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Rejoicensemble!|Eye of the Sparrow

Eye of the Sparrow

Curtis Rayan

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Like Gershwin, composer Carl MaultsBy added classical training to a background in theatrical music, film music, and jazz. And the results as heard on this compilation of his works are impressive. MaultsBy's basic reference is the African-American spiritual, but even when he stays close to the original form, as in the concluding trio of pieces, he adds original elements that take the music out of the realm of arrangement. Most intriguing is the opening Eye of the Sparrow, where the traditional spiritual "His Eye Is on the Sparrow" is not actually heard but forms a presence behind the scenes of the entire work, lending verbal imagery and vocal cadences. This foundation allows MaultsBy to range through a variety of styles that might otherwise seem incoherent, but in his hands cohere into an idealistic vision that brings to mind Leonard Bernstein's Mass. Hear the fourth movement of the work ("Psalm," track 4), where Anglican service music gives way to a Hebrew text accompanied by acoustically realized hip-hop beats. Eye of the Sparrow and The View from the Mountain are both tributes, with differing emphases, to the Rev. Martin Luther King and his wife, Coretta Scott King, and musical organizations looking for repertory to perform during King Day celebrations are emphatically directed to these works. They are rhythmically animated (MaultsBy's treatment of sections with African-American vernacular rhythms is deft and light), varied, and not without humor ("The justice ascended as the widow died," intone the singers in the first movement of The View from the Mountain, "and the nation shed a tear. Strict constructionist, compassionate conservative"). The shorter spirituals form a convincing counterpoint with the larger works, again suggesting programming avenues. Of strong interest for collectors of concert music by African Americans.

© TiVo

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Eye of the Sparrow

Rejoicensemble!

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1
Eye of the Sparrow: Prologue
Curtis Rayan
00:03:46

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jim Ferraiuolo, FeaturedArtist - N'Kenge Simpson-Hoffman, FeaturedArtist - Curtis Rayan, MainArtist, FeaturedArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

2
Eye of the Sparrow: Colors
Curtis Rayan
00:07:14

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jim Ferraiuolo, FeaturedArtist - N'Kenge Simpson-Hoffman, FeaturedArtist - Curtis Rayan, MainArtist, FeaturedArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

3
Eye of the Sparrow: Chant
Curtis Rayan
00:10:11

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jim Ferraiuolo, FeaturedArtist - N'Kenge Simpson-Hoffman, FeaturedArtist - Curtis Rayan, MainArtist, FeaturedArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

4
Eye of the Sparrow: Psalm
Curtis Rayan
00:06:25

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jim Ferraiuolo, FeaturedArtist - N'Kenge Simpson-Hoffman, FeaturedArtist - Curtis Rayan, MainArtist, FeaturedArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

5
Eye of the Sparrow: Wisdom and Truth
Curtis Rayan
00:02:21

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jim Ferraiuolo, FeaturedArtist - N'Kenge Simpson-Hoffman, FeaturedArtist - Curtis Rayan, MainArtist, FeaturedArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

6
Eye of the Sparrow: Rejoice, Celebrate and Sing
Curtis Rayan
00:05:08

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jim Ferraiuolo, FeaturedArtist - N'Kenge Simpson-Hoffman, FeaturedArtist - Curtis Rayan, MainArtist, FeaturedArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

7
Kum Ba Ya
Curtis Rayan
00:02:36

Traditional, Composer - Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

8
The View from the Mountain: The Justice Ascended
Curtis Rayan
00:03:26

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Branch Woodman, FeaturedArtist - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir - Diana Solomon-Glover, FeaturedArtist

(C) 2008 Albany Records (P) 2008 Albany Records

9
The View from the Mountain: The View from the Mountaintop
Curtis Rayan
00:03:00

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Branch Woodman, FeaturedArtist - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir - Diana Solomon-Glover, FeaturedArtist

(C) 2008 Albany Records (P) 2008 Albany Records

10
The View from the Mountain: Mountain Mover
Curtis Rayan
00:03:46

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Branch Woodman, FeaturedArtist - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir - Diana Solomon-Glover, FeaturedArtist

(C) 2008 Albany Records (P) 2008 Albany Records

11
Peace, Be Still
Curtis Rayan
00:05:58

Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir - Alicia Hall-Moran, FeaturedArtist

(C) 2008 Albany Records (P) 2008 Albany Records

12
Hold On
Curtis Rayan
00:03:49

Traditional, Composer - Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Jamet Pittman, FeaturedArtist - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir

(C) 2008 Albany Records (P) 2008 Albany Records

13
Swing Down Chariot
Curtis Rayan
00:02:15

Traditional, Composer - Carl MaultsBy, Composer, Conductor - Rejoicensemble!, Choir - Curtis Rayan, MainArtist - St. Bart's Senior Girl Choristers, Choir - Earl Hazell, FeaturedArtist

(C) 2008 Albany Records (P) 2008 Albany Records

Album review

Like Gershwin, composer Carl MaultsBy added classical training to a background in theatrical music, film music, and jazz. And the results as heard on this compilation of his works are impressive. MaultsBy's basic reference is the African-American spiritual, but even when he stays close to the original form, as in the concluding trio of pieces, he adds original elements that take the music out of the realm of arrangement. Most intriguing is the opening Eye of the Sparrow, where the traditional spiritual "His Eye Is on the Sparrow" is not actually heard but forms a presence behind the scenes of the entire work, lending verbal imagery and vocal cadences. This foundation allows MaultsBy to range through a variety of styles that might otherwise seem incoherent, but in his hands cohere into an idealistic vision that brings to mind Leonard Bernstein's Mass. Hear the fourth movement of the work ("Psalm," track 4), where Anglican service music gives way to a Hebrew text accompanied by acoustically realized hip-hop beats. Eye of the Sparrow and The View from the Mountain are both tributes, with differing emphases, to the Rev. Martin Luther King and his wife, Coretta Scott King, and musical organizations looking for repertory to perform during King Day celebrations are emphatically directed to these works. They are rhythmically animated (MaultsBy's treatment of sections with African-American vernacular rhythms is deft and light), varied, and not without humor ("The justice ascended as the widow died," intone the singers in the first movement of The View from the Mountain, "and the nation shed a tear. Strict constructionist, compassionate conservative"). The shorter spirituals form a convincing counterpoint with the larger works, again suggesting programming avenues. Of strong interest for collectors of concert music by African Americans.

© TiVo

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