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The Rascals

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The garage rock feel has been banished almost entirely from the group's second album, whose release followed a pair of disappointing singles ("What Is the Reason" and "Come On Up"). It also includes their first misjudgment on an album, Gene Cornish's too quiet, too introspective, and way-too-languid "No Love to Give," amid an otherwise wonderfully soulful body of music that picks up right where "In the Midnight Hour" from the prior album left off. Most of this record is among the most danceable white rock music of its period -- even the Eddie Brigati-sung cover of the then-current pop standard "More" has a certain rocking credibility. Their attempt at bluesy rock & roll, Cornish's "Nineteen Fifty-Six," a bit of a "Kansas City" rip-off, with a pair of crunchy guitar parts and Cornish singing lead, also comes off extremely well. They're even better with the more soulful tracks, however. "Land of 1000 Dances" was the best track on which to end this album, but it was Cavaliere and David Brigati's "Love Is a Beautiful Thing" that pointed to the future, showing the group moving toward the mix of sounds and sentiments behind "People Got to Be Free." The CD reissue of this album (originally on Atlantic) has no notes but very good sound.

© Bruce Eder /TiVo

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The Rascals

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1
What Is the Reason (Single Version)
00:02:23

Eddie Brigati, Writer - The Young Rascals, MainArtist - Felix Cavaliere, Writer - The Rascals, Vocals

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Since I Fell for You
00:03:29

The Rascals, Vocals, MainArtist - Buddy Johnson, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Lonely Too Long
00:03:02

Arif Mardin, Arranger - The Young Rascals, MainArtist - Eddie Brigante, Writer - Felix Cavaliere, Composer, Writer - The Rascals, Vocals - F. Cavaliere, Writer - E. Brigati, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
No Love to Give
00:02:48

The Rascals, Vocals, MainArtist - G. Cornish, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
Mickey's Monkey / Love Lights
00:04:50

Holland, Writer - The Rascals, Vocals, MainArtist - Lamont Dozier, Writer - G. Roslie, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Come on Up (Single Version)
00:02:47

Richard Davis, Bass Guitar - Chuck Rainey, Bass Guitar, Vocals - Arif Mardin, Conductor, Arranger - King Curtis, Tenor Saxophone - Buddy Lucas, Harmonica - Ron Carter, Bass Guitar - The Young Rascals, MainArtist - Dino Danelli, Drums - Eddie Brigante, Guitar, Vocals, Writer - Gene Cornish, Guitar - Hubert Lewis, Flute - Mel Lastie, Trumpet - Steve Marcus, Soprano Saxophone - David Brigati, Vocals - Felix Cavaliere, Writer - The Rascals, Producer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1966 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Too Many Fish in the Sea
00:02:24

Richard Davis, Bass Guitar - Chuck Rainey, Bass Guitar, Vocals - Arif Mardin, Conductor, Arranger - King Curtis, Tenor Saxophone - Buddy Lucas, Harmonica - Ron Carter, Bass Guitar - The Young Rascals, MainArtist - Dino Danelli, Drums - Eddie Brigante, Guitar, Vocals - Gene Cornish, Guitar - Hubert Lewis, Flute - Mel Lastie, Trumpet - Steve Marcus, Soprano Saxophone - David Brigati, Vocals - The Rascals, Producer - E Holland, Writer - N WHITFIELD, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
More
00:04:23

Richard Davis, Bass Guitar - Chuck Rainey, Bass Guitar, Vocals - Arif Mardin, Conductor, Arranger - King Curtis, Tenor Saxophone - Buddy Lucas, Harmonica - Ron Carter, Bass Guitar - Dino Danelli, Drums - Eddie Brigante, Guitar, Vocals - Gene Cornish, Guitar - Hubert Lewis, Flute - Mel Lastie, Trumpet - Steve Marcus, Soprano Saxophone - David Brigati, Vocals - The Rascals, Producer, MainArtist - Ortolani, Writer - Newell, Writer - Ciorciolini`, Writer - Oliveiro, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Nineteen Fifty-Six
00:02:31

Richard Davis, Bass Guitar - Chuck Rainey, Bass Guitar, Vocals - Arif Mardin, Conductor, Arranger - King Curtis, Tenor Saxophone - Buddy Lucas, Harmonica - Ron Carter, Bass Guitar - Dino Danelli, Drums - Eddie Brigante, Guitar, Vocals - Gene Cornish, Guitar - Hubert Lewis, Flute - Mel Lastie, Trumpet - Steve Marcus, Soprano Saxophone - David Brigati, Vocals - The Rascals, Producer, MainArtist - Cornish, Writer - Danelli, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Love Is a Beautiful Thing (Single Version)
00:02:31

Richard Davis, Bass Guitar - Eddie Brigati, Writer - Chuck Rainey, Bass Guitar, Vocals - Arif Mardin, Conductor, Arranger - King Curtis, Tenor Saxophone - Buddy Lucas, Harmonica - Ron Carter, Bass Guitar - Dino Danelli, Drums - Eddie Brigante, Guitar, Vocals - Gene Cornish, Guitar - Hubert Lewis, Flute - Mel Lastie, Trumpet - Steve Marcus, Soprano Saxophone - David Brigati, Vocals - Felix Cavaliere, Writer - The Rascals, Producer, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
Land of 1000 Dances
00:01:59

Richard Davis, Bass Guitar - Chuck Rainey, Bass Guitar, Vocals - Arif Mardin, Conductor, Arranger - King Curtis, Tenor Saxophone - C.KENNER, Writer - Buddy Lucas, Harmonica - Ron Carter, Bass Guitar - Dino Danelli, Drums - Eddie Brigante, Guitar, Vocals - Gene Cornish, Guitar - Hubert Lewis, Flute - Mel Lastie, Trumpet - Steve Marcus, Soprano Saxophone - David Brigati, Vocals - The Rascals, Producer, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

The garage rock feel has been banished almost entirely from the group's second album, whose release followed a pair of disappointing singles ("What Is the Reason" and "Come On Up"). It also includes their first misjudgment on an album, Gene Cornish's too quiet, too introspective, and way-too-languid "No Love to Give," amid an otherwise wonderfully soulful body of music that picks up right where "In the Midnight Hour" from the prior album left off. Most of this record is among the most danceable white rock music of its period -- even the Eddie Brigati-sung cover of the then-current pop standard "More" has a certain rocking credibility. Their attempt at bluesy rock & roll, Cornish's "Nineteen Fifty-Six," a bit of a "Kansas City" rip-off, with a pair of crunchy guitar parts and Cornish singing lead, also comes off extremely well. They're even better with the more soulful tracks, however. "Land of 1000 Dances" was the best track on which to end this album, but it was Cavaliere and David Brigati's "Love Is a Beautiful Thing" that pointed to the future, showing the group moving toward the mix of sounds and sentiments behind "People Got to Be Free." The CD reissue of this album (originally on Atlantic) has no notes but very good sound.

© Bruce Eder /TiVo

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