Songs: Ohia
Idioma disponível: inglêsSongs: Ohia was one man -- Jason Molina -- a tenor guitar-wielding songwriter from the shores of Lake Erie. Critics often compared Songs: Ohia to Palace/Will Oldham, and while sonically the comparison is valid (especially in Molina's voice), Molina's ardent, soul-searching lyrics were more aptly compared to Neil Young or Leonard Cohen. Molina's early work as Songs: Ohia was often spare and skeletal, in particular on 1999's Axxess & Ace and 2000's The Lioness, where the music reflected the dark themes of the lyrics. Later work under the group's banner, such as 2002's Didn't It Rain and 2003's Magnolia Electric Co., saw Molina embracing a more full-bodied musical statement with a strong country influence, though his lyrics were as dour and personal as ever. Molina was born in Lorain, Ohio. Growing up on a heavy dosage of Black Sabbath, Molina began his musical career playing bass in heavy metal bands around Cleveland. Always a songwriter, Molina eventually decided to perform and record solo with help as needed. He developed a method of tuning his guitar that complemented his voice and worked with his background as a bass player. Finding his niche in indie rock circles, Molina made home recordings under the names Songs: Albian, Songs: Radix, and Songs: Unitas to pass out at live shows. Settling on Songs: Ohia, Molina released a single on the Palace label in 1996. The first Songs: Ohia full-length followed in 1997; released on the Secretly Canadian label, the self-titled album garnered critical acclaim. Songs: Ohia continued to release full-length albums -- including 1998's Impala and 1999's Axxess & Ace -- and a number of singles on various American and European labels, and won a large following in many European countries, most notably Holland and Germany. In 2000, Songs: Ohia released two albums, The Lioness and Ghost Tropic, which featured musical assistance from Alasdair Roberts (Appendix Out) and Shane Aspegren (Lullaby for the Working Class); the latter album saw Molina beginning to incorporate ethnic musics into his compositions. After the limited-edition, tour-only CD Protection Spells, Songs: Ohia released its first live set in late 2001. Documenting an Italian show from the previous year, a large part of Mi Sei Apparso Come un Fantasma (You Come to Me as a Ghost) consisted of unreleased (and as yet untitled) songs. By this time, Molina had given his tenor guitar a rest in favor of a regular six-string instrument and had put together a full band to back him. However, 2002's Didn't It Rain found Molina working with members of neo-bluegrass outfit Jim & Jennie & the Pinetops, achieving an almost gospel sound that was a vast departure from the dense feel of Ghost Tropic. Constantly recording and writing new songs, Songs: Ohia released a handful of singles and EPs in 2002, including a split EP with Louisville's My Morning Jacket and a collaborative EP (under the name Amalgamated Sons of Rest) with Will Oldham and Ali Roberts. Pyramid Electric Co. and Magnolia Electric Co., originally conceived as a double album, were released separately in early 2003. The former, a sparse solo album, was recorded with Mike Mogis (from Lullaby for the Working Class), while the latter featured a full band and was recorded by Steve Albini. Sadly, Jason Molina suffered from alcoholism for years, which ultimately led to his death from organ failure in March 2013 at the age of 39. In 2018, Songs: Ohia's volume in the Temporary Residence EP series Travels in Constants was reissued and appeared on Billboard's Heatseekers chart. In 2018, The Lioness was given an expanded re-release as Love & Work: The Lioness Sessions, which included an extra album's worth of unreleased songs from the period.
© Jason Nickey /TiVo Ler mais
Songs: Ohia was one man -- Jason Molina -- a tenor guitar-wielding songwriter from the shores of Lake Erie. Critics often compared Songs: Ohia to Palace/Will Oldham, and while sonically the comparison is valid (especially in Molina's voice), Molina's ardent, soul-searching lyrics were more aptly compared to Neil Young or Leonard Cohen. Molina's early work as Songs: Ohia was often spare and skeletal, in particular on 1999's Axxess & Ace and 2000's The Lioness, where the music reflected the dark themes of the lyrics. Later work under the group's banner, such as 2002's Didn't It Rain and 2003's Magnolia Electric Co., saw Molina embracing a more full-bodied musical statement with a strong country influence, though his lyrics were as dour and personal as ever.
Molina was born in Lorain, Ohio. Growing up on a heavy dosage of Black Sabbath, Molina began his musical career playing bass in heavy metal bands around Cleveland. Always a songwriter, Molina eventually decided to perform and record solo with help as needed. He developed a method of tuning his guitar that complemented his voice and worked with his background as a bass player. Finding his niche in indie rock circles, Molina made home recordings under the names Songs: Albian, Songs: Radix, and Songs: Unitas to pass out at live shows. Settling on Songs: Ohia, Molina released a single on the Palace label in 1996. The first Songs: Ohia full-length followed in 1997; released on the Secretly Canadian label, the self-titled album garnered critical acclaim. Songs: Ohia continued to release full-length albums -- including 1998's Impala and 1999's Axxess & Ace -- and a number of singles on various American and European labels, and won a large following in many European countries, most notably Holland and Germany.
