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Toothpaste 2000|Bachelorette

Bachelorette

Toothpaste 2000

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The pure pop for now (and then) people of Toothpaste 2000 seems to take a minimalist turn with Bachelorette. The opener, "Baby, Let's Rock!," is so tightly compressed, it's almost as reductionist as the Ramones. From there, however, they spring back to their usual selves, sometimes adding more colors (as when "Miss Marcy Brown" brings in digitized keyboard horns to great effect) to the guitar-bass-drums format that's been their staple. As usual, Frank Bednash's songs rock more, like the excellent "Jimmy," while guitarist Donna Esposito keeps a sensual slinkiness to her material, as on the slightly wistful title tack. That they know how to write strong pop songs is beyond question -- they've been doing it for a long time, and some of the tracks here are among the best they've written. What hurts this disc more than anything is the production, which leaves quite a bit to be desired. Esposito's vocals sometimes vanish into the mix -- which can be quite muddy -- and the crispness that would give their music an extra kick is missing, doing them no favors at all. It would be nice to hear these songs re-recorded in a better studio (and perhaps with a better budget). Until then, Bachelorette is great pop, but needs a fairer presentation.

© Chris Nickson /TiVo

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Bachelorette

Toothpaste 2000

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1
Baby, Let's Rock
00:03:13

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

2
Bachelorette
00:02:49

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

3
Miss Marcy Brown
00:03:14

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

4
The Girl Who Could Get Everything
00:05:00

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

5
Mary February
00:03:06

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

6
My Favorite Blonde
00:02:09

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

7
Why, Why?
00:02:51

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

8
Sensational
00:03:52

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

9
Jimmy
00:03:00

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

10
Virtual Girl
00:03:13

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

11
Starched White Shirt
00:02:54

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

12
Drop Dead, Go Away
00:02:58

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

13
Don't Say That You Love Me
00:03:09

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

14
Disco Baby
00:02:07

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

15
Destination Now
00:02:37

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

16
Yeah, Yeah!
00:02:23

Toothpaste 2000, Composer, MainArtist - Parasol Records, MusicPublisher

1999 Parasol Records 1999 Parasol Records

Album review

The pure pop for now (and then) people of Toothpaste 2000 seems to take a minimalist turn with Bachelorette. The opener, "Baby, Let's Rock!," is so tightly compressed, it's almost as reductionist as the Ramones. From there, however, they spring back to their usual selves, sometimes adding more colors (as when "Miss Marcy Brown" brings in digitized keyboard horns to great effect) to the guitar-bass-drums format that's been their staple. As usual, Frank Bednash's songs rock more, like the excellent "Jimmy," while guitarist Donna Esposito keeps a sensual slinkiness to her material, as on the slightly wistful title tack. That they know how to write strong pop songs is beyond question -- they've been doing it for a long time, and some of the tracks here are among the best they've written. What hurts this disc more than anything is the production, which leaves quite a bit to be desired. Esposito's vocals sometimes vanish into the mix -- which can be quite muddy -- and the crispness that would give their music an extra kick is missing, doing them no favors at all. It would be nice to hear these songs re-recorded in a better studio (and perhaps with a better budget). Until then, Bachelorette is great pop, but needs a fairer presentation.

© Chris Nickson /TiVo

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