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Spacetime Continuum|Double Fine Zone

Double Fine Zone

Spacetime Continuum

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Echoing the focus on a live, jazzy feel of contemporary works by As One, Ian O'Brien, and Carl Craig, Spacetime Continuum's Double Fine Zone includes sax player Brian Iddenden on several tracks plus Spacetime himself, Jonah Sharp, contributing just about everything else (that is, drums, synth, sampler, and Rhodes piano). Though the "live" feel is mostly a non-event (Iddenden's smooth late-night sax solos are, to be kind, unnecessary), Sharp saves the day with some inventive programming, reminiscent of his last proper full-length, Emit Ecaps. The bubbly effects and lo-energy trance breaks on "Microjam," the static chords mirroring a set of cloudy synthesizer breaks on the highlight "Biscuit Face," and the unsequenced drums and Rhodes shards on "Beveled Edge" all prove that Sharp doesn't need the gimmick of a "jazz" album to make fine music that's more innovative than derivative.

© John Bush /TiVo

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Double Fine Zone

Spacetime Continuum

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1
The Ring
00:03:45

Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

2
Microjam
00:07:04

Brian Iddenden, Saxophone, AssociatedPerformer - Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

3
Freezone
00:05:27

Brian Iddenden, Saxophone, AssociatedPerformer - Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

4
Biscuit Face
00:05:42

Brian Iddenden, Saxophone, AssociatedPerformer - Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

5
Beveled Edge
00:05:45

Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

6
Compound
00:04:48

Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

7
Spin Out
00:06:36

Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

8
One At A Day
00:05:18

Brian Iddenden, Saxophone, AssociatedPerformer - Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

9
Manaka
00:06:24

Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

10
Different Bend
00:04:56

Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

11
Further Down The Road
00:07:41

Damien Masterson, Harmonica, AssociatedPerformer - Spacetime Continuum, MainArtist - Jonah Sharp, Composer, Producer, Drums, Keyboards, Synthesizer, Samples, AssociatedPerformer

(C) 1999 Astralwerks ℗ 1999 Astralwerks

Album review

Echoing the focus on a live, jazzy feel of contemporary works by As One, Ian O'Brien, and Carl Craig, Spacetime Continuum's Double Fine Zone includes sax player Brian Iddenden on several tracks plus Spacetime himself, Jonah Sharp, contributing just about everything else (that is, drums, synth, sampler, and Rhodes piano). Though the "live" feel is mostly a non-event (Iddenden's smooth late-night sax solos are, to be kind, unnecessary), Sharp saves the day with some inventive programming, reminiscent of his last proper full-length, Emit Ecaps. The bubbly effects and lo-energy trance breaks on "Microjam," the static chords mirroring a set of cloudy synthesizer breaks on the highlight "Biscuit Face," and the unsequenced drums and Rhodes shards on "Beveled Edge" all prove that Sharp doesn't need the gimmick of a "jazz" album to make fine music that's more innovative than derivative.

© John Bush /TiVo

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