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Emmanuelle Haïm|Campra, Rameau, Mondonville

Campra, Rameau, Mondonville

Emmanuelle Haim

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The origins of André Campra's Messe de Requiem are a bit murky, but it was probably written in 1695 as a memorial to the deceased Archbishop of Paris. That would make it one of the earlier French works to show the influence of the high Italian Baroque style. Most of the major Baroque specialist conductors have recorded the work, but this reading by Emmanuelle Haïm and Le Concert D'Astrée is among the strongest. It is a sizable group that does justice to the French court style and fills the Chapelle Royale at Versailles, where it was splendidly recorded during pauses in the renovation of the space. Campra's mass shows a variety of influences, from a sober medieval sound based in plainchant to theatrical flavors from France and Italy. It is restrained but not especially dark. The Italian strain grows in the other two works on the album, both motets that are far from frequent in the repertory. Rameau's rather dense but elegantly handled In convertendo Dominus, recounting the liberation of the Israelites from Babylon, makes a nice counterpoint to the Campra, setting the pattern of an emergence from darkness into light for the program as a whole. The pattern is completed by the lovely In exitu Israel of Jean-Joseph Mondonville, also on the theme of the Israelites (crossing the Red Sea this time), which is both virtuosic and joyous. Haïm's enthusiasm for this repertory is palpable, and the musty, processional feel sometimes heard in performances of French Baroque court music is nowhere in evidence. It may have been surprising to see this rather obscure music show up on classical best-seller lists in the summer of 2023, but the reason is that the music is infectious indeed.

© James Manheim /TiVo

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Campra, Rameau, Mondonville

Emmanuelle Haïm

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1
Messe de Requiem: I. Introit. Requiem
00:06:48

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Zachary Wilder, Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

2
Messe de Requiem: II. Kyrie eleison
00:03:57

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

3
Messe de Requiem: III. Graduel
00:05:25

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

4
Messe de Requiem: IV. (a) Offertoire. Trio. "Domine Jesu Christe"
00:04:39

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Zachary Wilder, Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

5
Messe de Requiem: IV. (b) Offertoire. Chœur. "Sed signifier sanctus Michael" - "Hostias et preces tibi Domine"
00:04:45

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Zachary Wilder, Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist - Emmanuelle Ifrah, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

6
Messe de Requiem: V. Sanctus
00:02:57

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist - Emmanuelle Ifrah, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

7
Messe de Requiem: VI. Agnus Dei
00:05:06

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Zachary Wilder, Tenor Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist - Emmanuelle Ifrah, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

8
Messe de Requiem: VII. Communion
00:06:52

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - André Campra, Composer - Victor Sicard, Baritone Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist - Emmanuelle Ifrah, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

9
In convertendo Dominus: I. Récit. "In convertendo Dominus"
00:03:02

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

10
In convertendo Dominus: II. Chœur. "Tunc repletum est"
00:02:58

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

11
In convertendo Dominus: III. Duo. "Magnificavit Dominus"
00:03:29

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Victor Sicard, Baritone Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

12
In convertendo Dominus: IV. Air. "Converte, Domine"
00:02:02

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Victor Sicard, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

13
In convertendo Dominus: V. Air avec chœur. "Laudate nomen Dei"
00:04:25

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Marie Perbost, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

14
In convertendo Dominus: VI. Trio. "Qui seminant"
00:02:11

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist - Victor Sicard, Baritone Vocals, FeaturedArtist - Marie Perbost, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

15
In convertendo Dominus: VII. Chœur. "Euntes ibant et flebant"
00:04:53

Jean-Philippe Rameau, Composer - Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

16
In exitu Israel: I. (a) Introduction
00:01:09

Le Concert d'Astrée, Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

17
In exitu Israel: I. (b) Chœur. "In exitu Israel"
00:01:14

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

18
In exitu Israel: II. Chœur. "Mare vidit"
00:01:10

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

19
In exitu Israel: III. Chœur. "Jordanis conversus est retrorsum"
00:02:22

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

20
In exitu Israel: IV. Air. "Montes exultaverunt ut arietes"
00:05:51

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer - Samuel Boden, Counter-Tenor Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

21
In exitu Israel: V. Chœur. "Quid est tibi, mare, quod fugisti?"
00:00:49

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

22
In exitu Israel: VI. Air avec Chœur. "A facie Domini"
00:04:09

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer - Victor Sicard, Baritone Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

23
In exitu Israel: VII. Air. "Qui timent Dominum"
00:04:28

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer - Marie Perbost, Soprano Vocals, FeaturedArtist

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

24
In exitu Israel: VIII. Chœur. "Non mortui Iaudabunt te, Domine"
00:03:34

Le Concert d'Astrée, Vocal & Instrumental Ensemble - Emmanuelle Haim, Conductor, MainArtist - Jean-Joseph Cassanéa de Mondonville, Composer

A Warner Classics/Erato release, © 2023 Parlophone Records Limited A Warner Classics release, ℗ 2023 Parlophone Records Limited

Album review

The origins of André Campra's Messe de Requiem are a bit murky, but it was probably written in 1695 as a memorial to the deceased Archbishop of Paris. That would make it one of the earlier French works to show the influence of the high Italian Baroque style. Most of the major Baroque specialist conductors have recorded the work, but this reading by Emmanuelle Haïm and Le Concert D'Astrée is among the strongest. It is a sizable group that does justice to the French court style and fills the Chapelle Royale at Versailles, where it was splendidly recorded during pauses in the renovation of the space. Campra's mass shows a variety of influences, from a sober medieval sound based in plainchant to theatrical flavors from France and Italy. It is restrained but not especially dark. The Italian strain grows in the other two works on the album, both motets that are far from frequent in the repertory. Rameau's rather dense but elegantly handled In convertendo Dominus, recounting the liberation of the Israelites from Babylon, makes a nice counterpoint to the Campra, setting the pattern of an emergence from darkness into light for the program as a whole. The pattern is completed by the lovely In exitu Israel of Jean-Joseph Mondonville, also on the theme of the Israelites (crossing the Red Sea this time), which is both virtuosic and joyous. Haïm's enthusiasm for this repertory is palpable, and the musty, processional feel sometimes heard in performances of French Baroque court music is nowhere in evidence. It may have been surprising to see this rather obscure music show up on classical best-seller lists in the summer of 2023, but the reason is that the music is infectious indeed.

© James Manheim /TiVo

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