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Kreeta-Maria Kentala|Francœur : 10 Sonatas for Violin & Continuo, Book 1

Francœur : 10 Sonatas for Violin & Continuo, Book 1

Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson

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François Francœur perfected his talents as a violinist and composer in the France of the 18th century, down the years of a very full and long life (1698-1787). He was admitted to the Académie Royale de Musique as a violinist at the age of just 15. After several years of playing concerts in the great towns of Europe, he rejoined the The King's 24 Violins in 1730, before becoming a member of the Concert Spirituel, a rare and much-coveted honour. He was also Master of Music at the Opéra de Paris and then musical director of the same institution with his good friend François Rebel. Francœur found himself increasingly in favour at the court of Louis XV who would name him His Majesty's Master of Music in 1760 and ennobled him into the bargain. This was the era of the great rivalry between French and Italian music: Francœur didn't take one side, but accepted the influence of both into his instrumental music. The ten first violin sonatas on this record make up the whole of his First Book published in 1720: ten sonatas, an unusual number at a time when they were normally published by the dozen or half dozen. The writing fuses courtly elegance and rather earthier, joyful Italian energy, and Francœur gives the work a unique voice of its own. In this fresh, melodious music, both refined and robust, we hear tender songs, feverish dances, pastorales, but also a stunning virtuosity. Violinist Mitzi Meyerson chose not to perform these sonatas in the order of their publication, on the grounds that they weren't written to be performed back to back. Meyerson instead arranges them by key as harmoniously possible, and also sorts them by major musical influence: French, Italian and German too. She plays each line with a gentle inflection of the rhythms and emphases that reflects the known historical style of each national body of music. © SM/Qobuz

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Francœur : 10 Sonatas for Violin & Continuo, Book 1

Kreeta-Maria Kentala

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10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major (François Francoeur)

1
I. Adagio
00:03:02

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

2
II. Courante
00:02:32

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

3
III. Sarabande
00:01:32

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

4
IV. Gavotte
00:02:44

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

5
V. Gigue
00:03:07

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor (François Francoeur)

6
I. Adagio
00:02:11

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

7
II. Allemande
00:02:45

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

8
III. Sarabande
00:02:57

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

9
IV. Rondeau
00:02:18

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10
V. Presto
00:03:05

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor (François Francoeur)

11
I. Adagio
00:02:42

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

12
II. Courante
00:03:55

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

13
III. Sarabande
00:02:47

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

14
IV. Gigue
00:02:28

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

15
V. Gavotte
00:01:09

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major (François Francoeur)

16
I. Adagio
00:01:56

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

17
II. Allemande
00:03:27

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

18
III. Sarabande
00:01:52

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

19
IV. Gavotte
00:02:11

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

20
V. Gigue
00:02:42

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 9 in A Major (François Francoeur)

21
I. Adagio
00:02:50

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

22
II. Courante
00:04:12

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

23
III. Adagio
00:02:00

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

24
IV. Gigue
00:02:58

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

DISC 2

10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor (François Francoeur)

1
I. Adagio
00:02:16

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

2
II. Allemande: March
00:03:13

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

3
III. Rondeau
00:02:18

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

4
IV. Sarabande
00:02:23

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

5
V. Rondeau: Gay
00:03:28

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 5 in C Minor (François Francoeur)

6
I. Allemande: Allegro
00:04:18

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

7
II. Adagio
00:03:38

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

8
III. Gavotte
00:01:30

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

9
IV. Presto
00:04:04

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 3 in B-Flat Major (François Francoeur)

10
I. Allemande: Adagio
00:02:57

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

11
II. Allemande
00:03:05

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

12
III. Sarabande
00:02:42

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

13
IV. Rondeau en muzette
00:02:13

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 8 in F Minor (François Francoeur)

14
I. Adagio
00:02:55

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

15
II. Courante
00:02:53

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

16
III. Adagio
00:01:06

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

17
IV. Rondeau
00:02:24

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

10 Sonatas for Violin & Continuo, Book 1, No. 10 in G Major (François Francoeur)

18
I. Allemande: Adagio
00:03:36

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

19
II. Allegro
00:03:13

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

20
III. Sicillienne
00:03:11

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

21
IV. Presto
00:02:42

Kreeta-Maria Kentala, Violin - Mitzi Meyerson, Harpsichord - Lauri Pulakka, Cello - François Francœur, Composer

(C) 2018 Glossa (P) 2018 Glossa

Album review

François Francœur perfected his talents as a violinist and composer in the France of the 18th century, down the years of a very full and long life (1698-1787). He was admitted to the Académie Royale de Musique as a violinist at the age of just 15. After several years of playing concerts in the great towns of Europe, he rejoined the The King's 24 Violins in 1730, before becoming a member of the Concert Spirituel, a rare and much-coveted honour. He was also Master of Music at the Opéra de Paris and then musical director of the same institution with his good friend François Rebel. Francœur found himself increasingly in favour at the court of Louis XV who would name him His Majesty's Master of Music in 1760 and ennobled him into the bargain. This was the era of the great rivalry between French and Italian music: Francœur didn't take one side, but accepted the influence of both into his instrumental music. The ten first violin sonatas on this record make up the whole of his First Book published in 1720: ten sonatas, an unusual number at a time when they were normally published by the dozen or half dozen. The writing fuses courtly elegance and rather earthier, joyful Italian energy, and Francœur gives the work a unique voice of its own. In this fresh, melodious music, both refined and robust, we hear tender songs, feverish dances, pastorales, but also a stunning virtuosity. Violinist Mitzi Meyerson chose not to perform these sonatas in the order of their publication, on the grounds that they weren't written to be performed back to back. Meyerson instead arranges them by key as harmoniously possible, and also sorts them by major musical influence: French, Italian and German too. She plays each line with a gentle inflection of the rhythms and emphases that reflects the known historical style of each national body of music. © SM/Qobuz

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