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San Francisco Symphony|Beethoven: Cantata on the Death of Emperor Joseph II & Symphony No. 2

Beethoven: Cantata on the Death of Emperor Joseph II & Symphony No. 2

San Francisco Symphony

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Pairing Ludwig van Beethoven's Cantata on the Death of Emperor Joseph II with the Symphony No. 2 in D major is an unsual programming choice, but Michael Tilson Thomas and the San Francisco Symphony play both pieces to perfection. Even if there isn't much to link them besides their early place in the composer's output, they make an exciting album by virtue of their contrasts. The cantata was composed in 1790, but it wasn't performed until 1884, so it has been treated as a minor work, at least in terms of the 20-year-old composer's immaturity and small influence. However, the Symphony No. 2, written in 1802, is one of the most significant examples of Beethoven's development , particularly of the heroic style, and its influence on Hector Berlioz and other Romantic composers was pronounced. In spite of the apparent imbalance between the works, Tilson Thomas gives them something like equal weight in his interpretations, treating the cantata with enough gravitas and expansiveness to elevate it to the symphony's obvious level of importance. Certainly, the cantata has worthwhile moments, most notably soprano Sally Matthews' solo with chorus, Da stiegen die Menschen an's Licht, which was adapted later for use in the opera Leonore (the early version of Fidelio). Yet even if the cantata is a curiosity at best, the thrilling performance of the Symphony No. 2 gives this hybrid SACD high value, and makes it one of the best releases of 2013.

© TiVo

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Beethoven: Cantata on the Death of Emperor Joseph II & Symphony No. 2

San Francisco Symphony

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1
Cantata on the Death of Emperor Joseph II, WoO 87: I. "Todt! Todt!"
00:07:44

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Sally Matthews, Soprano Vocals - Barry Banks, Tenor Vocals - San Francisco Symphony Chorus, Chorus - Andrew Foster-Williams, Bass-Baritone Vocals - Tamara Mumford, Mezzo-soprano Vocals - Ragnar Bohlin, Director

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

2
Cantata on the Death of Emperor Joseph II, WoO 87: II. "Ein Ungeheuer, sein Name Fanatismus"
00:01:30

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Andrew Foster-Williams, Bass-Baritone Vocals

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

3
Cantata on the Death of Emperor Joseph II, WoO 87: III. "Da kam Joseph"
00:04:43

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Andrew Foster-Williams, Bass-Baritone Vocals

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

4
Cantata on the Death of Emperor Joseph II, WoO 87: IV. "Da stiegen die Menschen an's Licht"
00:05:33

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Sally Matthews, Soprano Vocals - Barry Banks, Tenor Vocals - San Francisco Symphony Chorus, Chorus - Andrew Foster-Williams, Bass-Baritone Vocals - Tamara Mumford, Mezzo-soprano Vocals - Ragnar Bohlin, Director

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

5
Cantata on the Death of Emperor Joseph II, WoO 87: V. "Er schläft"
00:02:33

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Sally Matthews, Soprano Vocals

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

6
Cantata on the Death of Emperor Joseph II, WoO 87: VI. "Hier schlummert seinen stillen Frieden"
00:07:37

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Sally Matthews, Soprano Vocals

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

7
Cantata on the Death of Emperor Joseph II, WoO 87: VII. "Todt! Todt!" (Reprise)
00:08:52

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer - Sally Matthews, Soprano Vocals - Barry Banks, Tenor Vocals - San Francisco Symphony Chorus, Chorus - Andrew Foster-Williams, Bass-Baritone Vocals - Tamara Mumford, Mezzo-soprano Vocals - Ragnar Bohlin, Director

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

8
Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro con brio
00:12:59

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

9
Symphony No. 2 in D Major, Op. 36: II. Larghetto
00:11:26

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

10
Symphony No. 2 in D Major, Op. 36: III. Scherzo (Allegro)
00:03:41

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

11
Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
00:06:40

San Francisco Symphony, Orchestra, MainArtist - Michael Tilson Thomas, Conductor - Ludwig van Beethoven, Composer

© 2013 San Francisco Symphony ℗ 2013 San Francisco Symphony

Album review

Pairing Ludwig van Beethoven's Cantata on the Death of Emperor Joseph II with the Symphony No. 2 in D major is an unsual programming choice, but Michael Tilson Thomas and the San Francisco Symphony play both pieces to perfection. Even if there isn't much to link them besides their early place in the composer's output, they make an exciting album by virtue of their contrasts. The cantata was composed in 1790, but it wasn't performed until 1884, so it has been treated as a minor work, at least in terms of the 20-year-old composer's immaturity and small influence. However, the Symphony No. 2, written in 1802, is one of the most significant examples of Beethoven's development , particularly of the heroic style, and its influence on Hector Berlioz and other Romantic composers was pronounced. In spite of the apparent imbalance between the works, Tilson Thomas gives them something like equal weight in his interpretations, treating the cantata with enough gravitas and expansiveness to elevate it to the symphony's obvious level of importance. Certainly, the cantata has worthwhile moments, most notably soprano Sally Matthews' solo with chorus, Da stiegen die Menschen an's Licht, which was adapted later for use in the opera Leonore (the early version of Fidelio). Yet even if the cantata is a curiosity at best, the thrilling performance of the Symphony No. 2 gives this hybrid SACD high value, and makes it one of the best releases of 2013.

© TiVo

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