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Stephan MacLeod|Bach : h-Moll Messe, BWV 232

Bach : h-Moll Messe, BWV 232

Gli Angeli Genève - Stephan MacLeod

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The Mass in B minor holds a very special place in J.S. Bach’s output: a work of grandeur, an opus ultimum, it was not composed as such but is the result of an assembly of pieces written at different times and for different circumstances. Bach worked on it during the years 1748-1749, until his eyesight, which had gradually deteriorated, was completely lost. The idea of bringing together pieces drawn essentially from the vast corpus of cantatas was not unusual; a similar approach was taken by several of his contemporaries, such as Handel, and Bach himself had done so for the short masses he composed in the late 1730s. These were called parodies. Moving from the German text of the cantatas to the Latin text of the masses meant adapting the vocal lines, with additions and deletions, polyphonic and harmonic enrichments, and changes in instrumentation. Throughout his life, Bach never ceased to revisit his works with a view to improving them.

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Bach : h-Moll Messe, BWV 232

Stephan MacLeod

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h-Moll-Messe, BWV 232 (Johann Sebastian Bach)

1
I. Kyrie eleison
Stephan MacLeod
00:10:28

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

2
II. Christe eleison
Aleksandra Lewandowska
00:04:24

Aleksandra Lewandowska, Soprano I - Marianne Beate Kielland, Soprano II - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

3
III. Kyrie eleison
Stephan MacLeod
00:03:12

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

4
IVa. Gloria in excelsis
Stephan MacLeod
00:01:41

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

5
IVb. Et in terra pax
Stephan MacLeod
00:04:09

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

6
V. Laudamus te
Marianne Beate Kielland
00:03:51

Marianne Beate Kielland, Soprano II - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

7
VI. Gratias agimus tibi
Stephan MacLeod
00:02:16

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

8
VIIa. Domine Deus
Zoë Brookshaw
00:05:21

Zoë Brookshaw, Soprano I - Valerio Contaldo, Tenor - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

9
VIIb. Qui tollis peccata mundi
Stephan MacLeod
00:03:11

Gli Angeli Genève - (Chorus : Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

10
VIII. Qui sedes ad dextram Patris
Aleksandra Lewandowska
00:04:09

Alex Potter, Alto - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

11
IXa. Quoniam tu solus sanctus
Stephan MacLeod
00:04:01

Gli Angeli Genève - Stephan MacLeod, Bass & Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

12
IXb. Cum Sancto Spiritu
Stephan MacLeod
00:03:46

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

DISC 2

1
X. Credo in unum Deum
Stephan MacLeod
00:01:45

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

2
XI. Patrem omnipotentem
Stephan MacLeod
00:01:49

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

3
XII. Et in unum Dominum
Aleksandra Lewandowska
00:04:12

Aleksandra Lewandowska, Soprano I - Alex Potter, Alto - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

4
XIII. Et incarnatus est
Stephan MacLeod
00:03:15

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

5
XIV. Crucifixus
Marianne Beate Kielland
00:03:38

Gli Angeli Genève - (Chorus : Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

6
XV. Et resurrexit
Stephan MacLeod
00:03:44

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

7
XVI. Et in Spiritum sanctum Dominum
Stephan MacLeod
00:04:30

Gli Angeli Genève - Stephan MacLeod, Bass & Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

8
XVIIa. Confiteor
Stephan MacLeod
00:03:39

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

9
XVIIb. Et expecto
Stephan MacLeod
00:02:04

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

10
XVIIIa. Sanctus
Aleksandra Lewandowska
00:02:39

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Stephan MacLeod, Bass - Ripienos : Christelle Monney, Alto - Olivier Coiffet, Tenor) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

11
XVIIIb. Pleni sunt coeli
Zoë Brookshaw
00:02:07

Gli Angeli Genève - (Chorus : Zoë Brookshaw, Soprano I - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

12
XIX. Osanna in excelsis
Aleksandra Lewandowska
00:02:27

Gli Angeli Genève - Aleksandra Lewandowska, Soprano I - Alex Potter, Alto - Valerio Contaldo, Tenor - (Ripienos : Anne-Kathryn Olsen, Soprano - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Gli Angeli Genève - Stephan MacLeod, Bass & Conductor - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

13
XX. Benedictus
Valerio Contaldo
00:04:34

Valerio Contaldo, Tenor - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

14
XXI. Osanna in excelsis
Aleksandra Lewandowska
00:02:29

Aleksandra Lewandowska, Soprano I - Alex Potter, Alto - Valerio Contaldo, Tenor - (Ripienos : Anne-Kathryn Olsen, Soprano - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Gli Angeli Genève - Stephan MacLeod, Bass & Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

15
XXII. Agnus Dei
Alex Potter
00:05:13

Alex Potter, Alto - Gli Angeli Genève - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

16
XXIII. Dona nobis pacem
Stephan MacLeod
00:02:38

Gli Angeli Genève - (Chorus : Aleksandra Lewandowska & Zoë Brookshaw, Soprano I - Marianne Beate Kielland, Soprano II - Alex Potter, Alto - Valerio Contaldo, Tenor - Stephan MacLeod, Bass - Ripienos : Anne-Kathryn Olsen, Soprano II - Christelle Monney, Alto - Olivier Coiffet, Tenor - Jaromír Nosek, Bass) - Stephan MacLeod, Conductor - Johann Sebastian Bach, Composer

(C) 2021 Claves Records (P) 2021 Claves Records

Album Description

The Mass in B minor holds a very special place in J.S. Bach’s output: a work of grandeur, an opus ultimum, it was not composed as such but is the result of an assembly of pieces written at different times and for different circumstances. Bach worked on it during the years 1748-1749, until his eyesight, which had gradually deteriorated, was completely lost. The idea of bringing together pieces drawn essentially from the vast corpus of cantatas was not unusual; a similar approach was taken by several of his contemporaries, such as Handel, and Bach himself had done so for the short masses he composed in the late 1730s. These were called parodies. Moving from the German text of the cantatas to the Latin text of the masses meant adapting the vocal lines, with additions and deletions, polyphonic and harmonic enrichments, and changes in instrumentation. Throughout his life, Bach never ceased to revisit his works with a view to improving them.

Details of original recording : Recorded in Studio Ernest-Ansermet, Genève (Switzerland), October 2020

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