Ray Brown
Idioma disponível: inglêsThe huge and comfortable sound of Ray Brown's bass was a welcome feature on bop-oriented sessions for over a half-century. He played locally in his native Pittsburgh in his early days. Arriving in New York in 1945, on his first day in town Brown met and played with Dizzy Gillespie, Charlie Parker, and Bud Powell. He was hired by Gillespie for his small groups and his big band; "One Bass Hit" and "Two Bass Hit" were early features, and he can be seen with Dizzy Gillespie in the 1947 film Jiving in Bebop. Although not a soloist on the level of an Oscar Pettiford, Brown's quick reflexes and ability to accompany soloists in a swinging fashion put him near the top of his field. After playing with Jazz at the Philharmonic, he married Ella Fitzgerald (their marriage only lasted during 1948-1952), and for a time led his own trio to back the singer. Brown recorded with an early version of the Modern Jazz Quartet (under Milt Jackson's leadership), and then became a permanent member of the Oscar Peterson Trio (1951-1966). With Peterson, the bassist traveled the world, guested with other top jazz artists, was featured on JATP tours, became famous, and recorded constantly. He began playing cello in the late '50s, and used it on a few of his own dates. After leaving Peterson, Brown settled in Los Angeles, worked in the studios, continued recording jazz, and worked as a manager of several artists (including the Modern Jazz Quartet and Quincy Jones). He played with the L.A. Four starting in 1974, did a great deal to revive the careers of Ernestine Anderson and Gene Harris, and recorded extensively for Pablo and Concord. The Ray Brown Trio featured pianists Gene Harris, Benny Green, and Geoff Keezer, along with drummers Jeff Hamilton and Greg Hutchison, and recorded for Concord and Telarc. He continued touring up until his death, dying in his sleep while napping before a show in Indianapolis on July 2, 2002. His last batch of sessions, working as a trio with pianist Monty Alexander and guitarist Russell Malone, were released that fall.
© Scott Yanow /TiVo Ler mais
The huge and comfortable sound of Ray Brown's bass was a welcome feature on bop-oriented sessions for over a half-century. He played locally in his native Pittsburgh in his early days.
Arriving in New York in 1945, on his first day in town Brown met and played with Dizzy Gillespie, Charlie Parker, and Bud Powell. He was hired by Gillespie for his small groups and his big band; "One Bass Hit" and "Two Bass Hit" were early features, and he can be seen with Dizzy Gillespie in the 1947 film Jiving in Bebop. Although not a soloist on the level of an Oscar Pettiford, Brown's quick reflexes and ability to accompany soloists in a swinging fashion put him near the top of his field. After playing with Jazz at the Philharmonic, he married Ella Fitzgerald (their marriage only lasted during 1948-1952), and for a time led his own trio to back the singer. Brown recorded with an early version of the Modern Jazz Quartet (under Milt Jackson's leadership), and then became a permanent member of the Oscar Peterson Trio (1951-1966).
With Peterson, the bassist traveled the world, guested with other top jazz artists, was featured on JATP tours, became famous, and recorded constantly. He began playing cello in the late '50s, and used it on a few of his own dates. After leaving Peterson, Brown settled in Los Angeles, worked in the studios, continued recording jazz, and worked as a manager of several artists (including the Modern Jazz Quartet and Quincy Jones). He played with the L.A. Four starting in 1974, did a great deal to revive the careers of Ernestine Anderson and Gene Harris, and recorded extensively for Pablo and Concord. The Ray Brown Trio featured pianists Gene Harris, Benny Green, and Geoff Keezer, along with drummers Jeff Hamilton and Greg Hutchison, and recorded for Concord and Telarc. He continued touring up until his death, dying in his sleep while napping before a show in Indianapolis on July 2, 2002. His last batch of sessions, working as a trio with pianist Monty Alexander and guitarist Russell Malone, were released that fall.
© Scott Yanow /TiVo
Artistas semelhantes
-
Moonlight Serenade (Original)
Jazz - Lançado por Jeton em 01/01/1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
SuperBass (Live At Sculler's Jazz Club, Boston, MA / October 17-18, 1996)
Jazz - Lançado por Telarc em 01/01/1997
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ray Brown/Milt Jackson
Jazz - Lançado por Verve Reissues em 01/01/1965
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bass Hit! (Remastered)
Contemporary Jazz - Lançado por RevOla em 15/10/2021
24-Bit 96.0 kHz - Stereo -
Jazz Anthology (Original Recordings)
Jazz - Lançado por Miradas Records em 10/10/2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Moonlight Serenade
Jazz - Lançado por Bell Records em 01/01/1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Much In Common
Jazz - Lançado por Verve Reissues em 01/01/1964
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bass Hit!
Jazz - Lançado por Verve Reissues em 01/01/1956
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ray Brown Jazz Cello - (Digitally Re-Mastered 2011)
Jazz - Lançado por Techniche Label OMP em 16/07/2011
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Jazz After Midnight
Jazz - Lançado por Silver Classics Jazz em 15/10/2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Remastered Hits (All Tracks Remastered)
Jazz - Lançado por jjjedizionimusicali em 18/08/2022
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Jazz Side Story (A Timeless Jazz Recordings)
Jazz - Lançado por Jazz Side Story em 15/10/2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
-
SuperBass 2 (Live At The Blue Note, New York City, NY / December 15-17, 2000)
Ray Brown, John Clayton, Christian McBride
Jazz - Lançado por Telarc em 28/08/2001
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Ray Brown: The Best Of the Concord Years
Jazz - Lançado por Concord Records em 01/01/2002
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Two Bass Hits
Ray Brown, Pierre Boussaguet, Dado Moroni
Contemporary Jazz - Lançado por Plaza Mayor Company, Ltd. em 13/08/2012
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Something For Lester
Jazz - Lançado por Contemporary Records em 22/06/1977
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Tasty (Reissue 1995)
Jazz - Lançado por Concord Jazz em 01/01/1980
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Don't Get Sassy
Jazz - Lançado por Telarc em 01/09/1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
As Good As It Gets
Jazz - Lançado por Concord Jazz em 22/12/1977
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Autumn Leaves
Jazz - Lançado por Collecting Records OMP em 01/01/2007
Qualidade de CD de 16 bits 44.1 kHz - Stereo