Bernard Haitink
Idioma disponível: inglêsBernard Johann Herman Haitink built a reputation as one of the finest conductors of the 20th Century with a wide repertory and meticulous yet warm and exciting performances. He studied violin at Amsterdam Conservatory, and began his musical career as a violinist in the Netherlands Radio Philharmonic. He took conducting studies with Felix Hupka when he was at conservatory and then two Netherlands Radio Union conducting courses with Ferdinand Leitner. He was named second conductor with the Radio Union, leading four different orchestras or ensembles. He was promoted to principal conductor of the Netherlands Radio Philharmonic itself, at the age of 27. After his good showing when called as a last-minute replacement at the Amsterdam Concertgebouw in Cherubini's Requiem in 1956, the Concertgebouw Orchestra frequently engaged him as a guest conductor. After Eduard van Beinum died, two conductors were named principal conductor of the Concertgebouw: Haitink (at thirty-two the youngest principal conductor ever) and the veteran Eugen Jochum. Two years later, Jochum left, leaving Haitink in sole charge. He became the principal conductor and then artistic director of the LPO, retaining that position until 1979. He recorded frequently with both orchestras, taking care not to favor one over the other out of concern for the musicians' feelings. An example of this occurred when he was planning a recording of Strauss's Ein Heldenleben, which has one of the most prominent of solo violin parts for a concertmaster. The LPO's concertmaster overheard these plans, and immediately started practicing the part so he'd be ready for the opportunity. Then the violinist learned to his disappointment that the sessions were planned for the Concertgebouw. When Haitink discovered that he had inadvertently hurt his violinist's feelings, he immediately scheduled the LPO to record Rimsky-Korsakov's Shcheherazade, the work with the other most prominent violin solo part. He also frequently conducted opera productions in England as music director of the Glyndebourne Festival (1977-1988). He became music director of the Royal Opera in Covent Garden (London) in 1987, and has seen the company through the difficult period when its house was closed for radical renovations through the end of the 1990s. In 1988 his association with the Concertgebouw ended when he resigned in protest over certain governmental economy measures affecting, in his view, the quality of the orchestra. He has increased his guest appearances in the years since, appearing with the Berlin Philharmonic, Vienna Philharmonic, London Philharmonic, London Symphony Orchestra, and the Boston Symphony Orchestra (of which he is the Principal Guest Conductor). Reconciliation with the Concertgebouw occurred when, several years after his departure, the orchestra named him its Conductor Laureate, the first time the Concertgebouw has bestowed the title, in recognition of his great contribution to their history over a thirty-year period. In 1999 they invited him to lead them in a set of Concertgebouw concerts called the "Carte Blanche" Series. In it he led the Royal Opera House Orchestra, the Vienna Philharmonic, the Dresden Staatkapelle, Berlin Philharmonic, European Union Youth Orchestra, and Netherlands Radio Orchestra as well as the Concertgebouw Orchestra. He has recorded a large quantity of records on the Philips, Decca (London) and EMI labels, with a wide range of repertory. These have included complete symphonies of Vaughan Williams, Mahler, Bruckner, Beethoven, Shostakovich, and Brahms, and many other works. He was won numerous awards, an honorary British knighthood, and the House Order of Orange-Nassau, given to him by the Queen of the Netherlands.
© Joseph Stevenson /TiVo Ler mais
Bernard Johann Herman Haitink built a reputation as one of the finest conductors of the 20th Century with a wide repertory and meticulous yet warm and exciting performances.
He studied violin at Amsterdam Conservatory, and began his musical career as a violinist in the Netherlands Radio Philharmonic. He took conducting studies with Felix Hupka when he was at conservatory and then two Netherlands Radio Union conducting courses with Ferdinand Leitner. He was named second conductor with the Radio Union, leading four different orchestras or ensembles. He was promoted to principal conductor of the Netherlands Radio Philharmonic itself, at the age of 27.
After his good showing when called as a last-minute replacement at the Amsterdam Concertgebouw in Cherubini's Requiem in 1956, the Concertgebouw Orchestra frequently engaged him as a guest conductor.
After Eduard van Beinum died, two conductors were named principal conductor of the Concertgebouw: Haitink (at thirty-two the youngest principal conductor ever) and the veteran Eugen Jochum. Two years later, Jochum left, leaving Haitink in sole charge. He became the principal conductor and then artistic director of the LPO, retaining that position until 1979.
He recorded frequently with both orchestras, taking care not to favor one over the other out of concern for the musicians' feelings. An example of this occurred when he was planning a recording of Strauss's Ein Heldenleben, which has one of the most prominent of solo violin parts for a concertmaster. The LPO's concertmaster overheard these plans, and immediately started practicing the part so he'd be ready for the opportunity. Then the violinist learned to his disappointment that the sessions were planned for the Concertgebouw. When Haitink discovered that he had inadvertently hurt his violinist's feelings, he immediately scheduled the LPO to record Rimsky-Korsakov's Shcheherazade, the work with the other most prominent violin solo part.
He also frequently conducted opera productions in England as music director of the Glyndebourne Festival (1977-1988). He became music director of the Royal Opera in Covent Garden (London) in 1987, and has seen the company through the difficult period when its house was closed for radical renovations through the end of the 1990s.
In 1988 his association with the Concertgebouw ended when he resigned in protest over certain governmental economy measures affecting, in his view, the quality of the orchestra. He has increased his guest appearances in the years since, appearing with the Berlin Philharmonic, Vienna Philharmonic, London Philharmonic, London Symphony Orchestra, and the Boston Symphony Orchestra (of which he is the Principal Guest Conductor).
