 because Rice feels it's the first album that would make his dad proud. All this is a shorthand to say that Rice has dialed down the sunny, oversized elements of his music, the traits that served him well when he was writing hits for bro-country pioneers Florida Georgia Line. Rice still sings about good times and booze -- one of the livelier moments on the record is "Bad Day to Be a Cold Beer" -- but there's a melancholy breeze blowing throughout I Hate Cowboys & All Dogs Go to Hell, a record that's named after a pair of the album's moodier cuts. Rice wears his newly acquired pensive gaze well: he sounds sincere in these stripped-back arrangements. He also sounds good playing with the neo-Southern rockers Read Southall Band and, especially, singing with Boy Named Banjo on "Goodnight Nancy," one of the other rare lighthearted moments on I Hate Cowboys & All Dogs Go to Hell. If Rice does tend to overcorrect his steering here, heading toward po-faced earnestness, the album nevertheless does point the singer/songwriter in the right direction, toward music that will wear well as he eases into middle age.
© Stephen Thomas Erlewine /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Electric Guitar - Fred Eltringham, Drums - Chase Rice, Composer, Background Vocals, MainArtist - Oscar Charles, Composer, Producer, Engineer, Acoustic Guitar, Percussion, Wurlitzer - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Jonathan Sherwood, Composer - Elvie Shane, Background Vocals - Barton Davies, Composer, Banjo - William Reames, Composer
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Electric Guitar - Fred Eltringham, Drums - Joshua Miller, Composer - John Byron, Composer - Chase Rice, Composer, Acoustic Guitar, MainArtist - Oscar Charles, Producer, Engineer, Piano, Background Vocals, Wurlitzer, Casio Keyboards - Jordan Rigby, Engineer - Alyson McAnally, Coordinator
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Acoustic Guitar, Electric Guitar - Fred Eltringham, Drums - Corey Crowder, Composer - John Byron, Composer - Chase Rice, Composer, Background Vocals, MainArtist - Hunter Phelps, Composer - Oscar Charles, Producer, Engineer, Electric Guitar, Piano - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Blake Pendergrass, Composer - Barton Davies, Banjo
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Electric Guitar - Fred Eltringham, Drums, Percussion - Brian Kelley, Composer, Background Vocals - Corey Crowder, Composer, AdditionalEngineer - John Byron, Composer - Chase Rice, Composer, Acoustic Guitar, Background Vocals, MainArtist - Hunter Phelps, Composer - Oscar Charles, Producer, Engineer, Percussion, Wurlitzer - Jordan Rigby, Engineer, Digital Editor - Alyson McAnally, Coordinator - Blake Pendergrass, Composer - Aaron Rochette, Digital Editor
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Acoustic Guitar, Electric Guitar - Fred Eltringham, Drums - Chase Rice, Composer, Acoustic Guitar, Background Vocals, MainArtist - Oscar Charles, Producer, Engineer, Piano, Hammond B3 Organ - Jordan Rigby, Engineer - Alyson McAnally, Coordinator
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Acoustic Guitar, Electric Guitar - Fred Eltringham, Drums - Chase Rice, Composer, Acoustic Guitar, MainArtist - Oscar Charles, Producer, Engineer, Background Vocals, Wurlitzer, Hammond B3 Organ - Jordan Rigby, Engineer - Alyson McAnally, Coordinator
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Acoustic Guitar, Electric Guitar - Justin Thomas, Composer - Fred Eltringham, Drums - Ryan Tyndell, Background Vocals - John Byron, Composer - Chase Rice, Composer, MainArtist - Oscar Charles, Producer, Engineer, Clavinet, Wurlitzer, Hammond B3 Organ - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Blake Pendergrass, Composer
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Electric Guitar - Fred Eltringham, Drums - Chase Rice, Composer, Acoustic Guitar, Background Vocals, MainArtist - Jökull Júlíusson, Whistle - Oscar Charles, Composer, Producer, Engineer, Wurlitzer - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Jonathan Sherwood, Composer - Southall, FeaturedArtist - Barton Davies, Composer, Background Vocals - William Reames, Composer, Harmonica - Read Southall, Composer, Vocals
