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Molotov|Donde Jugaran Las Niñas

Donde Jugaran Las Niñas

Molotov

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By the end of the '90s, hip-hop-informed metal had not only become familiar, it had become the sound of disaffected teens, not only in America but throughout the world. Usually, American groups could be successful in other countries -- Europe, Latin America -- but the reverse was never true. That all changed with Molotov and their album, ¿Dónde Jugarán las Niñas? Picking up where Licensed to Ill left off, Molotov come across as a wilder Rage Against the Machine, with more affection for grooves and fun -- all of which makes their social commentary cut a bit deeper. Of course, many American audiences didn't understand the meaning of the lyrics -- they understood that the relentless rhythms swung the heavy guitars more nimbly than most homegrown rap-metal outfits, which makes the record simply sound better than most of its ilk. And make no mistake about it, it's the sound (along with the teen sex cover, which could be seen as very offensive by many observers, both conservative and liberal) that will sell them in the U.S., and for good reason -- they're better than most of their peers.

© Stephen Thomas Erlewine /TiVo

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Donde Jugaran Las Niñas

Molotov

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1
Que No Te Haga Bobo Jacobo Explicit
00:03:23

Gustavo Santaolalla, Producer - Molotov, MainArtist - Miguel Angel Huidobro Preciado, ComposerLyricist

℗ 1997 Universal Music Latino

2
Molotov Cocktail Party Explicit
00:03:33

Gustavo Santaolalla, Producer - Molotov, MainArtist - Randy Ebright Wideman, ComposerLyricist - Randy Edbright Wideman, ComposerLyricist

℗ 1997 Universal Music Latino

3
Voto Latino
00:02:58

Gustavo Santaolalla, Producer - Anibal Kerpel, Producer - Molotov, MainArtist - Ismael "Tito" Fuentes De Garay, ComposerLyricist - Ismael Fuentes De Garay, ComposerLyricist

℗ 1997 Universal Music Latino

4
Chinga Tu Madre Explicit
00:03:18

Gustavo Santaolalla, Producer - Molotov, MainArtist - Miguel Angel Huidobro Preciado, ComposerLyricist

℗ 1997 Universal Music Latino

5
Gimme Tha Power Explicit
00:04:10

Gustavo Santaolalla, Producer - Molotov, MainArtist - Miguel Angel Huidobro Preciado, ComposerLyricist

℗ 1997 Universal Music Latino

6
Matate Tete
00:04:30

Gustavo Santaolalla, Producer - Molotov, MainArtist - Miguel Angel Huidobro Preciado, ComposerLyricist

℗ 1997 Universal Music Latino

7
Más Vale Cholo Explicit
00:04:44

Gustavo Santaolalla, Producer - Molotov, MainArtist - Ismael "Tito" Fuentes De Garay, ComposerLyricist - Miguel Angel Huidobro Preciado, ComposerLyricist - Javier De La Cueva, ComposerLyricist

℗ 1997 Universal Music Latino

8
Use It Or Lose It
00:04:22

Gustavo Santaolalla, Producer - Anibal Kerpel, Producer - Molotov, MainArtist - Randy Ebright Wideman, ComposerLyricist - Randy Edbright Wideman, ComposerLyricist - Juan Francisco Gonzalez, ComposerLyricist

℗ 1997 Universal Music Latino

9
Puto (Album Version) Explicit
00:02:07

Gustavo Santaolalla, Producer - Molotov, MainArtist - Ismael "Tito" Fuentes De Garay, ComposerLyricist - Ismael Fuentes De Garay, ComposerLyricist

℗ 1997 Universal Music Latino

10
¿Por Qué No Te Haces Para Alla?.. Al Mas Alla Explicit
00:04:46

Gustavo Santaolalla, Producer - Molotov, MainArtist - Miguel Angel Huidobro Preciado, ComposerLyricist

℗ 1997 Universal Music Latino

11
Cerdo
00:02:48

Gustavo Santaolalla, Producer - Molotov, MainArtist - Ismael "Tito" Fuentes De Garay, ComposerLyricist - Ismael Fuentes De Garay, ComposerLyricist

℗ 1997 Universal Music Latino

12
Quitate Que Ma'sturbas ( Perra Arrabalera) Explicit
00:03:54

Gustavo Santaolalla, Producer - Molotov, MainArtist - Miguel Angel Huidobro Preciado, ComposerLyricist

℗ 1997 Universal Music Latino

Album review

By the end of the '90s, hip-hop-informed metal had not only become familiar, it had become the sound of disaffected teens, not only in America but throughout the world. Usually, American groups could be successful in other countries -- Europe, Latin America -- but the reverse was never true. That all changed with Molotov and their album, ¿Dónde Jugarán las Niñas? Picking up where Licensed to Ill left off, Molotov come across as a wilder Rage Against the Machine, with more affection for grooves and fun -- all of which makes their social commentary cut a bit deeper. Of course, many American audiences didn't understand the meaning of the lyrics -- they understood that the relentless rhythms swung the heavy guitars more nimbly than most homegrown rap-metal outfits, which makes the record simply sound better than most of its ilk. And make no mistake about it, it's the sound (along with the teen sex cover, which could be seen as very offensive by many observers, both conservative and liberal) that will sell them in the U.S., and for good reason -- they're better than most of their peers.

© Stephen Thomas Erlewine /TiVo

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