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Kristof Barati|Bach : The Six Sonatas & Partitas for Violin

Bach : The Six Sonatas & Partitas for Violin

Kristóf Baráti

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For more than two centuries, the solo violin sonatas and partitas of J.S. Bach have been used as a benchmark to test the mettle of a violinist's technical and interpretive capabilities. Since recording technology first became available, countless violinists have laid down their own visions of these great works. The differences between the various approaches are vastly contrasting with no two agreeing on the "proper" way to perform Bach's masterpieces. Many violinists have even recorded the sonatas and partitas on more than one occasion as their interpretations and understanding of the scores have evolved over the course of their careers. For violinist Kristóf Baráti, this Berlin Classics release represents his second foray into Bach. What's unusual is the short interval between the two versions (only seven years) and the young age of the artist in both instances (Baráti was only 30 years old for this version). Here, Baráti's control over his instrument is clearly more developed than seven years ago, so there are fewer moments where technique is guiding interpretation. While Baráti plays with an abundance of technique and intensity, and tempos are more forward moving here than in his earlier attempt, it seems in places that a longer period of maturation may still have been in order before making a second attempt. Baráti's tone is robust and powerful but is sometimes heavy-handed, particularly with big, broken chords in the slower movements. His choice of faster tempos sometimes gets the better of him, as in the well-known D minor Chaconne, which seems hurried and impatient. Should Baráti choose to visit these works again -- and there's no reason why he shouldn't -- hopefully it will come after a longer period of growth and development.

© TiVo

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Bach : The Six Sonatas & Partitas for Violin

Kristof Barati

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Violin Sonata No. 1 in G Minor, BWV 1001 (Various Composers)

1
I. Adagio
Various Interprets
00:03:53

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

2
II. Fuga. Allegro
Various Interprets
00:05:28

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

3
III. Siciliana
Various Interprets
00:03:04

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

4
IV. Presto
Various Interprets
00:02:39

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

Partita No. 1 in B Minor, BWV 1002 (Various Composers)

5
I. Allemanda
Various Interprets
00:04:24

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

6
II. Double
Various Interprets
00:02:10

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

7
III. Corrente
Various Interprets
00:02:15

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

8
IV. Double. Presto
Various Interprets
00:02:43

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

9
V. Sarabande
Various Interprets
00:01:52

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

10
VI. Double
Various Interprets
00:01:22

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

11
VII. Tempo Di Borea
Various Interprets
00:02:15

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

12
VIII. Double
Various Interprets
00:02:24

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

Violin Sonata No. 2 in A Minor, BWV 1003 (Various Composers)

13
I. Grave
Various Interprets
00:03:50

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

14
II. Fuga
Various Interprets
00:07:41

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

15
III. Andante
Various Interprets
00:05:18

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

16
IV. Allegro
Various Interprets
00:04:06

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

DISC 2

Partita No. 2 in D Minor, BWV 1004 (Various Composers)

1
I. Allemanda
Various Interprets
00:03:04

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

2
II. Corrente
Various Interprets
00:01:59

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

3
III. Sarabanda
Various Interprets
00:02:26

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

4
IV. Giga
Various Interprets
00:03:08

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

5
V. Ciaccona
Various Interprets
00:13:04

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

Violin Sonata No. 3 in C Major, BWV 1005 (Various Composers)

6
I. Adagio
Various Interprets
00:03:58

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

7
II. Fuga
Various Interprets
00:09:37

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

8
III. Largo
Various Interprets
00:03:03

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

9
IV. Allegro assai
Various Interprets
00:03:36

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

Partita No. 3 in E Major, BWV 1006 (Various Composers)

10
I. Preludio
Various Interprets
00:03:50

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

11
II. Loure
Various Interprets
00:02:47

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

12
III. Gavotte En Rondeau
Various Interprets
00:02:47

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

13
IV. Menuet I+II
Various Interprets
00:01:58

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

14
V. Bourée
Various Interprets
00:01:06

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

15
VI. Gigue
Various Interprets
00:01:33

Kristof Barati, Performer

2010 Edel Germany GmbH / Deutschlandradio 2010 Edel Germany GmbH / Deutschlandradio

Album review

For more than two centuries, the solo violin sonatas and partitas of J.S. Bach have been used as a benchmark to test the mettle of a violinist's technical and interpretive capabilities. Since recording technology first became available, countless violinists have laid down their own visions of these great works. The differences between the various approaches are vastly contrasting with no two agreeing on the "proper" way to perform Bach's masterpieces. Many violinists have even recorded the sonatas and partitas on more than one occasion as their interpretations and understanding of the scores have evolved over the course of their careers. For violinist Kristóf Baráti, this Berlin Classics release represents his second foray into Bach. What's unusual is the short interval between the two versions (only seven years) and the young age of the artist in both instances (Baráti was only 30 years old for this version). Here, Baráti's control over his instrument is clearly more developed than seven years ago, so there are fewer moments where technique is guiding interpretation. While Baráti plays with an abundance of technique and intensity, and tempos are more forward moving here than in his earlier attempt, it seems in places that a longer period of maturation may still have been in order before making a second attempt. Baráti's tone is robust and powerful but is sometimes heavy-handed, particularly with big, broken chords in the slower movements. His choice of faster tempos sometimes gets the better of him, as in the well-known D minor Chaconne, which seems hurried and impatient. Should Baráti choose to visit these works again -- and there's no reason why he shouldn't -- hopefully it will come after a longer period of growth and development.

© TiVo

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