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Mano Negra|Puta's Fever

Puta's Fever

Mano Negra

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The highly influential Puta's Fever opened the door for a flood of young rock bands outside the English-speaking music world to fashion new hybrids that reflected their own musical cultures blended with popular worldwide sounds like rock and reggae. Manu Chao and company started from patchanka, a fast-paced French music hall style that sounds like speeded-up ragtime or hot jazz, and started singing songs in Spanish, French, and Arabic. The motor driving all the disparate elements on Puta's Fever is Santiago el Aguila Casariego's fierce drumming. And what an array of styles -- calliope-like keyboards, a Latin groove on "Patchanka," Tex-Mex on Joe "King" Carrasco's "Patchuko Hop," and dub reggae on "Peligro" -- pass through Mano Negra's manic mix. "Mano Negra" sounds like soundtrack music for a spaghetti western surf movie (really), while "Rebel Spell" marries a gospel chorus and hard rock guitar to a rapped street tale of shooting Brother Rasta dead. Puta's Fever is a triumph of eclecticism as a style where each song shifts into a different musical gear, and one key jumping-off point for the rock en español (or Latin alternative) school. Which doesn't mean that Mano Negra abandoned their original inspiration -- English lyrics dominate and there's a strong identification with a classic rock & roll outlaw stance in "Rock 'N' Roll Band" and the '50s-rooted "Devil's Call."

© Don Snowden /TiVo

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Puta's Fever

Mano Negra

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1
Mano Negra (Edit Version)
00:00:59

Mano Negra, Performer - Manu chao, Composer

1989 Because Music LC33186 1989 Because Music LC33186

2
Rock'n'roll Band
00:02:33

Mano Negra, Performer - Manu chao, Composer

1989 Because Music LC33186 1989 Because Music LC33186

3
King Kong Five
00:01:58

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

4
Soledad
00:02:36

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

5
Sidi h'bibi
00:02:38

Mano Negra, Performer - Manu chao, Composer - Traditional, Composer

1989 Because Music LC33186 1989 Because Music LC33186

6
The Rebel Spell
00:02:01

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

7
Peligro
00:02:54

Mano Negra, Composer, Performer - Traditional, Composer

1989 Because Music LC33186 1989 Because Music LC33186

8
Pas assez de toi
00:02:21

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

9
Magic Dice
00:01:23

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

10
Mad House
00:02:43

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

11
Guayaquil City
00:03:02

Mano Negra, Performer - Manu chao, Composer - Thomas Darnal, Composer

1989 Because Music LC33186 1989 Because Music LC33186

12
Voodoo
00:03:00

Mano Negra, Performer - Manu chao, Composer

1989 Because Music LC33186 1989 Because Music LC33186

13
Patchanka
00:03:08

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

14
La rançon du succès
00:01:57

Mano Negra, Performer - Manu chao, Composer

1989 Because Music LC33186 1989 Because Music LC33186

15
The Devil's Call
00:01:42

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

16
Roger Cageot
00:02:26

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

17
El Sur
00:01:00

Mano Negra, Composer, MainArtist

1989 Because Music LC33186 1989 Because Music LC33186

18
Patchuko Hop
00:02:30

Mano Negra, Performer - Joe King Carasco, Composer - Perez, Composer

1989 Because Music LC33186 1989 Because Music LC33186

Resenha do Álbum

The highly influential Puta's Fever opened the door for a flood of young rock bands outside the English-speaking music world to fashion new hybrids that reflected their own musical cultures blended with popular worldwide sounds like rock and reggae. Manu Chao and company started from patchanka, a fast-paced French music hall style that sounds like speeded-up ragtime or hot jazz, and started singing songs in Spanish, French, and Arabic. The motor driving all the disparate elements on Puta's Fever is Santiago el Aguila Casariego's fierce drumming. And what an array of styles -- calliope-like keyboards, a Latin groove on "Patchanka," Tex-Mex on Joe "King" Carrasco's "Patchuko Hop," and dub reggae on "Peligro" -- pass through Mano Negra's manic mix. "Mano Negra" sounds like soundtrack music for a spaghetti western surf movie (really), while "Rebel Spell" marries a gospel chorus and hard rock guitar to a rapped street tale of shooting Brother Rasta dead. Puta's Fever is a triumph of eclecticism as a style where each song shifts into a different musical gear, and one key jumping-off point for the rock en español (or Latin alternative) school. Which doesn't mean that Mano Negra abandoned their original inspiration -- English lyrics dominate and there's a strong identification with a classic rock & roll outlaw stance in "Rock 'N' Roll Band" and the '50s-rooted "Devil's Call."

© Don Snowden /TiVo

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