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Los Angeles Master Chorale|Górecki: Miserere

Górecki: Miserere

Los Angeles Master Chorale, Grant Gershon

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Among the Eastern European composers classified as Holy Minimalists, Henryk Górecki's music most closely adheres to the conventions of traditional choral writing. Apart from some pieces that use repetitive structures and characteristic minimalist harmonic patterns, his choral works could be taken for the work of more traditional 20th century composers, and some of the pieces on this album, especially a few of the Five Marian Songs, might even be mistaken for the work of late Romantic 19th century composers. The appeal of the album is broad enough to reach anyone who loves that repertoire, and not just fans of minimalism. All of the three (mostly) a cappella pieces, Lobgesang (2000), the multi-movement Miserere (1981), and the Marian Songs (1985), are warmly lyrical with lush, radiant harmonies. Górecki favors straightforward homophonic textures over complex contrapuntal writing. In spite of the album's title, Miserere, most of the music is not mournful but gently benevolent and optimistic. The music's tone is largely subdued, reverent, unhurried, and only occasionally blooms into ecstatic effusion, as in the eighth movement of the Miserere. Lobgesang differs from the others in that its conclusion is accompanied by a starry, ethereal xylophone solo, creating a transcendent, magical moment. Los Angeles Master Chorale, under the leadership of Grant Gershon, sings with gorgeously blended tone and sensitive, beautifully shaped phrasing. Decca's sound is topnotch: clean, spacious, immediate, and warmly ambient.

© TiVo

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Górecki: Miserere

Los Angeles Master Chorale

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1
Lobgesang, Op. 76
00:07:50

Traditional, Author - Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

Miserere, Op. 44 (Henryk Gorecki)

2
1. Domine Deus noster-Lento
00:02:59

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

3
2. Domine Deus noster-Lento. Dolce Cantabile
00:02:16

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

4
3. Domine Deus noster-Lento. Poco espressivo
00:02:31

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

5
4. Domine Deus noster-Lento. Molto espressivo
00:02:37

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

6
5. Domine Deus noster-Meno mosso, lento molto tranquillo. Tender
00:03:47

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

7
6. Domine Deus noster-Molto lento. Poco più mosso, ma lento assai
00:04:35

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

8
7. Domine Deus noster-Molto lento. Lento maestoso
00:03:06

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

9
8. Domine Deus noster - Lento. Affenttuoso
00:01:20

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

10
9. Domine Deus noster - Poco più mosso, lento moderato, molto espressivo, molto appassionato
00:04:28

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

11
10. Domine Deus noster - Lento
00:02:58

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

12
11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo
00:02:50

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, Composer - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

Pieśni Maryjne, Op. 54 (Henryk Gorecki)

13
1. Matko niebieskiego Pana (Mother of the Heavenly Lord)
00:03:34

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, ComposerLyricist - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

14
2. Matko Najświętsza! (Most Holy Mother)
00:10:28

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, ComposerLyricist - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

15
3. Zdrowaś bądź, Maryka (Hail Mary)
00:03:20

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, ComposerLyricist - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Decca Music Group Limited

16
4. Ach, jak smutne rozstanie (Oh! How Sad It Is To Part)
00:04:46

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, ComposerLyricist - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

17
5. Ciebie na wieki wychwalać będziemy (We Shall Sing Your Praises for Ever and Ever)
00:04:33

Chris Hazell, Producer, Recording Producer - Los Angeles Master Chorale, Choir, MainArtist - Henryk Gorecki, ComposerLyricist - Grant Gershon, Conductor, MainArtist - Fred Vogler, Recording Engineer, StudioPersonnel

℗ 2012 Los Angeles Master Chorale Association

Album review

Among the Eastern European composers classified as Holy Minimalists, Henryk Górecki's music most closely adheres to the conventions of traditional choral writing. Apart from some pieces that use repetitive structures and characteristic minimalist harmonic patterns, his choral works could be taken for the work of more traditional 20th century composers, and some of the pieces on this album, especially a few of the Five Marian Songs, might even be mistaken for the work of late Romantic 19th century composers. The appeal of the album is broad enough to reach anyone who loves that repertoire, and not just fans of minimalism. All of the three (mostly) a cappella pieces, Lobgesang (2000), the multi-movement Miserere (1981), and the Marian Songs (1985), are warmly lyrical with lush, radiant harmonies. Górecki favors straightforward homophonic textures over complex contrapuntal writing. In spite of the album's title, Miserere, most of the music is not mournful but gently benevolent and optimistic. The music's tone is largely subdued, reverent, unhurried, and only occasionally blooms into ecstatic effusion, as in the eighth movement of the Miserere. Lobgesang differs from the others in that its conclusion is accompanied by a starry, ethereal xylophone solo, creating a transcendent, magical moment. Los Angeles Master Chorale, under the leadership of Grant Gershon, sings with gorgeously blended tone and sensitive, beautifully shaped phrasing. Decca's sound is topnotch: clean, spacious, immediate, and warmly ambient.

© TiVo

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