Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Audience, April 19, 1942 - Reichs-Rundfunk-Gesellschaft Berlin|Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Live)

Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Live)

Wilhelm Furtwängler, Berlin Philharmonic

Digital booklet

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

There are arguably greater recordings in existence of Wilhelm Furtwängler conducting Beethoven's Ninth Symphony: the searing 1937 in London, the celebratory 1951 in Bayreuth, the serene 1954 in Lucerne. But all Furtwängler's other recordings of the Ninth were essentially inspired re-creations of the same ecstatic conception: the Ninth as the supreme musical embodiment of humanity's highest and loftiest spirituality. But while certainly inspired, Furtwängler's Ninth from April 19, 1942, in Berlin, is anything but ecstatic, much less high or lofty, and surely not humane or spiritual. The result of the conductor's having been forced by Goebbels into performing the work for Hitler and the Nazi high command on the eve of the Fuhrer's birthday, Furtwängler's 1942 Ninth is the nemesis of all that is good and true and holy. It is a performance that denies Beethoven's joyful brotherhood under a loving God and instead hymns the Nazis with diabolical fugues and demonic choruses climaxing in a coda that hurls the whole edifice into the infernal abyss. It is one of the most deeply frightening performances of anything ever recorded. There have been dozens of releases of this recording on compact disc and their quality has varied from almost unlistenable Italian pirates to nearly transparent Japanese remasterings. This release is almost unlistenable in the climaxes but otherwise a reasonable representation of the original recording. What distinguishes this release from all others is that it is much longer: it includes the applause before and after the performances, the pauses between movements, and the German radio host back-announcing the performance. Thus, this is the first complete recording of the Nazi response to Furtwängler's performance. They greeted him with enthusiastic applause, remained raptly silent between movements, and again after the end before bursting into rapturous applause. It is one of the most profoundly horrifying sounds ever recorded.
© TiVo

More info

Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Live)

Audience, April 19, 1942 - Reichs-Rundfunk-Gesellschaft Berlin

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $10.83/month

Applause (Live)

1
Applause (Live)
Audience, April 19, 1942 - Reichs-Rundfunk-Gesellschaft Berlin
00:01:15

Audience, April 19, 1942 - Reichs-Rundfunk-Gesellschaft Berlin, Ensemble, MainArtist

(C) 2004 Archipel (P) 2004 Archipel

Symphony No. 9 in D Minor, Op. 125 "Choral" (Ludwig van Beethoven)

2
I. Allegro ma non troppo, poco maestoso (Live)
Berliner Philharmoniker
00:18:20

Ludwig van Beethoven, Composer - Wilhelm Furtwängler, Conductor - Berlin Philharmonic, Orchestra, MainArtist

(C) 2004 Archipel (P) 2004 Archipel

3
II. Scherzo. Molto vivace (Live)
Berliner Philharmoniker
00:12:58

Ludwig van Beethoven, Composer - Wilhelm Furtwängler, Conductor - Berlin Philharmonic, Orchestra, MainArtist

(C) 2004 Archipel (P) 2004 Archipel

4
III. Adagio molto e cantabile (Live)
Berliner Philharmoniker
00:19:03

Ludwig van Beethoven, Composer - Wilhelm Furtwängler, Conductor - Berlin Philharmonic, Orchestra, MainArtist

(C) 2004 Archipel (P) 2004 Archipel

5
IV. Finale. Presto (Live)
Erna Berger
00:25:34

Ludwig van Beethoven, Composer - Wilhelm Furtwängler, Conductor - Erna Berger, Artist, MainArtist - Helge Rosvaenge, Artist - Berlin Philharmonic, Orchestra - Gertrude Pitzinger, Artist - Bruno Kittel Choir, Choir - Rudolf Watzke, Artist

(C) 2004 Archipel (P) 2004 Archipel

Closing Announcement (Live)

6
Closing Announcement (Live)
Archipel
00:00:58

Archipel, Artist, MainArtist

(C) 2004 Archipel (P) 2004 Archipel

Album review

There are arguably greater recordings in existence of Wilhelm Furtwängler conducting Beethoven's Ninth Symphony: the searing 1937 in London, the celebratory 1951 in Bayreuth, the serene 1954 in Lucerne. But all Furtwängler's other recordings of the Ninth were essentially inspired re-creations of the same ecstatic conception: the Ninth as the supreme musical embodiment of humanity's highest and loftiest spirituality. But while certainly inspired, Furtwängler's Ninth from April 19, 1942, in Berlin, is anything but ecstatic, much less high or lofty, and surely not humane or spiritual. The result of the conductor's having been forced by Goebbels into performing the work for Hitler and the Nazi high command on the eve of the Fuhrer's birthday, Furtwängler's 1942 Ninth is the nemesis of all that is good and true and holy. It is a performance that denies Beethoven's joyful brotherhood under a loving God and instead hymns the Nazis with diabolical fugues and demonic choruses climaxing in a coda that hurls the whole edifice into the infernal abyss. It is one of the most deeply frightening performances of anything ever recorded. There have been dozens of releases of this recording on compact disc and their quality has varied from almost unlistenable Italian pirates to nearly transparent Japanese remasterings. This release is almost unlistenable in the climaxes but otherwise a reasonable representation of the original recording. What distinguishes this release from all others is that it is much longer: it includes the applause before and after the performances, the pauses between movements, and the German radio host back-announcing the performance. Thus, this is the first complete recording of the Nazi response to Furtwängler's performance. They greeted him with enthusiastic applause, remained raptly silent between movements, and again after the end before bursting into rapturous applause. It is one of the most profoundly horrifying sounds ever recorded.
© TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz?

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot

Playlists

You may also like...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana