Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
When this album was recorded in February of 1961, it had been more than year since the Portrait in Jazz was issued, the disc that won the critics over. By the time of this issue, Evans had released four albums in six years, a pace unheard of during that time. Most musicians were issuing two, three, and even four records a year during the same era. Many speculate on Evans' personal problems at the time, but the truth of the matter lies in the recordings themselves, and Explorations proves that the artist was worth waiting for no matter what else was going on out there. Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. For one thing, Evans resurrects a number of tunes that had been considered hopelessly played out, and literally reinvents them -- "How Deep Is the Ocean" and "Sweet and Lovely." His harmonic richness that extends the melodic and color palette of these numbers literally revived them from obscurity and brought them back into the canon. He also introduced "Haunted Heart" into the jazz repertoire, with a wonderfully impressionistic melodic structure, offered space, and depth by the understatement of Motian and extension by LaFaro's canny use of intervals. Also noteworthy is Miles Davis' "Nardis," which Evans first played on a Cannonball Adderley set a couple of years before. The rhythmic workout by the Motian and LaFaro places Evans' own playing in a new context, with shorter lines, chopping up the meter, and a series of arpeggios that open the ground for revelatory solo in counterpoint by LaFaro. Explorations is an extraordinary example of the reach and breadth of this trio at its peak.
© Thom Jurek /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
John Carisi, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Howard Dietz, ComposerLyricist - Arthur Schwartz, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Victor Young, ComposerLyricist - Haven Gillespie, ComposerLyricist - Wayne King, ComposerLyricist - Egbert Van Alstyne, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Bill Evans Trio, MainArtist - Earl Zindars, ComposerLyricist
℗ 2011 Concord Music Group, Inc.
Miles Davis, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Irving Berlin, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Harry Warren, ComposerLyricist - Mack Gordon, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Jules Lemare, ComposerLyricist - Gus Arnheim, ComposerLyricist - Harry Tobias, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Hugh Martin, ComposerLyricist - Ralph Blane, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Victor Young, ComposerLyricist - Haven Gillespie, ComposerLyricist - Wayne King, ComposerLyricist - Egbert Van Alstyne, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Irving Berlin, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Harry Warren, ComposerLyricist - Mack Gordon, ComposerLyricist - Bill Evans Trio, MainArtist
℗ 2011 Concord Music Group, Inc.
Album review
When this album was recorded in February of 1961, it had been more than year since the Portrait in Jazz was issued, the disc that won the critics over. By the time of this issue, Evans had released four albums in six years, a pace unheard of during that time. Most musicians were issuing two, three, and even four records a year during the same era. Many speculate on Evans' personal problems at the time, but the truth of the matter lies in the recordings themselves, and Explorations proves that the artist was worth waiting for no matter what else was going on out there. Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. For one thing, Evans resurrects a number of tunes that had been considered hopelessly played out, and literally reinvents them -- "How Deep Is the Ocean" and "Sweet and Lovely." His harmonic richness that extends the melodic and color palette of these numbers literally revived them from obscurity and brought them back into the canon. He also introduced "Haunted Heart" into the jazz repertoire, with a wonderfully impressionistic melodic structure, offered space, and depth by the understatement of Motian and extension by LaFaro's canny use of intervals. Also noteworthy is Miles Davis' "Nardis," which Evans first played on a Cannonball Adderley set a couple of years before. The rhythmic workout by the Motian and LaFaro places Evans' own playing in a new context, with shorter lines, chopping up the meter, and a series of arpeggios that open the ground for revelatory solo in counterpoint by LaFaro. Explorations is an extraordinary example of the reach and breadth of this trio at its peak.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:59:55
- 1 Digital booklet
- Main artists: Bill Evans Trio
- Composer: Various Composers
- Label: Original Jazz Classics
- Genre: Jazz
© 2011 Concord Music Group, Inc. ℗ 2011 Concord Music Group, Inc.
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.