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Rob McNelley, Electric Guitar - Josh Hoge, Composer - Fred Eltringham, Drums - Ryan Tyndell, Background Vocals - Chase Rice, Composer, Background Vocals, MainArtist - Oscar Charles, Producer, Engineer, Piano, Vibraphone, Moog, Hammond B3 Organ - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Barton Davies, Banjo - Jaxson Free, Composer, Acoustic Guitar
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Ben Johnson, Composer - Rob McNelley, Acoustic Guitar, Electric Guitar - Fred Eltringham, Drums - Matt Nolen, Piano, Hammond B3 Organ - Chase Rice, Composer, Background Vocals, MainArtist - Hunter Phelps, Composer - Oscar Charles, Producer, Engineer, Background Vocals - Jordan Rigby, Engineer - Hannah Dasher, Background Vocals - Alyson McAnally, Coordinator - Eva Jerde, Background Vocals - Elvie Shane, Background Vocals
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Chris Henderson, Engineer - Chase Rice, Composer, MainArtist - Oscar Charles, Producer, Engineer, Percussion - Jordan Rigby, Engineer - Hannah Dasher, Background Vocals - Alyson McAnally, Coordinator - Barton Davies, Banjo - Sam McCullough, Drums - William Reames, Acoustic Guitar - Willard Logan, Electric Guitar - Ford Garrard, Bass
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Chris Henderson, Engineer - Chase Rice, Composer, MainArtist - Oscar Charles, Composer, Producer, Engineer, Background Vocals - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Jonathan Sherwood, Composer - Jon Sherwood, Background Vocals - Barton Davies, Composer, Banjo, Background Vocals - Sam McCullough, Drums - Boy Named Banjo, FeaturedArtist - William Reames, Composer, Acoustic Guitar, Background Vocals - Willard Logan, Electric Guitar - Ford Gerrard, Bass
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Craig Young, Bass - Chris Henderson, Engineer - Ross Copperman, Composer - Rob McNelley, Acoustic Guitar, Electric Guitar - Fred Eltringham, Drums - Brad Tursi, Composer - Chase Rice, Composer, MainArtist - Oscar Charles, Producer, Engineer, Piano, Wurlitzer, Hammond B3 Organ - Jordan Rigby, Engineer - Michael Hardy, Composer, Background Vocals - Alyson McAnally, Coordinator
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Chris Henderson, Engineer - Corey Crowder, Composer - John Byron, Composer - Chase Rice, Composer, Acoustic Guitar, MainArtist - Hunter Phelps, Composer - Oscar Charles, Producer, Engineer - Jordan Rigby, Engineer - Alyson McAnally, Coordinator - Blake Pendergrass, Composer
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2022 & 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Album review
Chase Rice puts a vintage picture of his father on the cover of I Hate Cowboys & All Dogs Go to Hell, a record he calls his "first full album since 2017," a formulation that somehow bypasses a 2021 release that was actually titled The Album. His phrasing underscores how this 2023 LP is a personal one for him, dedicated to a father who died back in 2008 because Rice feels it's the first album that would make his dad proud. All this is a shorthand to say that Rice has dialed down the sunny, oversized elements of his music, the traits that served him well when he was writing hits for bro-country pioneers Florida Georgia Line. Rice still sings about good times and booze -- one of the livelier moments on the record is "Bad Day to Be a Cold Beer" -- but there's a melancholy breeze blowing throughout I Hate Cowboys & All Dogs Go to Hell, a record that's named after a pair of the album's moodier cuts. Rice wears his newly acquired pensive gaze well: he sounds sincere in these stripped-back arrangements. He also sounds good playing with the neo-Southern rockers Read Southall Band and, especially, singing with Boy Named Banjo on "Goodnight Nancy," one of the other rare lighthearted moments on I Hate Cowboys & All Dogs Go to Hell. If Rice does tend to overcorrect his steering here, heading toward po-faced earnestness, the album nevertheless does point the singer/songwriter in the right direction, toward music that will wear well as he eases into middle age.
© Stephen Thomas Erlewine /TiVo
About the album
- 1 disc(s) - 14 track(s)
- Total length: 00:52:16
- Main artists: Chase Rice
- Composer: Various Composers
- Label: Broken Bow Records
- Genre: Country
© 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records ℗ 2023 Dack Janiels Records under exclusive license to This Is Hit d/b/a Broken Bow Records
Improve album information
Why buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.