Reconciliation with the Concertgebouw occurred when, several years after his departure, the orchestra named him its Conductor Laureate, the first time the Concertgebouw has bestowed the title, in recognition of his great contribution to their history over a thirty-year period. In 1999 they invited him to lead them in a set of Concertgebouw concerts called the "Carte Blanche" Series. In it he led the Royal Opera House Orchestra, the Vienna Philharmonic, the Dresden Staatkapelle, Berlin Philharmonic, European Union Youth Orchestra, and Netherlands Radio Orchestra as well as the Concertgebouw Orchestra.
He has recorded a large quantity of records on the Philips, Decca (London) and EMI labels, with a wide range of repertory. These have included complete symphonies of Vaughan Williams, Mahler, Bruckner, Beethoven, Shostakovich, and Brahms, and many other works. He was won numerous awards, an honorary British knighthood, and the House Order of Orange-Nassau, given to him by the Queen of the Netherlands.
© Joseph Stevenson /TiVo
Artistas semelhantes
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Mahler: The Symphonies & Song Cycles
Bernard Haitink, Royal Concertgebouw Orchestra
Classical - Lançado por Decca Music Group Ltd. em 01/03/2019
24-Bit 96.0 kHz - Stereo -
Bruckner: The Symphonies
Royal Concertgebouw Orchestra, Bernard Haitink
Symphonies - Lançado por Decca Music Group Ltd. em 01/03/2019
24-Bit 96.0 kHz - Stereo -
Beethoven: Symphonies Nos. 1-9
Bernard Haitink, London Symphony Orchestra
Classical - Lançado por LSO Live em 12/09/2006
24-Bit 96.0 kHz - Stereo -
Bruckner : Symphony No. 5 (Live)
Symphonieorchester Des Bayerischen Rundfunks, Bernard Haitink
Symphonies - Lançado por BR-Klassik em 16/11/2010
24-Bit 48.0 kHz - Stereo -
Debussy: La Mer; Prélude à l'après-midi d'un faune; Ibéria
Bernard Haitink, Royal Concertgebouw Orchestra
Classical - Lançado por Decca Music Group Ltd. em 01/01/1986
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Mahler, G.: Symphony No. 3 (Gustav Mahler - Traditional - Friedrich Nietzsche)
Classical - Lançado por CSO Resound em 08/05/2007
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Mendelssohn & Bruch: Violin Concertos
Bernard Haitink, Itzhak Perlman, Royal ConcertgebouwOrchestra
Classical - Lançado por Warner Classics em 01/11/1984
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Shostakovich: Symphony No. 10
Bernard Haitink, London Philharmonic Orchestra
Symphonies - Lançado por London Philharmonic Orchestra em 01/09/2008
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Strauss: Ein Heldenleben & Don Juan
Bernard Haitink, London Philharmonic Orchestra
Classical - Lançado por London Philharmonic Orchestra em 01/09/2014
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Bruckner No. 7 (Live)
Bernard Haitink, Netherlands Radio Philharmonic Orchestra
Classical - Lançado por Challenge Classics em 01/10/2021
24-Bit 44.1 kHz - Stereo -
Strauss: Eine Alpensinfonie (An Alpine Symphony)
Bernard Haitink, London Symphony Orchestra
Classical - Lançado por LSO Live em 09/02/2010
24-Bit 96.0 kHz - Stereo -
Bruckner : Symphony No. 6 (Live)
Symphonieorchester Des Bayerischen Rundfunks, Bernard Haitink
Symphonies - Lançado por BR-Klassik em 27/10/2017
24-Bit 48.0 kHz - Stereo -
Brahms: Symphony No. 3; Alto Rhapsody
Bernard Haitink, Boston Symphony Orchestra
Classical - Lançado por Decca Music Group Ltd. em 01/11/1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Mahler: Symphony No. 9; Kindertotenlieder
Bernard Haitink, Royal Concertgebouw Orchestra
Classical - Lançado por Decca Music Group Ltd. em 01/01/1970
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Beethoven: Symphonies Nos. 4 & 8
Bernard Haitink, London Symphony Orchestra
Symphonic Music - Lançado por LSO Live em 31/10/2006
24-Bit 96.0 kHz - Stereo -
MAHLER, G.: Symphony No. 2, "Resurrection" (Persson, Stotijn, Chicago Symphony Chorus and Orchestra, Haitink) (Gustav Mahler - Traditional - Friedrich G. Klopstock)
Classical - Lançado por CSO Resound em 17/11/2009
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Brahms: Symphony No. 2, Double Concerto
Bernard Haitink, Gordan Nikolitch, London Symphony Orchestra, Tim Hugh
Symphonies - Lançado por LSO Live em 12/01/2004
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Beethoven: Symphonies Nos. 6 & 2
Bernard Haitink, London Symphony Orchestra
Symphonic Music - Lançado por LSO Live em 13/06/2006
24-Bit 96.0 kHz - Stereo -
Bartók: Concerto pour orchestre & Suite de dances (Stereo Version)
Bernard Haitink, Royal Concertgebouw Orchestra
Miscellaneous - Lançado por BnF Collection em 01/01/1962
24-Bit 96.0 kHz - Stereo -
Dmitri Shostakovich : The Symphonies
Classical - Lançado por Decca Music Group Ltd. em 01/01/1995
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Vaughan Williams: The Complete Symphonies, The Lark Ascending, Tallis Fantasia & On Wenlock Edge
Classical - Lançado por Warner Classics em 18/07/2013
Qualidade de CD de 16 bits 44.1 kHz - Stereo