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The pre-eminent maestro of our day, caught in little-known studio recordings from the very beginning of his career, including first releases on CD of Beethoven and Mendelssohn recordings
In an original and valuable documentary essay which serves as the booklet note, Niek Nelissen outlines the rapid and unlikely genesis of Haitink’s career, from being rejected by Willem van Otterloo to taking over the reins of the Concertgebouw in less than a decade. He first stood in front of the orchestra in 1956 and five years later he was leading them on tours to the US and Japan.
Following these tours, Philips recorded the partnership in two symphonies which had already become signature works for the young maestro, Beethoven’s Eighth (in July 1962) and Mendelssohn’s ‘Italian’ (February 1963). Hearing the Eighth in New York, the doyen of local critics, Harold Schönberg, remarked upon it as ‘clean-cut Beethoven … precisely adjusted and handsomely executed’. According to Schönberg, Haitink ‘makes music with plenty of ardor, a good deal of polish and all the temperament one could desire.’
In fact, these are some of Haitink’s earliest recordings with an orchestra he would lead for the next 35 years as music director which date from 1960, during the interim period after the sudden death of Eduard van Beinum when he shared duties with Eugen Jochum. There is more Mendelssohn here – the ‘Hebrides Overture’, in a performance issued on CD for the first time, as acutely sensitive to the composer’s tone-painting as we have come to expect from Haitink and a local rarity on disc, the ‘Symphonic Etude’ by Hendrik Andriessen. Composed in 1952, this deliciously poised ten-minute essay deploys twelve-tone technique in a post-Impressionist idiom through its four sections and serves as a reminder that alongside his mastery of the symphonic tradition from Haydn to Shostakovich, Haitink was always a committed interpreter of the music of our time. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
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Symphony No. 8 in F major, Op. 93 (Ludwig van Beethoven)
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Ludwig van Beethoven, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Frits van Swoll, Recording Engineers
℗ 1963 Universal International Music B.V.
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Ludwig van Beethoven, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Frits van Swoll, Recording Engineers
℗ 1963 Universal International Music B.V.
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Ludwig van Beethoven, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Frits van Swoll, Recording Engineers
℗ 1963 Universal International Music B.V.
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Ludwig van Beethoven, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Frits van Swoll, Recording Engineers
℗ 1963 Universal International Music B.V.
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian" (Felix Mendelssohn)
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Felix Mendelssohn, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Gerard Janszen, Recording Engineers
℗ 1963 Universal International Music B.V.
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Felix Mendelssohn, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Gerard Janszen, Recording Engineers
℗ 1963 Universal International Music B.V.
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Felix Mendelssohn, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Gerard Janszen, Recording Engineers
℗ 1963 Universal International Music B.V.
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Felix Mendelssohn, Composer - Jaap van Ginneken, Recording Producer - Henk Jansen, Ko Witteveen & Gerard Janszen, Recording Engineers
℗ 1963 Universal International Music B.V.
The Hebrides, Op.26 (Fingal's Cave) (Felix Mendelssohn)
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Felix Mendelssohn, Composer - Jaap van Ginneken, Recording Producer - Cees Huizinga, Tony Buczynski & Gerard Janszen, Recording Engineers
℗ 1960 Universal International Music B.V.
Symphonische Etude (Hendrik Andriessen)
Royal Concertgebouw Orchestra - Bernard Haitink, Conductor - Hendrik Andriessen, Composer - Jaap van Ginneken, Recording Producer - Cees Huizinga, Tony Buczynski & Gerard Janszen, Recording Engineers
℗ 1960 Universal International Music B.V.
Album review
The pre-eminent maestro of our day, caught in little-known studio recordings from the very beginning of his career, including first releases on CD of Beethoven and Mendelssohn recordings
In an original and valuable documentary essay which serves as the booklet note, Niek Nelissen outlines the rapid and unlikely genesis of Haitink’s career, from being rejected by Willem van Otterloo to taking over the reins of the Concertgebouw in less than a decade. He first stood in front of the orchestra in 1956 and five years later he was leading them on tours to the US and Japan.
Following these tours, Philips recorded the partnership in two symphonies which had already become signature works for the young maestro, Beethoven’s Eighth (in July 1962) and Mendelssohn’s ‘Italian’ (February 1963). Hearing the Eighth in New York, the doyen of local critics, Harold Schönberg, remarked upon it as ‘clean-cut Beethoven … precisely adjusted and handsomely executed’. According to Schönberg, Haitink ‘makes music with plenty of ardor, a good deal of polish and all the temperament one could desire.’
In fact, these are some of Haitink’s earliest recordings with an orchestra he would lead for the next 35 years as music director which date from 1960, during the interim period after the sudden death of Eduard van Beinum when he shared duties with Eugen Jochum. There is more Mendelssohn here – the ‘Hebrides Overture’, in a performance issued on CD for the first time, as acutely sensitive to the composer’s tone-painting as we have come to expect from Haitink and a local rarity on disc, the ‘Symphonic Etude’ by Hendrik Andriessen. Composed in 1952, this deliciously poised ten-minute essay deploys twelve-tone technique in a post-Impressionist idiom through its four sections and serves as a reminder that alongside his mastery of the symphonic tradition from Haydn to Shostakovich, Haitink was always a committed interpreter of the music of our time. (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)
Details of the original recording : Recordings : Grote Zaal, Concertgebouw, Amsterdam, The Netherlands, 11–14 May 1960 (Mendelssohn: Hebrides Overture, Andriessen), 16 July 1962 (Beethoven), 18 February 1963 (Mendelssohn: Symphony)
About the album
- 1 disc(s) - 10 track(s)
- Total length: 01:10:15
- Main artists: Royal Concertgebouw Orchestra Bernard Haitink
- Composer: Felix Mendelssohn
- Label: Decca
- Area: Allemagne
- Genre: Classical Symphonic Music
- Period: Romantic Music
- Collection: Eloquence
© 2018 Universal Music Australia Pty Ltd. This Compilation ℗ 2018 Universal International Music B.V.
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