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Saga|Full Circle

Full Circle

Saga

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If nothing else Saga deserve kudos for sticking to their guns. Neither punk nor new wave nor grunge nor any of the other subgenres that have influenced popular music since Saga's inception (1977) have infiltrated this band's formula. Their brand of keyboard and guitar-heavy album and arena rock has experienced a dwindling audience in North America, but Saga still thrived in Europe, specifically Germany. Full Circle is quite generic, offering very little originality. It sounds frightfully similar to the throngs of progressive bands of the late '70s who didn't know how to adjust to the changing musical landscape and either adopted awkward, uncharacteristic traits, leading to a swift demise, or forged ahead unchanging and unceremoniously, resulting in a slow and painful death. For longtime fans of Saga Full Circle is likely a welcome addition to their discography, but to those who expect prog rock to progress, the album offers little of redeeming value.

© Dave Sleger /TiVo

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Full Circle

Saga

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1
Remember When? (Chapter 9)
00:05:20

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

2
The One
00:04:21

Jim Crichton, Composer, Lyricist, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Vocals - Steve Negus, Composer, Lyricist, Drums - Ian Crichton, Composer, Lyricist, Guitar - Jim Gilmour, Composer, Lyricist, Keyboards - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

3
Follow Me
00:05:07

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

4
Uncle Albert's Eyes (Chapter 13)
00:05:22

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

5
Home
00:05:06

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

6
Don't Say Goodbye
00:05:32

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

7
Time Bomb
00:04:05

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

8
Not This Way (Chapter 10)
00:05:03

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

9
A Night to Remember
00:05:44

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

10
Goodbye
00:03:58

Jim Crichton, Composer, Lyricist, Acoustic Guitar, Keyboards, Bass - Saga, Artist, MainArtist - Michael Sadler, Composer, Lyricist, Keyboards, Vocals - Steve Negus, Composer, Lyricist, Drums, Percussion - Ian Crichton, Composer, Lyricist, Guitar, Acoustic Guitar - Jim Gilmour, Composer, Lyricist, Keyboards, Backing Vocals - 1349352 Ontario Inc, MusicPublisher

1999 earMUSIC, a label of Edel Music & Entertainment GmbH 1999 earMUSIC, a label of Edel Music & Entertainment GmbH

Album review

If nothing else Saga deserve kudos for sticking to their guns. Neither punk nor new wave nor grunge nor any of the other subgenres that have influenced popular music since Saga's inception (1977) have infiltrated this band's formula. Their brand of keyboard and guitar-heavy album and arena rock has experienced a dwindling audience in North America, but Saga still thrived in Europe, specifically Germany. Full Circle is quite generic, offering very little originality. It sounds frightfully similar to the throngs of progressive bands of the late '70s who didn't know how to adjust to the changing musical landscape and either adopted awkward, uncharacteristic traits, leading to a swift demise, or forged ahead unchanging and unceremoniously, resulting in a slow and painful death. For longtime fans of Saga Full Circle is likely a welcome addition to their discography, but to those who expect prog rock to progress, the album offers little of redeeming value.

© Dave Sleger /TiVo

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