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Hamish Milne|Bach: Piano Transcriptions, Vol. 5 – Goedicke, Kabalevsky, Catoire & Siloti

Bach: Piano Transcriptions, Vol. 5 – Goedicke, Kabalevsky, Catoire & Siloti

Hamish Milne

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Hyperion's series of recordings of Bach transcriptions continues with this superlative release by Hamish Milne. While earlier volumes had featured the transcriptions of Busoni, Feinberg, Friedman, and Grainger, this volume features transcriptions by Russian composers. And, as with earlier volumes, the transcriptions reveal more about the transcriber than they do about the composer. In the case of Siloti's transcriptions of the Prelude in B minor and the Air from the Third Orchestral Suite, we find a transcriber of strength and delicacy, of massive sonorities and ethereal melodies. In the case of Kabalevsky's transcription of the Dorian Toccata and Fugue, we find a transcriber of overwhelming might. In the case of the hitherto unknown Catoire transcription of the Passacaglia in C minor, we find a transcriber of unbearable intensity. And in Goedickie's transcriptions of the Prelude and Fugue in G major, the Prelude and Fugue in D minor, and the Fugue in C minor, we find a transcriber of stately majesty and tremendous intensity. Milne, a Scots pianist who teaches at the London Royal Academy, brings intelligence, sensitivity, and virtuosity to the transcriptions and his disc has the power and glory of the best Bach recordings. Hyperion's sound is big, but perhaps a bit too reverberant.

© TiVo

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Bach: Piano Transcriptions, Vol. 5 – Goedicke, Kabalevsky, Catoire & Siloti

Hamish Milne

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1
Prelude & Fugue in G Major, BWV 541 (Arr. Goedicke for Piano): I. Prelude
00:03:03

Johann Sebastian Bach, Composer - Alexander Goedicke, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

2
Prelude & Fugue in G Major, BWV 541 (Arr. Goedicke for Piano): II. Fugue
00:04:32

Johann Sebastian Bach, Composer - Alexander Goedicke, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

3
Prelude in E Minor, BWV 855/I (Arr. Siloti in B Minor)
00:02:57

Johann Sebastian Bach, Composer - Alexander Siloti, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

4
Geist und Seele wird verwirret, BWV 35: I. Prelude (Arr. Siloti for Piano)
00:01:53

Johann Sebastian Bach, Composer - Alexander Siloti, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

5
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): I. Prelude
00:02:18

Johann Sebastian Bach, Composer - Alexander Goedicke, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

6
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue
00:06:05

Johann Sebastian Bach, Composer - Alexander Goedicke, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

7
Air on the G String from Orchestral Suite No. 3 by J.S. Bach (Arr. Siloti for Piano)
00:04:54

Johann Sebastian Bach, Composer - Alexander Siloti, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

8
Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio (Arr. Siloti for Piano)
00:04:08

Johann Sebastian Bach, Composer - Alexander Siloti, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

9
Fugue in C Minor, BWV 575 (Arr. Goedicke for Piano)
00:08:21

Johann Sebastian Bach, Composer - Alexander Goedicke, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

10
Sonata No. 2 for Solo Violin in A Minor, BWV 1003: III. Andante (Arr. Siloti for Piano)
00:04:38

Johann Sebastian Bach, Composer - Alexander Siloti, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

11
Passacaglia & Fugue in C Minor, BWV 582 (Arr. Catoire for Piano)
00:12:59

Johann Sebastian Bach, Composer - Hamish Milne, Piano, MainArtist, AssociatedPerformer - Georgy Catoire, Arranger, Work Arranger

℗ 2005 Hyperion Records Limited

12
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. Siloti for Piano)
00:02:15

Johann Sebastian Bach, Composer - Alexander Siloti, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

13
Toccata & Fugue in D Minor, BWV 538 "Dorian" (Arr. Kabalevsky for Piano): I. Toccata
00:05:26

Johann Sebastian Bach, Composer - Dmitry Kabalevsky, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

14
Toccata & Fugue in D Minor, BWV 538 "Dorian" (Arr. Kabalevsky for Piano): II. Fugue
00:08:25

Johann Sebastian Bach, Composer - Dmitry Kabalevsky, Arranger, Work Arranger - Hamish Milne, Piano, MainArtist, AssociatedPerformer

℗ 2005 Hyperion Records Limited

Album review

Hyperion's series of recordings of Bach transcriptions continues with this superlative release by Hamish Milne. While earlier volumes had featured the transcriptions of Busoni, Feinberg, Friedman, and Grainger, this volume features transcriptions by Russian composers. And, as with earlier volumes, the transcriptions reveal more about the transcriber than they do about the composer. In the case of Siloti's transcriptions of the Prelude in B minor and the Air from the Third Orchestral Suite, we find a transcriber of strength and delicacy, of massive sonorities and ethereal melodies. In the case of Kabalevsky's transcription of the Dorian Toccata and Fugue, we find a transcriber of overwhelming might. In the case of the hitherto unknown Catoire transcription of the Passacaglia in C minor, we find a transcriber of unbearable intensity. And in Goedickie's transcriptions of the Prelude and Fugue in G major, the Prelude and Fugue in D minor, and the Fugue in C minor, we find a transcriber of stately majesty and tremendous intensity. Milne, a Scots pianist who teaches at the London Royal Academy, brings intelligence, sensitivity, and virtuosity to the transcriptions and his disc has the power and glory of the best Bach recordings. Hyperion's sound is big, but perhaps a bit too reverberant.

© TiVo

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