Categories:
Cart 0

Your cart is empty

Battle Of Mice|A Day of Nights

A Day of Nights

Battle Of Mice

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

It isn't very often that a team-up involving members of two distinct bands works out in the way that Battle of Mice's A Day of Nights does. That is to say that the gazier aspects of guitarist Josh Graham's Red Sparowes and the sheer intensity that Julie Christmas brings to her band, Made Out of Babies, come together without having to make sacrifices on either end. The music on A Day of Nights is sometimes dreamy, at other times coarse, and still other times intrusive and uncomfortable. What really sticks in the listener's ear with A Day of Nights -- at least in the general sense -- is that this album feels like it was constructed in a cave. It's tight, cramped, and screaming within a breath's distance of one's face. And yet, it's a huge-sounding record, powerful, layered, and dense. Christmas is the star here (as she is in most appearances on disc), her voice moving from wailing banshee to precious-sweetheart-stalker on the verge of a breakdown and back at the drop of a hat. For Graham, whose band can be as heavy but lacks (perhaps due to their lack of a vocalist) the intensity that Christmas provides to her band, this is his (and the rest of the players, whose ranks include Tony Maimone) moment to break from the collective-like sound of Red Sparowes and explore a tougher, more pummeling style of song structure. Tracks like "Bones in the Water" and "Wrapped in Plain" are undeniably heavy and intense, almost churning between tension and release, but the heaviest moments on the record -- and most disturbing by a long shot -- are at the end of "At the Base of the Giant's Throat" (the band will not discuss this section, by the way): a 911 call of a woman being either beaten or worse while the phone keeps listening. To call parts of this record harrowing would be spot-on, but it can also be delicate, heavy, precious, and dreamlike. No mean feat, really. A Day of Nights is a perfect example of pushing the confines of metal and rock aside and really letting go. An amazing piece of work, hands down.

© Christopher M. True /TiVo

More info

A Day of Nights

Battle Of Mice

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $10.83/month

1
The Lamb and the Labrador
00:06:54

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

2
Bones in the Water
00:05:19

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

3
Sleep and Dream
00:05:56

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

4
Salt Bridge
00:05:47

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

5
Wrapped in Plain
00:05:30

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

6
At the Base of the Giant's Throat
00:09:08

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

7
Cave of Spleen
00:07:16

Battle Of Mice, MainArtist

(C) 2006 Neurot (P) 2006 Battle of Mice

Album review

It isn't very often that a team-up involving members of two distinct bands works out in the way that Battle of Mice's A Day of Nights does. That is to say that the gazier aspects of guitarist Josh Graham's Red Sparowes and the sheer intensity that Julie Christmas brings to her band, Made Out of Babies, come together without having to make sacrifices on either end. The music on A Day of Nights is sometimes dreamy, at other times coarse, and still other times intrusive and uncomfortable. What really sticks in the listener's ear with A Day of Nights -- at least in the general sense -- is that this album feels like it was constructed in a cave. It's tight, cramped, and screaming within a breath's distance of one's face. And yet, it's a huge-sounding record, powerful, layered, and dense. Christmas is the star here (as she is in most appearances on disc), her voice moving from wailing banshee to precious-sweetheart-stalker on the verge of a breakdown and back at the drop of a hat. For Graham, whose band can be as heavy but lacks (perhaps due to their lack of a vocalist) the intensity that Christmas provides to her band, this is his (and the rest of the players, whose ranks include Tony Maimone) moment to break from the collective-like sound of Red Sparowes and explore a tougher, more pummeling style of song structure. Tracks like "Bones in the Water" and "Wrapped in Plain" are undeniably heavy and intense, almost churning between tension and release, but the heaviest moments on the record -- and most disturbing by a long shot -- are at the end of "At the Base of the Giant's Throat" (the band will not discuss this section, by the way): a 911 call of a woman being either beaten or worse while the phone keeps listening. To call parts of this record harrowing would be spot-on, but it can also be delicate, heavy, precious, and dreamlike. No mean feat, really. A Day of Nights is a perfect example of pushing the confines of metal and rock aside and really letting go. An amazing piece of work, hands down.

© Christopher M. True /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz?

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Back To Black

Amy Winehouse

Back To Black Amy Winehouse

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane
You may also like...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

HIT ME HARD AND SOFT

Billie Eilish

HIT ME HARD AND SOFT Billie Eilish

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish