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Richard Thompson|You? Me? Us?

You? Me? Us?

Richard Thompson

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On the surface, you? me? us? appears to be a major statement from Richard Thompson. Spread out over two discs, the budget-priced album features 19 tracks, separated into an electric ("Voltage Enhanced") disc and an acoustic ("Nude") disc, which each runs around 40 minutes; "Razor Dance" and "Hide It Away" appear on both discs. Despite its appearance, you? me? us? isn't one of Thompson's major works. What sinks the album isn't the songs -- as always, Thompson has written a handful of gems -- but Mitchell Froom's production. Froom's gauzy, pseudo-experimental approach masks the songs in an impenetrable haze, which neither Thompson's guitar nor his voice can cut through. There is no texture to the album's sound -- it is mushy and colorless, which cuts away at the heart of Thompson's direct, emotional songs. If the songs on you? me? us? were given the simple, direct production they deserve, it would have been a completely different, more compelling experience. As it stands, it's a wildly uneven and unengaging listen, like the great majority of the Froom-produced Richard Thompson records.

© Stephen Thomas Erlewine /TiVo

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You? Me? Us?

Richard Thompson

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1
Razor Dance
00:02:41

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

2
She Steers By Lightning
00:02:22

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

3
Dark Hand Over My Heart
00:03:55

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, Vocals, MainArtist, AssociatedPerformer

℗ 1996 Capitol Records, LLC

4
Hide It Away
00:04:22

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

5
Put It There Pal
00:06:14

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

6
Business On You
00:02:49

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

7
No's Not A Word
00:04:22

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

8
Am I Wasting My Love On You?
00:02:57

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

9
Bank Vault In Heaven
00:04:37

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

10
The Ghost Of You Walks
00:03:40

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

DISCO 2

1
Baby Don't Know What To Do With Herself
00:03:32

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

2
She Cut Off Her Long Silken Hair
00:05:01

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

3
Hide It Away (Acoustic)
00:04:33

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

4
Burns Supper
00:03:50

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

5
Train Don't Leave
00:02:20

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

6
Cold Kisses
00:04:26

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

7
Sam Jones
00:03:57

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

8
Razor Dance (Acoustic)
00:02:29

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, Guitar, AssociatedPerformer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

9
Woods Of Darney
00:05:43

Bob Ludwig, Mastering Engineer, StudioPersonnel - MITCHELL FROOM, Producer - Tchad Blake, Producer, Engineer, StudioPersonnel - Richard Thompson, Composer, MainArtist

℗ 1996 Capitol Records, LLC

Resenha do Álbum

On the surface, you? me? us? appears to be a major statement from Richard Thompson. Spread out over two discs, the budget-priced album features 19 tracks, separated into an electric ("Voltage Enhanced") disc and an acoustic ("Nude") disc, which each runs around 40 minutes; "Razor Dance" and "Hide It Away" appear on both discs. Despite its appearance, you? me? us? isn't one of Thompson's major works. What sinks the album isn't the songs -- as always, Thompson has written a handful of gems -- but Mitchell Froom's production. Froom's gauzy, pseudo-experimental approach masks the songs in an impenetrable haze, which neither Thompson's guitar nor his voice can cut through. There is no texture to the album's sound -- it is mushy and colorless, which cuts away at the heart of Thompson's direct, emotional songs. If the songs on you? me? us? were given the simple, direct production they deserve, it would have been a completely different, more compelling experience. As it stands, it's a wildly uneven and unengaging listen, like the great majority of the Froom-produced Richard Thompson records.

© Stephen Thomas Erlewine /TiVo

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