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Bob Brozman|Blue Hula Stomp

Blue Hula Stomp

Bob Brozman

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There's little doubt that Bob Brozman's a virtuoso on all plucked string instruments, but his specialty is the National Resophonic guitar, and he can make that do anything, as he shows on this collection, which, like much of his work, has a decidedly Hawaiian lilt. The bulk of the material on Blue Hula Stomp dates from the 1920s and '30s, rejigged in his own idiosyncratic style, whether it's the unusual, bluesy "Do You Call That a Buddy?" or the lightning fast hula, "Hano Hano Hanalei." He's not just someone who can play with remarkable speed and precision, as he does on "Chili Blues," but also with moving expression, as on the 1916 "hesitation" waltz, "Paauau Waltz," a tune that demands a lot of the player, but which Brozman pulls off with moving panache. Perhaps the most unusual, however, is "Ukulele Spaghetti," played on a National ukulele, the kind of piece to make every guitarist -- and uke player -- pick his or her jaw up off the floor in complete awe. And when he really takes off on the title track, it becomes explosive, as Brozman handles wooden and National Hawaiian guitars, rhythm and duet guitars, wooden ukulele, saxophones, and a vocal. A work of genuine joy and complete genius.

© Chris Nickson /TiVo

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Blue Hula Stomp

Bob Brozman

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1
C Stomp Blues (Album Version)
00:03:40

Bob Brozman, MainArtist, ComposerLyricist

℗ 1981 Kicking Mule Records

2
Body And Soul (Album Version)
00:03:38

Edward Heyman, Composer - Frank Eyton, Composer - Robert Sour, Composer - Johnny Green, Composer - Bob Brozman, MainArtist

℗ 1981 Kicking Mule Records

3
Hilo March (Instrumental)
00:02:36

Traditional, ComposerLyricist - Bob Brozman, MainArtist

℗ 1981 Kicking Mule Records

4
Ukulele Spaghetti (Instrumental)
00:01:45

Bob Brozman, MainArtist, ComposerLyricist

℗ 1981 Kicking Mule Records

5
Do You Call That a Buddy? (Album Version)
00:03:26

Teddy Wilson, ComposerLyricist - Don Raye, ComposerLyricist - Bob Brozman, MainArtist

℗ 1981 Kicking Mule Records

6
Chili Blues (Instrumental)
00:02:16

Bob Brozman, MainArtist - Rodney Rodgers, ComposerLyricist

℗ 1981 Kicking Mule Records

7
Paauau Waltz (Instrumental)
00:03:59

Charles King, ComposerLyricist - Bob Brozman, MainArtist - Kahale, ComposerLyricist

℗ 1981 Kicking Mule Records

8
Short Man's Vindication (Instrumental)
00:03:17

Bob Brozman, MainArtist, ComposerLyricist

℗ 1981 Kicking Mule Records

9
Wasting My Love On You (Album Version)
00:04:14

Harry Warren, ComposerLyricist - EDGAR LESLIE, ComposerLyricist - Bob Brozman, MainArtist

℗ 1981 Kicking Mule Records

10
Hano Hano Hanalei (Album Version)
00:02:42

Alfred Alohikea, ComposerLyricist - Bob Brozman, MainArtist

℗ 1981 Kicking Mule Records

11
Blue Hula Stomp Medley (Instrumental)
00:03:11

Traditional, ComposerLyricist - Bob Brozman, MainArtist

℗ 1981 Kicking Mule Records

12
Hilo Hula (Album Version)
00:03:19

Traditional, Author - Bob Brozman, MainArtist - Haleakala, Composer

℗ 1981 Kicking Mule Records

13
Agogostein's Lament (Instrumental)
00:02:41

Bob Brozman, MainArtist, ComposerLyricist

℗ 1981 Kicking Mule Records

Album review

There's little doubt that Bob Brozman's a virtuoso on all plucked string instruments, but his specialty is the National Resophonic guitar, and he can make that do anything, as he shows on this collection, which, like much of his work, has a decidedly Hawaiian lilt. The bulk of the material on Blue Hula Stomp dates from the 1920s and '30s, rejigged in his own idiosyncratic style, whether it's the unusual, bluesy "Do You Call That a Buddy?" or the lightning fast hula, "Hano Hano Hanalei." He's not just someone who can play with remarkable speed and precision, as he does on "Chili Blues," but also with moving expression, as on the 1916 "hesitation" waltz, "Paauau Waltz," a tune that demands a lot of the player, but which Brozman pulls off with moving panache. Perhaps the most unusual, however, is "Ukulele Spaghetti," played on a National ukulele, the kind of piece to make every guitarist -- and uke player -- pick his or her jaw up off the floor in complete awe. And when he really takes off on the title track, it becomes explosive, as Brozman handles wooden and National Hawaiian guitars, rhythm and duet guitars, wooden ukulele, saxophones, and a vocal. A work of genuine joy and complete genius.

© Chris Nickson /TiVo

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