Antony and the Johnsons

Album review

Antony & the Johnsons have put together an elaborate assortment of artsy, sweet, and odd songs on their debut album. Antony (now Anohni)'s voice is a stunning musical instrument, sounding as masculine as it does feminine. Occasionally, she pulls out all the stops and affects a successful, soaring vocal style. The atmosphere of the album is dark yet somehow uplifting. The music, mostly slow, quiet jazz, played on a piano, harp, cello, flute, clarinets, saxophone, violins, and drums (in addition to some guitar work) occasionally matches Anohni's bombastic vocals. Song titles like "Cripple and the Starfish," "Hitler in My Heart," and "The Atrocities" give an idea of the tone. "Hitler in My Heart" sees Anohni searching for a "piece of kindness" but finding Hitler in her heart, before relating that "from the corpses, flowers grow." No matter what those lyrics suggest, the song itself begins as a playful, spooky art experiment before revealing itself to be a touching, introspective ballad. "Divine," an ode to the late drag queen and actor, is less amusing than one would think; somehow Anohni makes lyrics like "I hold your big fat heart in my hands" and "I'll swallow sh*t" respectful. There's not a dull moment to be found here, and "Blue Angel" closes the album in the only way possible, with wails and laments of "I'm on fire." Judging by the artwork and photographs included in the liner notes, and press reviews of live performances, there's a great deal of sexual ambiguity at work in the band's dynamics. Perhaps this same ambiguity is the driving force of the band's art. Whether that's the case or not, the band and the singer have mastered their sonic attack and created an extremely compelling debut album.
© Tim DiGravina /TiVo