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Boney M.|Boonoonoonoos

Boonoonoonoos

Boney M.

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By the turn of the 1980s, German production whiz Frank Farian had transformed his pet project Boney M. into a successful worldwide phenomenon. As a result, he decided to push the group in a more ambitious direction with their next outing, Boonoonoonoos. Since the disco sound that had contributed to the group's fame was quickly dying out, Farian downplayed dance rhythms on this set in favor of international-flavored pop in the vein of ABBA. The strongest example of this development is "Consuela Biaz," a tale of revolution in a Latin American country done in the style of ABBA's "Fernando." Elsewhere, the group tries on a number of different styles that cover everything from synth pop ("Silly Confusion") to African-styled worldbeat ("Malaika"). The best of these experimental tracks is "Ride to Agadir," an exciting tale of religious revolution that starts as a beautifully harmonized a cappella tune and builds into a grandiose orchestrated epic. The problem with Boonoonoonoos is that it lacks the strong material necessary to sustain a double album. A number of the tracks merely take one hook and run it into the ground via endless repetition (the title track) while other songs rely on Farian's glossy production to sell their lackluster melodies ("Breakaway"). Ultimately, Boonoonoonoos is another example of a double album that would have probably made a really good single album. It has enough worthwhile tracks to hold the interest of hardcore Boney M. enthusiasts, but casual listeners would probably be better off tracking down its highlights on a compilation.

© Donald A. Guarisco /TiVo

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Boonoonoonoos

Boney M.

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1
Boonoonoonoos
00:04:40

Catherine Courage, Lyricist - Fred Jay, Lyricist - G.R. Sgarbi, Composer - Frank Farian, Producer - Frank Farian, Composer - Boney M., Performer

(P) 1981 BMG Berlin Musik GmbH/MCI

2
Boonoonoonoos
00:05:55

Rainer M. Ehrhardt, Lyricist - Frank Farian, Producer - Frank Farian, Composer - Boney M., Performer - Leonard Dillon, Composer

(P) 1981 BMG Berlin Musik GmbH/MCI

3
Silly Confusion
00:07:18

Mats Björklund, Composer - Mats Björklund, Lyricist - Catherine Courage, Composer - Catherine Courage, Lyricist - Harry Baierl, Composer - Harry Baierl, Lyricist - Frank Farian, Producer - Frank Farian, Composer - Frank Farian, Lyricist - Boney M., Performer - Dietmar Kawohl, Composer - Dietmar Kawohl, Lyricist

(P) 1981 BMG Berlin Musik GmbH/MCI

4
Ride to Agadir
00:05:11

Frank Farian, Producer - Boney M., Performer - Mike Batt, Composer - Mike Batt, Lyricist

(P)1981 BMG Berlin Musik GmbH/MCI

5
Jimmy
00:04:07

B. Howell, Lyricist - Frank Farian, Producer - Frank Farian, Composer - Boney M., Performer - Johan Daansen, Composer

(P) 1981 BMG Berlin Musik GmbH/MCI

6
African Moon
00:02:59

L. Mitchell, Lyricist - Helmut Rulofs, Composer - Catherine Courage, Lyricist - Frank Farian, Producer - Frank Farian, Composer - Boney M., Performer

(P) 1981 BMG Berlin Musik GmbH/MCI

7
We Kill the World (Don't Kill the World)
00:06:33

G.R. Sgarbi, Composer - G.R. Sgarbi, Lyricist - Frank Farian, Producer - Frank Farian, Composer - Frank Farian, Lyricist - Boney M., Performer

(P) 1981 Sony Music Entertainment Germany GmbH

8
Homeland Africa (Ship Ahoi)
00:04:20

Leon Huff, Composer - Leon Huff, Lyricist - Kenneth Gamble, Lyricist - Kenneth Gamble, Composer - Boney M., Performer - Frank Farian, Lyricist - Frank Farian, Producer - Frank Farian, Composer

(P) 1981 BMG Berlin Musik GmbH/MCI

9
Malaika
00:03:26

G. Reyam, Composer - Frank Farian, Producer - Frank Farian, Composer - Boney M., Performer - Traditional, Composer - Traditional, Lyricist

(P)1981 BMG Berlin Musik GmbH/MCI

10
Consuela Biaz
00:04:37

Catherine Courage, Composer - Catherine Courage, Lyricist - Frank Farian, Composer - Frank Farian, Lyricist - Frank Farian, Producer - Boney M., Performer - M. O'Hara, Composer - M. O'Hara, Lyricist

(P) 1981 BMG Berlin Musik GmbH/MCi

11
Breakaway
00:04:17

Kelvin James, Composer - Kelvin James, Lyricist - Frank Farian, Producer - Boney M., Performer

(P)1981 BMG Berlin Musik GmbH/MCI

12
Sad Movies
00:03:21

John D. Loudermilk, Composer - John D. Loudermilk, Lyricist - Frank Farian, Producer - Boney M., Performer

(P)1981 BMG Berlin Musik GmbH/MCI

13
Goodbye My Friend
00:05:25

Helmut Rulofs, Composer - Helmut Rulofs, Lyricist - Catherine Courage, Composer - Catherine Courage, Lyricist - Frank Farian, Producer - Frank Farian, Composer - Frank Farian, Lyricist - Boney M., Performer

(P)1981 BMG Berlin Musik GmbH/MCI

14
Felicidad (Margherita) (7" Version)
00:04:33

Stefan Klinkhammer, Arranger - Conz, Lyricist - Frank Farian, Producer - Boney M., Performer - Pino Massara, Composer

(P) 1980 BMG Berlin Musik GmbH/MCI

15
Strange
00:03:29

Frank Farian, Producer - Boney M., Performer - Bobby Dobson, Composer - Bobby Dobson, Lyricist

(P) 1980 BMG Berlin Musik GmbH/MCI

Album review

By the turn of the 1980s, German production whiz Frank Farian had transformed his pet project Boney M. into a successful worldwide phenomenon. As a result, he decided to push the group in a more ambitious direction with their next outing, Boonoonoonoos. Since the disco sound that had contributed to the group's fame was quickly dying out, Farian downplayed dance rhythms on this set in favor of international-flavored pop in the vein of ABBA. The strongest example of this development is "Consuela Biaz," a tale of revolution in a Latin American country done in the style of ABBA's "Fernando." Elsewhere, the group tries on a number of different styles that cover everything from synth pop ("Silly Confusion") to African-styled worldbeat ("Malaika"). The best of these experimental tracks is "Ride to Agadir," an exciting tale of religious revolution that starts as a beautifully harmonized a cappella tune and builds into a grandiose orchestrated epic. The problem with Boonoonoonoos is that it lacks the strong material necessary to sustain a double album. A number of the tracks merely take one hook and run it into the ground via endless repetition (the title track) while other songs rely on Farian's glossy production to sell their lackluster melodies ("Breakaway"). Ultimately, Boonoonoonoos is another example of a double album that would have probably made a really good single album. It has enough worthwhile tracks to hold the interest of hardcore Boney M. enthusiasts, but casual listeners would probably be better off tracking down its highlights on a compilation.

© Donald A. Guarisco /TiVo

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