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Thomas Dausgaard|Berwald: Symphonies Nos. 1 and 2 & Erinnerung an die norwegischen Alpen

Berwald: Symphonies Nos. 1 and 2 & Erinnerung an die norwegischen Alpen

Thomas Dausgaard, Danish National Radio Symphony Orchestra

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Thomas Dausgaard and the Danish National Symphony's recordings of Berwald are Berwald for domestic use. The fantastically imaginative, the ardently lyrical, the powerfully muscled Berwald of Sixten Ehrling and Okko Kamu is banished and in his place is a less imaginative Mendelssohn, a less lyrical Schubert, and a less passionate Schumann. Dausgaard's Sinfonie serieuse isn't serious; it's reserved, restrained, and tedious. Dausgaard's Sinfonie capricieuse isn't capricious; it's dry, dull, and distant. Dausgaard's Erinnerung an die norwegischen Alpen isn't memorable; it's instantly forgettable. The Danish National Symphony is a more than competent orchestra with colorful winds, strong strings, warm brass, and an easy and graceful ensemble, but it seems uninvolved and uninterested in Berwald's music. Chandos' sound is superbly balanced and amazingly realistic, but the performances they record are at best uninteresting and at worst wearisome. For great Berwald, stick with either Ehrling's on BIS or Kamu's on Naxos.
© TiVo

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Berwald: Symphonies Nos. 1 and 2 & Erinnerung an die norwegischen Alpen

Thomas Dausgaard

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Symphony No. 1 in G Minor, "Sinfonie serieuse" (Franz Berwald)

1
I. Allegro con energia
00:11:00

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist

2005 Chandos Records 2005 Chandos Records

2
II. Adagio maestoso
00:06:20

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist

2005 Chandos Records 2005 Chandos Records

3
III. Stretto
00:05:37

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist

2005 Chandos Records 2005 Chandos Records

4
IV. Finale. Adagio - Allegro molto
00:07:10

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist

2005 Chandos Records 2005 Chandos Records

5
Erinnerung an die norwegischen Alpen (Memory of the Norwegian Alps)
00:08:15

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist

2005 Chandos Records 2005 Chandos Records

Symphony No. 2 in D Major, "Sinfonie Capricieuse" (Franz Berwald)

6
I. Allegro
00:10:45

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Nils Castegren, Arranger

2005 Chandos Records 2005 Chandos Records

7
II. Andante
00:06:19

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Nils Castegren, Arranger

2005 Chandos Records 2005 Chandos Records

8
III. Allegro assai
00:10:44

Thomas Dausgaard, Conductor, MainArtist - Franz Berwald, Composer - Danish National Radio Symphony Orchestra, Orchestra, MainArtist - Nils Castegren, Arranger

2005 Chandos Records 2005 Chandos Records

Album review

Thomas Dausgaard and the Danish National Symphony's recordings of Berwald are Berwald for domestic use. The fantastically imaginative, the ardently lyrical, the powerfully muscled Berwald of Sixten Ehrling and Okko Kamu is banished and in his place is a less imaginative Mendelssohn, a less lyrical Schubert, and a less passionate Schumann. Dausgaard's Sinfonie serieuse isn't serious; it's reserved, restrained, and tedious. Dausgaard's Sinfonie capricieuse isn't capricious; it's dry, dull, and distant. Dausgaard's Erinnerung an die norwegischen Alpen isn't memorable; it's instantly forgettable. The Danish National Symphony is a more than competent orchestra with colorful winds, strong strings, warm brass, and an easy and graceful ensemble, but it seems uninvolved and uninterested in Berwald's music. Chandos' sound is superbly balanced and amazingly realistic, but the performances they record are at best uninteresting and at worst wearisome. For great Berwald, stick with either Ehrling's on BIS or Kamu's on Naxos.
© TiVo

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