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Hatebreed|For The Lions

For The Lions

Hatebreed

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The terms metalcore, hardcore, punk metal, and death metal have all been applied at one time or another to New Haven, CT-based Hatebreed, but it was a shared love of all things punk rock that served as the impetus for the band's inception in the early '90s. That's not to say that the 18 covers that make up For the Lions are tapped squarely from the vein of punk history, but at least they finally got around to covering the classic Misfits song from which they derived their name. Like an LP version of Metallica's 1987 $5.98 E.P.: Garage Days Re-Revisited, For the Lions is a love letter to the bands and songs that inspired the group, which means that all of the previously mentioned genres are more or less represented. The band sounds the most engaged on the early hardcore numbers like "Suicidal Maniac" (Suicidal Tendencies), "Thirsty and Miserable" (Black Flag), and "It's the Limit" (Cro-Mags), while nods to the metal gods such as "Ghosts of War" (Slayer) and "Escape" (Metallica) are blistering and volatile enough to warrant inclusion, but feel a little rote.
© James Christopher Monger /TiVo

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For The Lions

Hatebreed

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1
Ghosts Of War Explicit
00:04:00

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

2
Suicidal Maniac Explicit
00:03:06

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

3
Escape Explicit
00:04:37

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

4
Hatebreeders Explicit
00:02:51

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

5
Set It Off Explicit
00:02:37

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

6
Thirsty & Miserable Explicit
00:02:21

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

7
All I Had I Gave Explicit
00:03:15

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

8
Your Mistake Explicit
00:01:43

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

9
I'm In Pain Explicit
00:04:11

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

10
It's The Limit Explicit
00:01:40

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

11
Refuse / Resist Explicit
00:03:07

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

12
Supertouch Explicit
00:02:21

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

13
Evil Minds Explicit
00:00:57

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

14
Shut Me Out Explicit
00:02:14

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

15
Sick Of Talk Explicit
00:00:38

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

16
Life Is Pain Explicit
00:03:21

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

17
Hear Me Explicit
00:01:54

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

18
Boxed In Explicit
00:02:59

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

19
I, Spoiler Explicit
00:02:00

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

20
To The Threshold - Live In Dallas Explicit
00:02:31

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

21
Destroy Everything - Live In Dallas Explicit
00:04:07

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

22
Defeatist - Live In Dallas Explicit
00:02:40

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

23
The Most Truth - Live In Dallas Explicit
00:02:40

Hatebreed, MainArtist

2009 E1 Music 2009 E1 Music

Album review

The terms metalcore, hardcore, punk metal, and death metal have all been applied at one time or another to New Haven, CT-based Hatebreed, but it was a shared love of all things punk rock that served as the impetus for the band's inception in the early '90s. That's not to say that the 18 covers that make up For the Lions are tapped squarely from the vein of punk history, but at least they finally got around to covering the classic Misfits song from which they derived their name. Like an LP version of Metallica's 1987 $5.98 E.P.: Garage Days Re-Revisited, For the Lions is a love letter to the bands and songs that inspired the group, which means that all of the previously mentioned genres are more or less represented. The band sounds the most engaged on the early hardcore numbers like "Suicidal Maniac" (Suicidal Tendencies), "Thirsty and Miserable" (Black Flag), and "It's the Limit" (Cro-Mags), while nods to the metal gods such as "Ghosts of War" (Slayer) and "Escape" (Metallica) are blistering and volatile enough to warrant inclusion, but feel a little rote.
© James Christopher Monger /TiVo

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