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George Duke|Don't Let Go (Expanded Edition)

Don't Let Go (Expanded Edition)

George Duke

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With a hot funk band and a big hit, "Reach for It," behind him, George Duke appears mostly in his persona as R&B star on this ebullient package of sometimes Latin-inflected '70s funk. The centerpiece is a self-parodic bit of shuck and jive called "Dukey Stick," which became a number four hit single on the R&B charts (at his gigs, Duke used to flaunt a gaudy, lit-up, perhaps phallic wand, the "Dukey stick," during this number). The percussion section is pretty potent, staffed by Leon "Ndugu" Chancler and Sheila Escovedo in her pre-pop star days; they even get a Latin workout of their own simply titled "Percussion Interlude." While some of Duke's considerable keyboard and electronic prowess breaks through now and then, this album is mainly aimed at the R&B market, as the preponderance of soul vocals indicates. As such, it is a cut or two above the routine fare of the time, though not as infectious as its predecessor Reach for It.

© Richard S. Ginell /TiVo

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Don't Let Go (Expanded Edition)

George Duke

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1
We Give Our Love
00:04:34

B. Miller, Composer, Lyricist - C.I. Johnson, Composer, Lyricist - L.N. CHANCLER, Composer, Lyricist - Leon Chancler, Arranger, Drums - Charles Johnson, Guitar - Byron Miller, Arranger, Bass - Johnson, Arranger - George Duke, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Wah Wah Watson, Guitar - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - George Duke, Arranger - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

2
Morning Sun
00:04:16

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Arranger, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

3
Percussion Interlude
00:02:03

L.N. CHANCLER, Composer, Lyricist - S. Escovedo, Composer, Lyricist - Leon "Ndugu" Chancler, Arranger - Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Producer, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

4
Dukey Stick
00:06:08

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

5
Starting Again
00:04:31

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Keyboards, Vocal Arranger, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer, Mixing Engineer - Josie James, Background Vocal - Sheila Escovedo, Percussion - Pattie Brooks, Background Vocal - Petsye Powell, Background Vocal - Napoleon Murphy Brock, Background Vocal

(P) 1977, 1978, 1981, 1982, 1990, 1996 Sony Music Entertainment Inc.

6
Yeah, We Going
00:03:42

L.N. CHANCLER, Composer, Lyricist - Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Producer, Arranger, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

7
The Way I Feel
00:04:46

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

8
Movin' On
00:04:23

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Arranger, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

9
Don't Let Go
00:03:27

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

10
Preface
00:01:29

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - Judy Geist, Viola - George Duke, Composer, Lyricist, Producer, Arranger, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

11
The Future
00:03:25

Leon Chancler, Drums - Charles Johnson, Guitar - Byron Miller, Bass - George Duke, Composer, Lyricist, Producer, Arranger, Keyboards, MainArtist, AssociatedPerformer, Vocal - Kerry McNabb, Engineer - Josie James, Vocal - Pattie Brooks, Background Vocal - Mitch Gibson, Assistant Engineer - Petsye Powell, Background Vocal - Carol Shive, Violin - Johnny Golden, Mastering Engineer - Napolean Murphy Brock, Vocal - Sheila Escuvedo, Percussion, Vocal

(P) 1978 Epic Records, a division of Sony Music Entertainment

12
Dukey Stick (Part One)
00:03:33

George Duke, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer

(P) 1978 Sony Music Entertainment

13
Dukey Stick (Part Two)
00:04:41

George Duke, Composer, Lyricist, Producer, MainArtist, AssociatedPerformer

(P) 1978 Sony Music Entertainment

14
Dukey Stick (12" Special Disco Version)
00:08:06

George Duke, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 1978 SONY BMG MUSIC ENTERTAINMENT

Album review

With a hot funk band and a big hit, "Reach for It," behind him, George Duke appears mostly in his persona as R&B star on this ebullient package of sometimes Latin-inflected '70s funk. The centerpiece is a self-parodic bit of shuck and jive called "Dukey Stick," which became a number four hit single on the R&B charts (at his gigs, Duke used to flaunt a gaudy, lit-up, perhaps phallic wand, the "Dukey stick," during this number). The percussion section is pretty potent, staffed by Leon "Ndugu" Chancler and Sheila Escovedo in her pre-pop star days; they even get a Latin workout of their own simply titled "Percussion Interlude." While some of Duke's considerable keyboard and electronic prowess breaks through now and then, this album is mainly aimed at the R&B market, as the preponderance of soul vocals indicates. As such, it is a cut or two above the routine fare of the time, though not as infectious as its predecessor Reach for It.

© Richard S. Ginell /TiVo

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