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Flaco Jimenez|Flaco's Amigos

Flaco's Amigos

Flaco Jimenez

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This album was released by Arhoolie from recordings made between 1986 and 1988 of the great conjunto accordion player Flaco Jiminez playing with various friends of his in the music business -- primarily Fred Ojeda, Ry Cooder, and Peter Rowan. Truthfully, on most of the tracks, the influence of his "amigos" is hardly noticeable. When Ry Cooder appears on mandolin by the time of "Jennette,," the sound begins to change a bit away from the classic Tex-Mex sound to something almost a bit Hawaiian. Later on in the album, other songs with Cooder hold a less Tex-Mex feel, partially due to the instrumentation, but partly as well due to the change in mood or style from the musicians themselves. They're more relaxed on the Cooder sessions. Again though, the bouncing throb of the conjunto bass returns to pull the listener back to a San Antonio parking lot. Overall, it's quite a nice collection of music, though other Jiminez recordings might be somewhat more representative of his sound.

© Adam Greenberg /TiVo

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Flaco's Amigos

Flaco Jimenez

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1
La Tumba Sera el Final
00:02:45

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

2
The Free Mexican Air Force
00:04:45

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

3
Lucerito
00:02:34

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

4
Did I Tell You
00:02:34

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

5
Para Toda la Vida
00:02:44

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

6
Espero Tu Regreso
00:03:00

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

7
I'm Gonna Love You, Like There Is No Tomorrow
00:03:24

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

8
Jennette
00:04:20

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

9
Mi Primer Amor
00:02:37

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

10
Yo Quisiera Saber
00:02:55

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

11
Poquita Fe
00:04:19

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

12
Atotonilco
00:02:11

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

13
Te Quiero Mas
00:02:48

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

14
La Feria Polka
00:02:12

Unknown, Composer - Flaco Jimenez, MainArtist

(C) 1988 Smithsonian Folkways Recordings (P) 1988 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.

Album review

This album was released by Arhoolie from recordings made between 1986 and 1988 of the great conjunto accordion player Flaco Jiminez playing with various friends of his in the music business -- primarily Fred Ojeda, Ry Cooder, and Peter Rowan. Truthfully, on most of the tracks, the influence of his "amigos" is hardly noticeable. When Ry Cooder appears on mandolin by the time of "Jennette,," the sound begins to change a bit away from the classic Tex-Mex sound to something almost a bit Hawaiian. Later on in the album, other songs with Cooder hold a less Tex-Mex feel, partially due to the instrumentation, but partly as well due to the change in mood or style from the musicians themselves. They're more relaxed on the Cooder sessions. Again though, the bouncing throb of the conjunto bass returns to pull the listener back to a San Antonio parking lot. Overall, it's quite a nice collection of music, though other Jiminez recordings might be somewhat more representative of his sound.

© Adam Greenberg /TiVo

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