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The Borromini Ensemble|By Purling Streams: Baroque Pastoral Music

By Purling Streams: Baroque Pastoral Music

The Borromini Ensemble

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England's Borromini Ensemble is a scholarly group that brings together Baroque compositions in historically appropriate groupings. In Purling Streams promises a delightful collection of pastoral music, a category that would have made perfect sense to a well-heeled English audience of the time. Both vocal and instrumental works are included, with composers ranging from Britons (Blow, Purcell, Handel, Croft) to what would have been fashionable imports (Bononcini, Charpentier, Hotteterre, François Couperin). There are nice subtleties, such as the tracing of the sound of dance rhythms that audiences would have had in their heads.
Unfortunately, the album suffers from a flaw common to many scholarly projects: it's not beautiful. Soprano Sarah Westwood comes in consistently on the flat side of the pitch. And though the recording was made in Church Stretton, Shropshire, it sounds as though it was made in a padded cell. The players and producers seem to have been trying to create an intimate sound, but what they've come up with is sonic glop. It's too bad, because the basic idea of the program is sound. Here's hoping someone picks up the idea and runs with it.

© TiVo

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By Purling Streams: Baroque Pastoral Music

The Borromini Ensemble

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1
Cantata; Fuori di sua Capanna: 1. Recit 2. Aria 3. Recit 4. Aria
00:08:14

Giovanni Bononcini, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

2
Suite No. 4 in C: 1. Almand 2. Corant 3. Sarabrand 4. Gavott
00:05:04

John Blow, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

3
If Music Be the Food of Love
00:02:14

Henry Purcell, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

4
Sweeter Than Roses
00:03:22

Henry Purcell, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

5
Prelude for solo recorder
00:01:14

Jacques Hotteterre, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

6
Air de M. de Bousset
00:02:38

Jacques Hotteterre, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

7
The Bird Fancyer's Delight: 1. Woodlark 2. Bullfinch 3. Nightingale 4. East India Nightingale
00:03:56

Anonymous, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

8
Cantata; Celladon: 1. Aria 2. Recit 3. Aria
00:04:31

William Croft, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

9
Greensleeves to a Ground
00:04:19

Anonymous, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

10
Amour, cruel Amour
00:02:00

Marc-Antoine Charpentier, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

11
Enfin de nos Bergers
00:02:48

Marc-Antoine Charpentier, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

12
Le Rossignol en Amour - Le Rossignol Vainqueur
00:06:10

François Couperin, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

13
Suite No. 1 in G Major: 1. Prelude 2. Almand 3. Corant 4. Minuet
00:03:18

Henry Purcell, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

14
Cantata; Nel dolce dell' oblio: 1. Recit 2. Aria 3. Recit 4. Aria
00:07:37

George Frideric Handel, Composer - The Borromini Ensemble, MainArtist

(C) 2004 OxRecs DIGITAL (P) 2004 OxRecs DIGITAL

Album review

England's Borromini Ensemble is a scholarly group that brings together Baroque compositions in historically appropriate groupings. In Purling Streams promises a delightful collection of pastoral music, a category that would have made perfect sense to a well-heeled English audience of the time. Both vocal and instrumental works are included, with composers ranging from Britons (Blow, Purcell, Handel, Croft) to what would have been fashionable imports (Bononcini, Charpentier, Hotteterre, François Couperin). There are nice subtleties, such as the tracing of the sound of dance rhythms that audiences would have had in their heads.
Unfortunately, the album suffers from a flaw common to many scholarly projects: it's not beautiful. Soprano Sarah Westwood comes in consistently on the flat side of the pitch. And though the recording was made in Church Stretton, Shropshire, it sounds as though it was made in a padded cell. The players and producers seem to have been trying to create an intimate sound, but what they've come up with is sonic glop. It's too bad, because the basic idea of the program is sound. Here's hoping someone picks up the idea and runs with it.

© TiVo

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