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CordArte Ensemble|Chamber music for up to four parts

Chamber music for up to four parts

Henry Purcell

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Germany's Ensemble CordArte, from Cologne, offers an almost unrelievedly serious hour of instrumental music here in this collection of chamber music by Henry Purcell. It may be difficult listening in a way, but it's an ambitious recording that gives the listener a good idea of the scope of music that is sometimes performed in a rather monochrome way. CordArte mixes up the various genres of Purcell's instrumental music rather than presenting sequences of one genre or another. The aim in so doing is to illustrate the novelty of the young Purcell's style (he was in his early twenties when most of this music was written), which drew on influences from Italy, France, and perhaps Germany, while also looking back at the grand tradition of English music in the 17th century. The violin was still a rare instrument in England in 1683, when the set of 12 Sonatas in Three Parts from which several of these pieces are taken was first published. These are vintage Purcell, sober yet lyrical takes on the pre-Corelli Italian sonata. Purcell professed to dislike the French style but nevertheless wrote several works for King Charles II's Four-and-Twenty Fiddlers, a direct imitation of the French court's 24 Violons du Roi. The Suite in G major (track 2) and perhaps the Chacony in G major (track 11) represent this part of his output, and the fantasias and pavans are old English contrapuntal pieces spiced up with daring chromatic effects. For contrast there are also several keyboard pieces, with the bell-like quality of Markus Märkl's harpsichord, a copy of a 1710 Berlin instrument, offering a delightful interlude among the string sounds. All these styles are filtered through Purcell's unique sensibility, and it deepens the listener's appreciation of Purcell to be able to sort out the various strands a bit with the help of these performers. The German radio studio sound is clear and warm, and a rather detailed booklet essay appears in German, French, and English. A strong, fresh take on Purcell from a country where he is not so often heard.
© TiVo

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Chamber music for up to four parts

CordArte Ensemble

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Pavan in G minor, Z. 752 (Henry Purcell)

1
Pavan in G Minor, Z. 752
CordArte Ensemble
00:04:29

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Suite in G Major, Z. 770 (Henry Purcell)

2
Suite in G Major, Z. 770
CordArte Ensemble
00:06:32

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Pavan in G Minor, Z. 751 (Henry Purcell)

3
Pavan in G Minor, Z. 751
CordArte Ensemble
00:03:39

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Ground in Gamut in G Major, Z. 645 (arr. for lute, viola da gamba and organ) (Henry Purcell)

4
Ground in Gamut in G Major, Z. 645
CordArte Ensemble
00:02:27

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Sonata a 3 No. 7 in E minor, Z. 796 (Henry Purcell)

5
Sonata a 3 No. 7 in E Minor, Z. 796
CordArte Ensemble
00:07:44

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Pavan in A Minor, Z. 749 (Henry Purcell)

6
Pavan in A Minor, Z. 749
CordArte Ensemble
00:04:27

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Fantasia a 4 No. 8 in G Major, Z. 742 (Henry Purcell)

7
Fantasia a 4 No. 8 in G Major, Z. 742
CordArte Ensemble
00:02:21

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Sonata a 3 No. 6 in C Major, Z. 795 (Henry Purcell)

8
Sonata a 3 No. 6 in C Major, Z. 795
CordArte Ensemble
00:06:25

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Fantasia a 3 in F Major, Z. 733 (Henry Purcell)

9
Fantasia a 3 No. 2 in F Major, Z. 733
CordArte Ensemble
00:03:10

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Sonata No. 4 in D Minor, Z. 805 (Henry Purcell)

10
Sonata a 4 No. 4 in D Minor, Z. 805
CordArte Ensemble
00:07:07

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Chacony in G minor, Z. 730 (Henry Purcell)

11
Chacony in G Minor, Z. 730
CordArte Ensemble
00:04:38

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Prelude in D minor, Z. n773 (Henry Purcell)

12
Prelude in D Minor Z. n773
CordArte Ensemble
00:03:37

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Sonata No. 5 in G Minor, Z. 806 (Henry Purcell)

13
Sonata a 4 No. 5 in G Minor, Z. 806
CordArte Ensemble
00:07:58

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

A Choice Collection of Lessons: Suite No. 7 in D minor, Z. 668 (Henry Purcell)

14
A Choice Collection of Lessons: Suite No. 7 in D Minor, Z. 668
Markus Märkl
00:05:51

Markus Märkl, Performer - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

3 Parts upon a Ground in F Major, Z. 731 (Henry Purcell)

15
3 Parts upon a Ground in F Major, Z. 731
CordArte Ensemble
00:05:12

CordArte Ensemble, Ensemble - Henry Purcell, Composer

2008 Pan Classics 2008 Pan Classics

Album review

Germany's Ensemble CordArte, from Cologne, offers an almost unrelievedly serious hour of instrumental music here in this collection of chamber music by Henry Purcell. It may be difficult listening in a way, but it's an ambitious recording that gives the listener a good idea of the scope of music that is sometimes performed in a rather monochrome way. CordArte mixes up the various genres of Purcell's instrumental music rather than presenting sequences of one genre or another. The aim in so doing is to illustrate the novelty of the young Purcell's style (he was in his early twenties when most of this music was written), which drew on influences from Italy, France, and perhaps Germany, while also looking back at the grand tradition of English music in the 17th century. The violin was still a rare instrument in England in 1683, when the set of 12 Sonatas in Three Parts from which several of these pieces are taken was first published. These are vintage Purcell, sober yet lyrical takes on the pre-Corelli Italian sonata. Purcell professed to dislike the French style but nevertheless wrote several works for King Charles II's Four-and-Twenty Fiddlers, a direct imitation of the French court's 24 Violons du Roi. The Suite in G major (track 2) and perhaps the Chacony in G major (track 11) represent this part of his output, and the fantasias and pavans are old English contrapuntal pieces spiced up with daring chromatic effects. For contrast there are also several keyboard pieces, with the bell-like quality of Markus Märkl's harpsichord, a copy of a 1710 Berlin instrument, offering a delightful interlude among the string sounds. All these styles are filtered through Purcell's unique sensibility, and it deepens the listener's appreciation of Purcell to be able to sort out the various strands a bit with the help of these performers. The German radio studio sound is clear and warm, and a rather detailed booklet essay appears in German, French, and English. A strong, fresh take on Purcell from a country where he is not so often heard.
© TiVo

Details of the original recording : 75:49 - DDD - Enregistré du 18 au 21 janvier 2009 à la Deutschlandfunk Kammermusiksaal en Allemagne - Notes en français, anglais et allemand

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