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Ray Barretto - Carnaval

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Carnaval

Ray Barretto

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Ray Barretto's Carnaval combines two 1962 sessions, Pachanga with Barretto (his Milestone label debut as a leader) and Latino!. Both sets feature Barretto's first band, Charanga Moderna, with trumpeter El Negro Vivar and tenor saxophonist Jose Chombo Silva added to the front line for the latter LP. The first album is very much Latin jazz of its time, with all ten tracks designed for dancing the briefly popular pachanga, a dance that was simply too manic and difficult to catch on widely. The pachanga-friendly tempos on these ten brief cuts (most under three minutes) make the album sound rushed and nervous to ears unfamiliar with the dance fad. The far-better Latino!, recorded in nearly the same session, is a good old-fashioned jam session, with more leisurely tempos and extended playing times that give all the soloists -- especially Vivar, Silva, and flutist Jose Canoura -- plenty of room to stretch out. These two albums are very different, but hearing both of them in proximity reveals much about the state of the New York City Latin jazz scene in the early '60s.
© Stewart Mason /TiVo

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Carnaval

Ray Barretto

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1
Manha De Carnaval (Album Version)
00:04:24

Ray Barretto, MainArtist - Antonio Maria, Composer - Luiz Bonfa, Composer - Maria Bonfa, Composer

℗ 1963 Fantasy, Inc.

2
Sugar's Delight (Album Version)
00:03:22

Ray Barretto, MainArtist, ComposerLyricist

℗ 1963 Fantasy, Inc.

3
Exodus (Album Version)
00:05:20

Ray Barretto, MainArtist - Ernest Gold, ComposerLyricist

℗ 1963 Fantasy, Inc.

4
Descarga La Moderna (Album Version)
00:04:26

Gil Lopez, ComposerLyricist - Ray Barretto, MainArtist

℗ 1963 Fantasy, Inc.

5
Summertime (Album Version)
00:02:55

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Dubose Heyward, ComposerLyricist - Ray Barretto, MainArtist

℗ 1963 Fantasy, Inc.

6
El Negro Y Ray (Album Version)
00:05:55

Ray Barretto, MainArtist, ComposerLyricist

℗ 1963 Fantasy, Inc.

7
Mira Que Linda (Album Version)
00:02:30

Ray Barretto, MainArtist - Pedro Calzado, ComposerLyricist

℗ 1963 Fantasy, Inc.

8
Cocinando Suave (Album Version)
00:06:00

Ray Barretto, MainArtist, ComposerLyricist

℗ 1963 Fantasy, Inc.

9
Pachanga Oriental (Album Version)
00:02:55

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

10
Barretto En La Tumbadora (Album Version)
00:03:04

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

11
Cumbamba (Album Version)
00:02:49

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

12
El Paso (Album Version)
00:02:49

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

13
Linda Mulata (Album Version)
00:03:04

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

14
Oye Heck (Album Version)
00:02:45

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

15
Los Cueros (Album Version)
00:03:09

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

16
Pachanga Suavecito (Album Version)
00:03:40

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

17
Ponte Dura (Album Version)
00:04:00

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

18
Pachanga Para Bailar (Album Version)
00:02:56

Ray Barretto, MainArtist - Héctor Rivera, ComposerLyricist

℗ 1961 Fantasy, Inc.

Album Description

Ray Barretto's Carnaval combines two 1962 sessions, Pachanga with Barretto (his Milestone label debut as a leader) and Latino!. Both sets feature Barretto's first band, Charanga Moderna, with trumpeter El Negro Vivar and tenor saxophonist Jose Chombo Silva added to the front line for the latter LP. The first album is very much Latin jazz of its time, with all ten tracks designed for dancing the briefly popular pachanga, a dance that was simply too manic and difficult to catch on widely. The pachanga-friendly tempos on these ten brief cuts (most under three minutes) make the album sound rushed and nervous to ears unfamiliar with the dance fad. The far-better Latino!, recorded in nearly the same session, is a good old-fashioned jam session, with more leisurely tempos and extended playing times that give all the soloists -- especially Vivar, Silva, and flutist Jose Canoura -- plenty of room to stretch out. These two albums are very different, but hearing both of them in proximity reveals much about the state of the New York City Latin jazz scene in the early '60s.
© Stewart Mason /TiVo

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