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Don Shirley|Gospel According to Don Shirley

Gospel According to Don Shirley

Don Shirley

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A perfect opportunity for the usually formal Don Shirley to relax a bit, The Gospel According to Shirley presents a batch of inspirational standards and a Shirley original, plus a few contemporary songs that make sense in context. An orchestra accompanies him on several pieces, providing a good framework but often dating the session quite precisely. The opener, "I'll Drown in My Tears," is epic and grandiose, but a solo performance of "When the Saints Go Marching In" has much more feeling. Shirley's original is an impressive, multi-part composition named "Trilogy," and he provides new arrangements for "Jesus Keep Me Near the Cross" and "I've Been 'Buked." Placed near the end, "Blowin' in the Wind" is one of the most distinctive versions of an oft-covered song; accompanied by cello and bass, Dylan's protest standard is transformed into a work of dignity worthy of the canon. Overall, the LP has the feel of an instrumental Ray Charles date, though with Shirley's flowery style of caressing the keys substituted for the hard, earthy work of Brother Ray.

© John Bush /TiVo

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Gospel According to Don Shirley

Don Shirley

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1
I'll Drown In My Tears
00:02:03

H. Glover, Composer, Lyricist - Don Shirley, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

2
Climb Ev'ry Mountain
00:03:25

Oscar Hammerstein II , Composer, Lyricist - R. RODGERS, Composer, Lyricist - Don Shirley, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

3
Trilogy
00:05:43

Don Shirley, Arranger, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

4
Jesus Keep Me Near the Cross
00:02:22

Don Shirley, Arranger, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

5
Glory Burdens Down Lord
00:01:51

Don Shirley, Arranger, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

6
When the Saints Go Marching In
00:03:17

Don Shirley, Arranger, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

7
I've Been 'Buked
00:04:05

Don Shirley, Arranger, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

8
He's Got the Whole World In His Hands
00:02:51

Don Shirley, MainArtist, AssociatedPerformer - Margaret Bonds, Arranger

(P) 1968 Columbia Records, a division of Sony Music Entertainment

9
I Wish I Knew How It Would Feel to Be Free
00:03:05

D. Dallas, Composer, Lyricist - B. Taylor, Composer, Lyricist - Don Shirley, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

10
Blowin' In the Wind
00:02:40

Bob Dylan, Composer, Lyricist - Don Shirley, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

11
Dream of a Time
00:03:38

V. Smith, Composer, Lyricist - Don Shirley, MainArtist, AssociatedPerformer

(P) 1968 Columbia Records, a division of Sony Music Entertainment

Album review

A perfect opportunity for the usually formal Don Shirley to relax a bit, The Gospel According to Shirley presents a batch of inspirational standards and a Shirley original, plus a few contemporary songs that make sense in context. An orchestra accompanies him on several pieces, providing a good framework but often dating the session quite precisely. The opener, "I'll Drown in My Tears," is epic and grandiose, but a solo performance of "When the Saints Go Marching In" has much more feeling. Shirley's original is an impressive, multi-part composition named "Trilogy," and he provides new arrangements for "Jesus Keep Me Near the Cross" and "I've Been 'Buked." Placed near the end, "Blowin' in the Wind" is one of the most distinctive versions of an oft-covered song; accompanied by cello and bass, Dylan's protest standard is transformed into a work of dignity worthy of the canon. Overall, the LP has the feel of an instrumental Ray Charles date, though with Shirley's flowery style of caressing the keys substituted for the hard, earthy work of Brother Ray.

© John Bush /TiVo

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