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Zedd - Clarity

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Clarity

Zedd

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In the span of a few years, Anton Zaslavski was inspired by Justice to make electronic dance music, reached out to Skrillex and remixed "Scary Monsters and Nice Sprites," became an in-demand producer of remixes and original material, and signed to mainstream label Interscope. His remixes for the Black Eyed Peas and Lady Gaga, combined with production for Justin Bieber's Believe and singles like "The Anthem," "Shave It," and "Spectrum," made the German musician, still in his early twenties, a rising star in EDM and pop. Zaslavski's rapid ascent says more about his talent and creativity than the lack of skill and imagination required to make dance music. He was the drummer in a metalcore band, but he has definitely found his calling here. Clarity's lone pre-Interscope track is "Shave It," retitled "Shave It Up," made more musical with an all-strings coda, and yet shortened to a brisk 3:11. The song's grand and extended conclusion makes an early-in-the-album statement, however ostentatious, that Zaslavski can compose circles around the majority of EDM producers and do so in a concise fashion. He also knows how to construct an album. This plays out like it was developed and arranged for the sake of repeated listening rather than a quick fix for listeners in need of a rush. That said, there are plenty of peak moments that reflect the immediacy and desperation of adolescent relationships, like the stadium-ready title song (featuring Louisa Rose Allen, aka Foxes) and the fully developed modern pop of "Spectrum" (fronted in a boyish, bright-eyed manner by Matthew Koma). The instrumentals tend to be relatively restrained, but most of them are more attractive than the songs featuring big-name vocalists Ryan Tedder and Ellie Goulding. Zaslavski's not quite in a field of his own yet. "Stache" shamelessly displays the producer's indebtedness to key Justice influence Daft Punk -- it might as well be subtitled "Aerodynamic 2K12" -- but he's getting there. Anyone who appreciates well-crafted dance-pop should probably keep up with him.
© Andy Kellman /TiVo

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Clarity

Zedd

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1
Hourglass
Zedd
00:05:12

LiZ, FeaturedArtist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Elizabeth Nicole Abrams, ComposerLyricist

℗ 2012 Interscope Records

2
Shave It Up
Zedd
00:03:10

Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist

℗ 2011 OWLSA Recordings, distributed by Interscope Records under license from OWSLA Recordings

3
Spectrum
Zedd
00:04:03

Matthew Bair, ComposerLyricist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Matthew Koma, FeaturedArtist

℗ 2012 Interscope Records

4
Lost At Sea
Zedd
00:03:45

Ryan Tedder, FeaturedArtist, ComposerLyricist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist

℗ 2012 Interscope Records

5
Clarity
Zedd
00:04:31

Matthew Bair, ComposerLyricist - Porter Robinson, ComposerLyricist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Foxes, FeaturedArtist - Holly Hafferman, ComposerLyricist - Ryan Shanahan, Engineer, Recording Engineer, StudioPersonnel

℗ 2012 Interscope Records

6
Codec
Zedd
00:06:01

Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist

℗ 2012 Interscope Records

7
Stache
Zedd
00:04:04

Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist

℗ 2012 Interscope Records

8
Fall Into The Sky
Zedd
00:03:37

Ellie Goulding, FeaturedArtist, ComposerLyricist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Lucky Date, MainArtist, ComposerLyricist

℗ 2012 Interscope Records

9
Follow You Down
Zedd
00:05:47

Heather Bright, ComposerLyricist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Bright Lights, FeaturedArtist - Philip Andrew Schwan, ComposerLyricist

℗ 2012 Interscope Records

10
Epos
Zedd
00:05:35

Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist

℗ 2012 Interscope Records

11
Stay The Night Featuring Hayley Williams Of Paramore
Zedd
00:03:36

Hayley Williams, FeaturedArtist, ComposerLyricist - Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Carah Faye, ComposerLyricist - Benjamin Eli Hanna, ComposerLyricist

℗ 2013 Interscope Records

12
Push Play
Zedd
00:03:39

Anton Zaslavski, ComposerLyricist - Zedd, Producer, MainArtist - Miriam Bryant, FeaturedArtist, ComposerLyricist - Victor Rådström, ComposerLyricist

℗ 2013 Interscope Records

13
Alive
Empire Of The Sun
00:03:46

Jonathan Sloan, Music Production, AssociatedPerformer, ComposerLyricist - Serban Ghenea, Mixer, StudioPersonnel - Empire Of The Sun, MainArtist - Luke Steele, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Nick Littlemore, Producer, Music Production, AssociatedPerformer, ComposerLyricist - Peter Mayes, Producer, Engineer, Additional Producer, Music Production, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Donnie Sloan, Producer, Additional Producer - Anton Zaslavski, ComposerLyricist - Zedd, Remixer, MainArtist, StudioPersonnel - Liam Gerner, Guitar, AssociatedPerformer - Steven Bach, Keyboards, AssociatedPerformer, ComposerLyricist

℗ 2013 The Sleepy Jackson Pty Ltd and Nick Littlemore, under exclusive licence to EMI Music Australia Pty Ltd

14
Breakn' A Sweat Zedd Remix
Skrillex
00:04:33

JOHN DENSMORE, ComposerLyricist - Jim Morrison, ComposerLyricist - Ray Manzarek, ComposerLyricist - The Doors, MainArtist - Robby Krieger, ComposerLyricist - Sonny Moore, ComposerLyricist - Skrillex, Producer, MainArtist - Zedd, Remixer, StudioPersonnel

℗ 2012 Atlantic Recording Corp.

Album Description

In the span of a few years, Anton Zaslavski was inspired by Justice to make electronic dance music, reached out to Skrillex and remixed "Scary Monsters and Nice Sprites," became an in-demand producer of remixes and original material, and signed to mainstream label Interscope. His remixes for the Black Eyed Peas and Lady Gaga, combined with production for Justin Bieber's Believe and singles like "The Anthem," "Shave It," and "Spectrum," made the German musician, still in his early twenties, a rising star in EDM and pop. Zaslavski's rapid ascent says more about his talent and creativity than the lack of skill and imagination required to make dance music. He was the drummer in a metalcore band, but he has definitely found his calling here. Clarity's lone pre-Interscope track is "Shave It," retitled "Shave It Up," made more musical with an all-strings coda, and yet shortened to a brisk 3:11. The song's grand and extended conclusion makes an early-in-the-album statement, however ostentatious, that Zaslavski can compose circles around the majority of EDM producers and do so in a concise fashion. He also knows how to construct an album. This plays out like it was developed and arranged for the sake of repeated listening rather than a quick fix for listeners in need of a rush. That said, there are plenty of peak moments that reflect the immediacy and desperation of adolescent relationships, like the stadium-ready title song (featuring Louisa Rose Allen, aka Foxes) and the fully developed modern pop of "Spectrum" (fronted in a boyish, bright-eyed manner by Matthew Koma). The instrumentals tend to be relatively restrained, but most of them are more attractive than the songs featuring big-name vocalists Ryan Tedder and Ellie Goulding. Zaslavski's not quite in a field of his own yet. "Stache" shamelessly displays the producer's indebtedness to key Justice influence Daft Punk -- it might as well be subtitled "Aerodynamic 2K12" -- but he's getting there. Anyone who appreciates well-crafted dance-pop should probably keep up with him.
© Andy Kellman /TiVo

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