Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Comus|First Utterance

First Utterance

Comus
Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Comus' first album contains an imaginative if elusive brand of experimental folk-rock, with a tense and sometimes distressed vibe. Although there are elements of traditional British folk music, there's an edginess to the songwriting and arrangements that would be entirely alien in a Fairport Convention or Pentangle disc. At times, this straddles the border between folk-rock and the kind of songs you'd expect to be sung at a witches' brew fest, the haunting supernatural atmosphere enhanced by bursts of what sound like a theramin-like violin, hand drums, flute, oboe, ghostly female backup vocals, and detours into almost tribal rhythms. All of this might be making the album sound more attractive than it is; the songs are extremely elongated and fragmented, and the male vocals often have a grating munchkin-like quality, sometimes sounding like a wizened Marc Bolan. The lyrics are impenetrable musings, mixing pastoral scenes of nature with images of gore, torture, madness, and even rape, like particularly disturbing myths being set to music. It's been reissued on CD, but here's one case where you might want to get the LP reissue (on Get Back) instead, as it comes with a bonus 12" of three songs in a similar vein as their rare 1971 EP.

© Richie Unterberger /TiVo

Read more

First Utterance

Comus

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

From $10.83/month

1
Diana
00:04:34

Colin Pearson, Composer, Viola, Violin - Rob Young, Flute, Oboe - Comus, MainArtist - Roger Wootton, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

2
The Herald
00:12:08

Colin Pearson, Viola, Violin - Rob Young, Flute, Oboe - Comus, Composer, MainArtist - Roger Wootton, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

3
Drip Drip Explicit
00:10:51

Colin Pearson, Viola, Violin - Rob Young, Flute, Oboe - Comus, Composer, MainArtist - Roger Wootton, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

4
Song to Comus Explicit
00:07:27

Colin Pearson, Viola, Violin - Rob Young, Flute, Oboe - Comus, MainArtist - Roger Wootton, Composer, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

5
The Bite Explicit
00:05:26

Colin Pearson, Viola, Violin - Rob Young, Flute, Oboe - Comus, Composer, MainArtist - Roger Wootton, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

6
Bitten
00:02:16

Colin Pearson, Viola, Violin - Rob Young, Flute, Oboe - Comus, Composer, MainArtist - Roger Wootton, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

7
The Prisoner
00:06:14

Colin Pearson, Viola, Violin - Rob Young, Flute, Oboe - Comus, MainArtist - Roger Wootton, Composer, Acoustic Guitar, Vocals - Barry Murray, Producer - Geoff Calver, Engineer - Bobbie Watson, Percussion, Vocals - Andy Hellaby, Bass Guitar, Vocals - Glen Goring, Vocals

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

8
Diana (Single Version)
00:04:22

Colin Pearson, Composer - Comus, Performance, MainArtist

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

9
In the Lost Queen's Eyes
00:02:47

Comus, Performance, MainArtist - Roger Wootton, Composer

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

10
Winter Is a Coloured Bird
00:07:58

Comus, Composer, Performance, MainArtist

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

11
All the Colours of Darkness
00:07:21

Comus, Composer, Performance, MainArtist

© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

Album review

Comus' first album contains an imaginative if elusive brand of experimental folk-rock, with a tense and sometimes distressed vibe. Although there are elements of traditional British folk music, there's an edginess to the songwriting and arrangements that would be entirely alien in a Fairport Convention or Pentangle disc. At times, this straddles the border between folk-rock and the kind of songs you'd expect to be sung at a witches' brew fest, the haunting supernatural atmosphere enhanced by bursts of what sound like a theramin-like violin, hand drums, flute, oboe, ghostly female backup vocals, and detours into almost tribal rhythms. All of this might be making the album sound more attractive than it is; the songs are extremely elongated and fragmented, and the male vocals often have a grating munchkin-like quality, sometimes sounding like a wizened Marc Bolan. The lyrics are impenetrable musings, mixing pastoral scenes of nature with images of gore, torture, madness, and even rape, like particularly disturbing myths being set to music. It's been reissued on CD, but here's one case where you might want to get the LP reissue (on Get Back) instead, as it comes with a bonus 12" of three songs in a similar vein as their rare 1971 EP.

© Richie Unterberger /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz?

On sale now...

Superunknown

Soundgarden

Superunknown Soundgarden

Superunknown

Soundgarden

Superunknown Soundgarden

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Back To Black

Amy Winehouse

Back To Black Amy Winehouse
More on Qobuz
By Comus

3AM (Ambient Album)

Comus

when you just want to sleep. (Playlist Lofi)

Comus

stories every day. (Playlist Lofi)

Comus

Out Of The Coma

Comus

Whispers of the Keys (Piano Relax Album)

Comus

Playlists

You may also like...

Tracks II: The Lost Albums

Bruce Springsteen

Tracks II: The Lost Albums Bruce Springsteen

Luck and Strange

David Gilmour

Luck and Strange David Gilmour

Pink Floyd at Pompeii - MCMLXXII

Pink Floyd

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Nevermind

Nirvana

Nevermind Nirvana