In 2000, Songs: Ohia released two albums, The Lioness and Ghost Tropic, which featured musical assistance from Alasdair Roberts (Appendix Out) and Shane Aspegren (Lullaby for the Working Class); the latter album saw Molina beginning to incorporate ethnic musics into his compositions. After the limited-edition, tour-only CD Protection Spells, Songs: Ohia released its first live set in late 2001. Documenting an Italian show from the previous year, a large part of Mi Sei Apparso Come un Fantasma (You Come to Me as a Ghost) consisted of unreleased (and as yet untitled) songs. By this time, Molina had given his tenor guitar a rest in favor of a regular six-string instrument and had put together a full band to back him. However, 2002's Didn't It Rain found Molina working with members of neo-bluegrass outfit Jim & Jennie & the Pinetops, achieving an almost gospel sound that was a vast departure from the dense feel of Ghost Tropic.
Constantly recording and writing new songs, Songs: Ohia released a handful of singles and EPs in 2002, including a split EP with Louisville's My Morning Jacket and a collaborative EP (under the name Amalgamated Sons of Rest) with Will Oldham and Ali Roberts. Pyramid Electric Co. and Magnolia Electric Co., originally conceived as a double album, were released separately in early 2003. The former, a sparse solo album, was recorded with Mike Mogis (from Lullaby for the Working Class), while the latter featured a full band and was recorded by Steve Albini. Sadly, Jason Molina suffered from alcoholism for years, which ultimately led to his death from organ failure in March 2013 at the age of 39. In 2018, Songs: Ohia's volume in the Temporary Residence EP series Travels in Constants was reissued and appeared on Billboard's Heatseekers chart. In 2018, The Lioness was given an expanded re-release as Love & Work: The Lioness Sessions, which included an extra album's worth of unreleased songs from the period.
© Jason Nickey /TiVo
-
The Magnolia Electric Co.
Alternative & Indie - Lançado por Secretly Canadian em 04/03/2003
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
The Lioness
Alternative & Indie - Lançado por Secretly Canadian em 17/01/2000
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Love & Work: The Lioness Sessions (Deluxe Edition)
Alternative & Indie - Lançado por Secretly Canadian em 23/11/2018
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Protection Spells
Alternative & Indie - Lançado por Secretly Canadian em 01/01/2000
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
The Ghost
Alternative & Indie - Lançado por Secretly Canadian em 01/03/1999
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Magnolia Electric Co. (Deluxe Edition)
Alternative & Indie - Lançado por Secretly Canadian em 04/03/2003
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ghost Tropic
Alternative & Indie - Lançado por Secretly Canadian em 13/11/2000
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Didn't It Rain (Deluxe Edition)
Alternative & Indie - Lançado por Secretly Canadian em 19/12/2015
Pitchfork: Best New ReissueQualidade de CD de 16 bits 44.1 kHz - Stereo -
Didn’t It Rain
Alternative & Indie - Lançado por Secretly Canadian em 05/03/2002
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
VU Anxiety
Alternative & Indie - Lançado por Secretly Canadian em 20/01/2022
24-Bit 96.0 kHz - Stereo -
Axxess & Ace
Alternative & Indie - Lançado por Secretly Canadian em 15/03/1999
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Songs: Ohia
Alternative & Indie - Lançado por Secretly Canadian em 01/01/1997
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Journey On: Collected Singles
Alternative & Indie - Lançado por Secretly Canadian em 08/12/2015
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Hecla & Griper (15th Anniversary Edition)
Alternative & Indie - Lançado por Secretly Canadian em 01/08/1997
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Impala
Alternative & Indie - Lançado por Secretly Canadian em 01/04/1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Travels in Constants
Alternative & Indie - Lançado por Temporary Residence Ltd. em 30/12/2001
24-Bit 44.1 kHz - Stereo -
Live at WOBC Oct. 12, 1994
Rock - Lançado por Secretly Canadian em 12/10/1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Our Golden Ratio
Rock - Lançado por Acuarela em 10/01/1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
hueso na ma tenia mi novua
World - Lançado por 3914333 Records DK em 12/05/2022
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Muñeca de Bazar
World - Lançado por 3914333 Records DK em 21/05/2022
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ya Lo Sabia
World - Lançado por Conalmusica em 24/10/2020
Qualidade de CD de 16 bits 44.1 kHz - Stereo