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Close Lobsters|Foxheads Stalk This Land

Foxheads Stalk This Land

Close Lobsters

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In the mid-'80s, when Britain's underground music scene was dominated by jangly guitars, twee vocals, and fast rhythms, the Close Lobsters were there at the heart. The unusually named Foxheads Stalk This Land was not an album that suffered from over-production, however, this gives the songs a live, gritty feel. Influences stem, quite blatantly, from the Smiths, Orange Juice, the Byrds, and the Buzzcocks. Lyrically, the album does not bear close attention. Most songs comprise phrases which sound good when sung but not printed on a lyrics sheet -- perhaps that's how pop music should be. There is rarely a substandard track to be heard on this fine album, with "I Kiss the Flower in Bloom" being able to grace any Oasis or R.E.M. album.

© Christian Smillie /TiVo

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Foxheads Stalk This Land

Close Lobsters

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1
Just Too Bloody Stupid
00:03:24

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

2
Sewer Pipe Dream
00:03:11

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

3
I Kiss the Flowers in Bloom
00:03:29

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

4
Pathetique
00:02:38

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

5
A Prophecy
00:04:45

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

6
In Spite of These Times
00:03:35

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

7
Foxheads
00:02:49

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

8
I Take Bribes
00:02:12

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

9
Pimps
00:03:47

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

10
Mother of God
00:07:55

Close Lobsters, MainArtist

2002 Fire Records 1987 Fire Records

Album review

In the mid-'80s, when Britain's underground music scene was dominated by jangly guitars, twee vocals, and fast rhythms, the Close Lobsters were there at the heart. The unusually named Foxheads Stalk This Land was not an album that suffered from over-production, however, this gives the songs a live, gritty feel. Influences stem, quite blatantly, from the Smiths, Orange Juice, the Byrds, and the Buzzcocks. Lyrically, the album does not bear close attention. Most songs comprise phrases which sound good when sung but not printed on a lyrics sheet -- perhaps that's how pop music should be. There is rarely a substandard track to be heard on this fine album, with "I Kiss the Flower in Bloom" being able to grace any Oasis or R.E.M. album.

© Christian Smillie /TiVo

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