Your cart is empty

M83 - Dead Cities, Red Seas & Lost Ghosts Remixes & B-Sides

Mes favoris
Cet élément a bien été ajouté / retiré de vos favoris.
Dead Cities, Red Seas & Lost Ghosts Remixes & B-Sides
M83
- Released on 9/9/14 by Mute
- Main artist: M83
- Genre: Électronique
Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
On the list as one of the most radiant keyboard albums, M83's absurdly lush Dead Cities, Red Seas & Lost Ghosts combines a small arsenal of antiquated synths and drum machines with a shoegaze aesthetic to create a giant starburst of sound and analog miasma. A French duo comprised of Nicolas Fromageau and Anthony Gonzalez, the pair's songs seem to evolve from one major chord to the next with tremendous velocity, always accumulating dense new layers of sound along the way. The keyboards throb, quiver, arpeggiate, and drone with such unbridled intensity that there's rarely any space (or need) for anything else. But while the shrill analog thrash of "America," the frenzied overload of "0078H," and the sustained crescendo of "Noise" certainly prove beyond doubt that guitars needn't be a prerequisite for post-rock dramatics, M83 are so much more than just a quiet-loud-quiet-loud outfit with a twist. As evidenced by the singsongy hymnal of "In Church," the sweetly sung vocals on "Run Into Flowers," and the provincial chimes of final track "Beauties Can Die," M83 is a keyboard band of the best kind: one with nuance, tone, thrash, and color.
© Mark Pytlik /TiVo
Dead Cities, Red Seas & Lost Ghosts Remixes & B-Sides
M83
You are currently listening to samples.
Listen to over 70 million songs with an unlimited streaming plan.
Listen to this album and more than 70 million songs with your unlimited streaming plans.
1 month free, then $14.99/ month

M83, MainArtist
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2014
M83, MainArtist
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2014
M83, MainArtist
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 M83 Recording Inc. under exclusive license to Mute for USA & Canada
Anthony Gonzalez, Composer, Writer - M83, MainArtist - NICOLAS FROMAGEAU, Composer, Writer
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 Gooom Disques
Anthony Gonzalez, Composer, Writer - M83, MainArtist
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 Gooom Disques
Anthony Gonzalez, Composer, Writer - M83, MainArtist - NICOLAS FROMAGEAU, Composer, Writer - Benoit Villeneuve, Composer, Writer
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 Gooom Disques
Anthony Gonzalez, Composer, Writer - M83, MainArtist - NICOLAS FROMAGEAU, Composer, Writer - Benoit Villeneuve, Composer, Writer
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 Gooom Disques
Anthony Gonzalez, Composer, Writer - M83, MainArtist - NICOLAS FROMAGEAU, Composer, Writer - Benoit Villeneuve, Composer, Writer
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 Gooom Disques
Album Description
On the list as one of the most radiant keyboard albums, M83's absurdly lush Dead Cities, Red Seas & Lost Ghosts combines a small arsenal of antiquated synths and drum machines with a shoegaze aesthetic to create a giant starburst of sound and analog miasma. A French duo comprised of Nicolas Fromageau and Anthony Gonzalez, the pair's songs seem to evolve from one major chord to the next with tremendous velocity, always accumulating dense new layers of sound along the way. The keyboards throb, quiver, arpeggiate, and drone with such unbridled intensity that there's rarely any space (or need) for anything else. But while the shrill analog thrash of "America," the frenzied overload of "0078H," and the sustained crescendo of "Noise" certainly prove beyond doubt that guitars needn't be a prerequisite for post-rock dramatics, M83 are so much more than just a quiet-loud-quiet-loud outfit with a twist. As evidenced by the singsongy hymnal of "In Church," the sweetly sung vocals on "Run Into Flowers," and the provincial chimes of final track "Beauties Can Die," M83 is a keyboard band of the best kind: one with nuance, tone, thrash, and color.
© Mark Pytlik /TiVo
About the album
- 1 disc(s) - 8 track(s)
- Total length: 00:55:49
- Main artist: M83
- Composer: Various Composers
- Label: Mute
- Genre: Electronic
-
16-Bit CD Quality 44.1 kHz - Stereo
2014 M83 Recording Inc. under exclusive license to Mute for USA & Canada 2003 M83 Recording Inc. under exclusive license to Mute for USA & Canada
Improve this page
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.




Playlists




Kraftwerk, the most influential electro group in history, founded by Ralf Hütter and Florian Schneider, who died of cancer on May 6, 2020, have always been ahead of their time. Ahead of technology, composition and stage performance, the Germans proved to the public that robots were also capable of emotion and paved the way for techno, new wave and even hip-hop.
To celebrate 20 years since the release of her film “The Virgin Suicides”, Qobuz takes a look back at some of the top musical moments from the films of Sofia Coppola, like her collaborations with French duo Air or Thomas Mars from the band Phoenix.
How does one Mancunian group move from perhaps the gloomiest band of the punk era to a master of the dance-floor? In the early eighties, straight out of Joy Division’s ashes, New Order marked one of the first successful unions of rock’n’roll and dance music. A perfect soundtrack for a morose, Thatcherite England.