Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Stray|Stand Up And Be Counted (Expanded Edition)

Stand Up And Be Counted (Expanded Edition)

Stray

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Idioma disponível: inglês

After parting ways with Transatlantic Records and signing on with Pye subsidiary Dawn in 1975, English heavy prog veterans Stray briefly expanded from a quartet to a five-piece with the addition of rhythm guitarist Pete Dyer -- a move which had been intended to allow vocalist Steve Gadd the chance to focus on his frontman duties, but wound up driving the already disgruntled singer out of the band for good, instead. Into the breach stepped the already present Dyer, who proceeded to share vocals with lead guitarist and longtime band architect Del Bromham on the band's sixth long player -- and Pye debut -- Stand Up and Be Counted. Ironically, the album was composed predominantly of tracks originally slated for Bromham's first solo record, but when faced with Gadd's departure, he decided to re-purpose them for what proved to be a typically eclectic, if slightly chaotic-sounding LP. Starting with the symphonic title track, which contrasted strings of evocative beauty with surprisingly lifeless female voices in the chorus -- and devolving quickly into simplistic, largely acoustic, easy listening-type radio fodder such as "Waiting for the Big Break," "Down, Down, Down," and the unfathomable drudge of "Woolie." In other words, with the arguable exception of the brooding chords used in "For the People" and momentary guitar crunch launching "As Long as You Feel Good," this is not the Stray album recommended for hard rock and metal fans (try their 1970 debut or 1971 follow-up Suicide, instead). Nor, likewise, progressive-minded listeners, who will chafe at the aforementioned compositional simplicity and positively wince at the clearly over-taxed Bromham's intolerably sappy lyric writing on forgettable pop numbers like "Precious Love" and "Everyday of My Life." Stray would thankfully rediscover some of their edgy swagger on the following year's Houdini (perhaps because of recent tours supporting Kiss in the U.S. and Rush in the U.K.), but the end of the road was nevertheless within sight for the beleaguered group.

© Eduardo Rivadavia /TiVo

Mais informações

Stand Up And Be Counted (Expanded Edition)

Stray

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de 8,99€/mês

1
Stand Up and Be Counted
00:04:18

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

2
For the People
00:05:28

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

3
As Long As You Feel Good
00:03:51

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

4
Waiting for the Big Break
00:04:13

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

5
Precious Love
00:03:38

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

6
Smile
00:05:11

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

7
Maybe You Do
00:04:00

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

8
Down Down Down
00:04:34

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

9
Woolie
00:02:48

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

10
Everyday (Of My Life)
00:03:10

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

11
The End
00:05:19

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

12
Recover
00:02:58

Stray, Performance, MainArtist

© 2007 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

Resenha do Álbum

After parting ways with Transatlantic Records and signing on with Pye subsidiary Dawn in 1975, English heavy prog veterans Stray briefly expanded from a quartet to a five-piece with the addition of rhythm guitarist Pete Dyer -- a move which had been intended to allow vocalist Steve Gadd the chance to focus on his frontman duties, but wound up driving the already disgruntled singer out of the band for good, instead. Into the breach stepped the already present Dyer, who proceeded to share vocals with lead guitarist and longtime band architect Del Bromham on the band's sixth long player -- and Pye debut -- Stand Up and Be Counted. Ironically, the album was composed predominantly of tracks originally slated for Bromham's first solo record, but when faced with Gadd's departure, he decided to re-purpose them for what proved to be a typically eclectic, if slightly chaotic-sounding LP. Starting with the symphonic title track, which contrasted strings of evocative beauty with surprisingly lifeless female voices in the chorus -- and devolving quickly into simplistic, largely acoustic, easy listening-type radio fodder such as "Waiting for the Big Break," "Down, Down, Down," and the unfathomable drudge of "Woolie." In other words, with the arguable exception of the brooding chords used in "For the People" and momentary guitar crunch launching "As Long as You Feel Good," this is not the Stray album recommended for hard rock and metal fans (try their 1970 debut or 1971 follow-up Suicide, instead). Nor, likewise, progressive-minded listeners, who will chafe at the aforementioned compositional simplicity and positively wince at the clearly over-taxed Bromham's intolerably sappy lyric writing on forgettable pop numbers like "Precious Love" and "Everyday of My Life." Stray would thankfully rediscover some of their edgy swagger on the following year's Houdini (perhaps because of recent tours supporting Kiss in the U.S. and Rush in the U.K.), but the end of the road was nevertheless within sight for the beleaguered group.

© Eduardo Rivadavia /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Stray

Suicide

Stray

Suicide Stray

About Time

Stray

About Time Stray

Stray

Stray

Stray Stray

Se7en

Stray

Se7en Stray

Saturday Morning Pictures

Stray

Playlists

Você também pode gostar...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

Dark Matter

Pearl Jam

Dark Matter Pearl Jam