Alison Brown
Idioma disponível: inglêsProgressive bluegrass banjoist Alison Brown made her name not only as a virtuosic instrumentalist, but as an accomplished jazz-influenced composer, a combination that earned plenty of comparisons to Béla Fleck and David Grisman. Brown began playing the banjo before reaching her teens and developed quickly, winning numerous contests and even getting a chance to perform at the Grand Ole Opry. She was also an excellent student, and temporarily left music to attend Harvard University; following graduation, she worked as an investment banker for a couple of years, but quit to pursue music. Brown gained her first wide exposure as a member of Alison Krauss' Union Station, covering the banjo slot from Krauss' 1987 debut album through 1990. That year, she departed to record her own debut, the entirely instrumental Simple Pleasures, for Vanguard, and also spent some time as the musical director for folkie Michelle Shocked. Brown's 1992 follow-up, Twilight Motel, was jazzier and more eclectic, and 1994's Look Left displayed her increasing interest in world and ethnic music. Released in 1996, The Alison Brown Quartet refocused on her jazz sensibility and found her switching to guitar on a few tracks; it was also her last album before moving to the Compass imprint, for which she debuted in 1998 with Out of the Blue. Issued in 2000, Fair Weather featured a duet with Béla Fleck on "Leaving Cottondale," which won Brown a Grammy for Best Country Instrumental. Her follow-up album, Replay, was another of her jazzier outings. Brown sang about parenthood and musicianship on Stolen Moments, which arrived in spring 2005. She released Evergreen, a collection of holiday music with Joe Craven, in 2007, followed by Company You Keep in 2009. After a six-year gap, Brown returned in 2015 with The Song of the Banjo, a versatile collection that included a slew of guest spots from artists like the Indigo Girls, Keb' Mo', and Compass Records labelmate Colin Hay.
© Steve Huey /TiVo Ler mais
Progressive bluegrass banjoist Alison Brown made her name not only as a virtuosic instrumentalist, but as an accomplished jazz-influenced composer, a combination that earned plenty of comparisons to Béla Fleck and David Grisman. Brown began playing the banjo before reaching her teens and developed quickly, winning numerous contests and even getting a chance to perform at the Grand Ole Opry. She was also an excellent student, and temporarily left music to attend Harvard University; following graduation, she worked as an investment banker for a couple of years, but quit to pursue music. Brown gained her first wide exposure as a member of Alison Krauss' Union Station, covering the banjo slot from Krauss' 1987 debut album through 1990. That year, she departed to record her own debut, the entirely instrumental Simple Pleasures, for Vanguard, and also spent some time as the musical director for folkie Michelle Shocked. Brown's 1992 follow-up, Twilight Motel, was jazzier and more eclectic, and 1994's Look Left displayed her increasing interest in world and ethnic music. Released in 1996, The Alison Brown Quartet refocused on her jazz sensibility and found her switching to guitar on a few tracks; it was also her last album before moving to the Compass imprint, for which she debuted in 1998 with Out of the Blue. Issued in 2000, Fair Weather featured a duet with Béla Fleck on "Leaving Cottondale," which won Brown a Grammy for Best Country Instrumental. Her follow-up album, Replay, was another of her jazzier outings. Brown sang about parenthood and musicianship on Stolen Moments, which arrived in spring 2005. She released Evergreen, a collection of holiday music with Joe Craven, in 2007, followed by Company You Keep in 2009. After a six-year gap, Brown returned in 2015 with The Song of the Banjo, a versatile collection that included a slew of guest spots from artists like the Indigo Girls, Keb' Mo', and Compass Records labelmate Colin Hay.
© Steve Huey /TiVo
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The Song of the Banjo
Country - Lançado por Compass Records em 09/10/2015
24-Bit 96.0 kHz - Stereo -
Fair Weather
Folk - Lançado por Compass Records em 09/05/2000
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
The Company You Keep
Folk - Lançado por Compass Records em 03/03/2009
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Twilight Motel
Country - Lançado por Vanguard Records em 01/01/1992
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Stolen Moments
Folk - Lançado por Compass Records em 10/05/2005
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Quartet
Country - Lançado por Vanguard Records em 01/01/2006
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
What's Going On? (feat. Keb' Mo')
Country - Lançado por Compass Records em 01/09/2015
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Replay
Folk - Lançado por Compass Records em 08/01/2002
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Look Left
Country - Lançado por Vanguard Records em 01/01/1994
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Out of the Blue
Folk - Lançado por Compass Records em 17/02/1998
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Evergreen
Folk - Lançado por Compass Records em 12/08/2008
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Best Of The Vanguard Years
Country - Lançado por Vanguard Records em 05/02/2002
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Vanguard Visionaries
Country - Lançado por Vanguard Records em 01/01/2007
Qualidade de CD de 16 bits 44.1 kHz - Stereo -
Sun and Water (Here Comes the Sun/Waters of March)
Country - Lançado por Compass Records em 10/03/2023
24-Bit 96.0 kHz - Stereo -
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