Categories:
Cart 0

Your cart is empty

Iggy Pop|Beat Em Up

Beat Em Up

Iggy Pop

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Love it or hate it, Beat Em Up is inarguably one of the most appropriate titles Iggy Pop attached to an album in years; after an ill-advised detour into something resembling jazz on 1999's Avenue B, Iggy shifted gears again and served up his most physically punishing album since American Caesar in 1993. Beat Em Up starts out promisingly enough with "Mask," a hyperinsistent three-chord blast that, with its energetic riffing and manic vocals, sounds more like a prime Stooges number than anything he's cooked up in ages. But about halfway through the song, Iggy launches into a hysterical tirade against a number of cultural abuses common to modern-day America, and for every moment that he hits a nail on the head ("Irony in place of balls/Balls in place of brains/Brains in place of soul") there's at least one or two bits you can only hope he's joking ("Junkie frat boys in their shorts!"). And that pretty much sets the tone for the album; when Whitey Kirst's guitar isn't trying to split the difference between Ron Asheton-esque groove and speed metal shred, Iggy is ranting about one thing or another that annoys him until he sounds like a cross between Dennis Miller and the wino on the corner who yells at you when you won't give him a dollar. There are a few numbers where this all falls into place, and "Weasels" and "Ugliness" rock hard enough that you can forgive them when they start to go silly. But it's both ironic and appropriate that the most effective track on the album is the one that rocks the least -- "V.I.P.," six and a half minutes of slow vamp in which Iggy offers a hilarious stream-of-consciousness monologue about the joys of abusing your fame, which is funny and makes its points well at the same time. Beat Em Up takes an approach not dissimilar to what Iggy was reaching for on Brick by Brick and American Caesar, but where he sounded intelligent and thoughtful on those albums, on Beat Em Up, he sounds a like a crank who doesn't always realize he's being funny, and "V.I.P." suggests if he's going to go this route, he's best off directly aiming for laughs.

© Mark Deming /TiVo

More info

Beat Em Up

Iggy Pop

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $10.83/month

1
Mask Explicit
00:02:54

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, MainArtist, ComposerLyricist - Mooseman, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer, ComposerLyricist - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

2
L.O.S.T. Explicit
00:03:24

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, Theremin, AssociatedPerformer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

3
Howl Explicit
00:05:06

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

4
Football Explicit
00:03:52

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

5
Savior Explicit
00:04:37

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

6
Beat 'Em Up Explicit
00:04:25

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

7
Talking Snake Explicit
00:04:28

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

8
The Jerk Explicit
00:03:44

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

9
Death Is Certain Explicit
00:04:38

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

10
Go For The Throat Explicit
00:03:56

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer, ComposerLyricist - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

11
Weasels Explicit
00:02:59

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

12
Drink New Blood Explicit
00:04:33

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

13
It's All Shit Explicit
00:04:57

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

14
Ugliness Explicit
00:05:36

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Pete Marshall, Guitar, AssociatedPerformer - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

15
V.I.P. Explicit
00:07:11

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, Horn, Voice, MainArtist, AssociatedPerformer, ComposerLyricist - Mooseman, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer, ComposerLyricist - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

16
Sterility Explicit
00:04:59

Howie Weinberg, Mastering Engineer, StudioPersonnel - Iggy Pop, Producer, MainArtist, ComposerLyricist - Mooseman, AssociatedPerformer, Bass (Vocal) - Danny Kadar, Recording Engineer, Mix Engineer, StudioPersonnel - Whitey Kirst, Guitar, AssociatedPerformer, ComposerLyricist - Alex Kirst, Drums, AssociatedPerformer - Chris Connell, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Virgin Records America, Inc.

Album review

Love it or hate it, Beat Em Up is inarguably one of the most appropriate titles Iggy Pop attached to an album in years; after an ill-advised detour into something resembling jazz on 1999's Avenue B, Iggy shifted gears again and served up his most physically punishing album since American Caesar in 1993. Beat Em Up starts out promisingly enough with "Mask," a hyperinsistent three-chord blast that, with its energetic riffing and manic vocals, sounds more like a prime Stooges number than anything he's cooked up in ages. But about halfway through the song, Iggy launches into a hysterical tirade against a number of cultural abuses common to modern-day America, and for every moment that he hits a nail on the head ("Irony in place of balls/Balls in place of brains/Brains in place of soul") there's at least one or two bits you can only hope he's joking ("Junkie frat boys in their shorts!"). And that pretty much sets the tone for the album; when Whitey Kirst's guitar isn't trying to split the difference between Ron Asheton-esque groove and speed metal shred, Iggy is ranting about one thing or another that annoys him until he sounds like a cross between Dennis Miller and the wino on the corner who yells at you when you won't give him a dollar. There are a few numbers where this all falls into place, and "Weasels" and "Ugliness" rock hard enough that you can forgive them when they start to go silly. But it's both ironic and appropriate that the most effective track on the album is the one that rocks the least -- "V.I.P.," six and a half minutes of slow vamp in which Iggy offers a hilarious stream-of-consciousness monologue about the joys of abusing your fame, which is funny and makes its points well at the same time. Beat Em Up takes an approach not dissimilar to what Iggy was reaching for on Brick by Brick and American Caesar, but where he sounded intelligent and thoughtful on those albums, on Beat Em Up, he sounds a like a crank who doesn't always realize he's being funny, and "V.I.P." suggests if he's going to go this route, he's best off directly aiming for laughs.

© Mark Deming /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz?

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Live In Europe

Melody Gardot

Live In Europe Melody Gardot

Blue Train

John Coltrane

Blue Train John Coltrane
More on Qobuz
By Iggy Pop

Lust For Life

Iggy Pop

Lust For Life Iggy Pop

Lust For Life

Iggy Pop

Lust For Life Iggy Pop

Every Loser

Iggy Pop

Every Loser Iggy Pop

A Million In Prizes: Iggy Pop Anthology

Iggy Pop

Rare Trax

Iggy Pop

Rare Trax Iggy Pop

Playlists

You may also like...

Nevermind

Nirvana

Nevermind Nirvana

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

The Beatles 1962 – 1966

The Beatles

Dark Matter

Pearl Jam

Dark Matter Pearl Jam