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SWR Vokalensemble Stuttgart|Fährmann: Motetten Op. 34, 45, 56

Fährmann: Motetten Op. 34, 45, 56

SWR Vokalensemble Stuttgart, Frieder Bernius

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During his lifetime Hans Fährmann was known as “the Richard Strauss of the organ.” Today the compositions of this composer and organist, who was born in 1860 in Beicha, Saxony, are largely unknown. Frieder Bernius has now devoted himself to Fährmann's sacred vocal works and has found the SWR Vokalensemble to be the ideal partner for these late romantic a cappella works, whose demanding harmonies also demand professional ensembles. The SWR vocal ensemble has mastered this challenge brilliantly. For Frieder Bernius, a conductor always on the lookout for exciting choral literature, Fährmann’s compositions represent “an indispensable and very welcome enrichment of the late romantic repertoire.” How true! © Carus-Verlag

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Fährmann: Motetten Op. 34, 45, 56

SWR Vokalensemble Stuttgart

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1
Die mit Tränen säen, Op. 56
00:11:42

SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

7 Sprüche, Op. 45 (Hans Fahrmann)

2
I. Christus hat dem Tode die Macht genommen
00:04:13

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

3
II. Singet dem Herrn ein neues Lied
00:02:51

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

4
III. Bittet, so wird euch gegeben
00:04:00

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

5
IV. Christus ist aufgefahren
00:02:02

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

6
V. Siehe. spricht der Herr
00:03:29

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

7
VI. Ei, du frommer und getreuer Knecht
00:03:55

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

8
VII. Kommet her zu mir alle
00:05:12

Anonymous, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

5 Sprüche und Psalmen, Op. 34 (Hans Fahrmann)

9
I. Gott wird abwischen alle Tränen
00:04:34

Traditional, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

10
II. Die auf den Herrn harren
00:01:36

Traditional, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

11
III. Dein Leben lang habe Gott vor Augen
00:03:03

Traditional, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

12
IV. Herr, höre meine Worte
00:05:21

Traditional, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

13
V. Was ist der Mensch
00:04:59

Traditional, Author - SWR Vokalensemble Stuttgart, Choir, MainArtist - Frieder Bernius, Conductor, MainArtist - Hans Fahrmann, Composer

℗ 2019 Carus

Album review

During his lifetime Hans Fährmann was known as “the Richard Strauss of the organ.” Today the compositions of this composer and organist, who was born in 1860 in Beicha, Saxony, are largely unknown. Frieder Bernius has now devoted himself to Fährmann's sacred vocal works and has found the SWR Vokalensemble to be the ideal partner for these late romantic a cappella works, whose demanding harmonies also demand professional ensembles. The SWR vocal ensemble has mastered this challenge brilliantly. For Frieder Bernius, a conductor always on the lookout for exciting choral literature, Fährmann’s compositions represent “an indispensable and very welcome enrichment of the late romantic repertoire.” How true! © Carus-Verlag

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