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Blue Öyster Cult|On Your Feet Or On Your Knees  (Live)

On Your Feet Or On Your Knees (Live)

Blue Oyster Cult

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On Your Feet or on Your Knees, Blue Öyster Cult's first live album (there would be two more), was also their first to peak inside the Top 40 best-sellers, which is more of an indication of the audience the group was building up through extensive touring than of its quality. Songs that had a tight, concentrated impact on studio albums got elongated here, and that impact was dissipated. And the song selection left a great deal to be desired if this was to be a fitting summation of the band's career so far. Perhaps by their 1974 tour, BÖC had dropped such classics from their first album as "Transmaniacon MC," and "Stairway to the Stars," but the less impressive material from the third album was no substitute. The album did mark the first commercial release of a version of "Buck's Boogie" as well as covers of the Yardbirds' "I Ain't Got You" and Steppenwolf's "Born to Be Wild."

© William Ruhlmann /TiVo

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On Your Feet Or On Your Knees (Live)

Blue Öyster Cult

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1
The Subhuman (Live 1974)
00:07:30

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Composer, Guitar, Lyricist, Synthesizer - Sandy Pearlman, Producer - S. Pearlman, Composer, Lyricist - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

2
Harvester of Eyes (Live 1974)
00:04:59

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Composer, Guitar, Lyricist, Synthesizer - D. Roeser, Composer, Lyricist - Sandy Pearlman, Producer - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - R. Meltzer, Composer, Lyricist - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

3
Hot Rail to Hell (Live 1974)
00:05:37

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - J. Bouchard, Composer, Lyricist - Sandy Pearlman, Producer - Joe Bouchard, Bass - Jack Douglas, Mixing Engineer, Recording Engineer - Greg Calbi, Mastering Engineer - Allan Lanier, Keyboards - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

4
The Red and the Black (Live 1974)
00:04:33

Blue Oyster Cult, Associated Performer, Main Artist - A. Bouchard, Composer, Lyricist - Murray Krugman, Producer - Eric Bloom, Composer, Guitar, Lyricist, Synthesizer - Sandy Pearlman, Producer - Jack Douglas, Mixing Engineer, Recording Engineer - S. Pearlman, Composer, Lyricist - Allan Lanier, Keyboards - D. Roeser, Composer, Lyricist - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 SONY BMG MUSIC ENTERTAINMENT

5
Seven Screaming Diz-Busters (Live 1974)
00:08:49

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - A. Bouchard, Composer, Lyricist - Sandy Pearlman, Producer - J. Bouchard, Composer, Lyricist - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - S. Pearlman, Composer, Lyricist - Greg Calbi, Mastering Engineer - D. Roeser, Composer, Lyricist - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

6
Buck's Boogie (Live 1974)
00:07:12

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - B. Dharma, Composer, Lyricist - Sandy Pearlman, Producer - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

7
(Then Came The) Last of May (Live 1974)
00:04:37

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - D. Roeser, Composer, Lyricist - Sandy Pearlman, Producer - Donald (Buck Dharama) Rooser, Guitar - Jack Douglas, Mixing Engineer, Recording Engineer - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Allan Lanier, Keyboards - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

8
Cities On Flame (Live 1974)
00:04:05

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - S. Pearlman, Composer, Lyricist - Sandy Pearlman, Producer - D. Roeser, Composer, Lyricist - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - A. Bouchard, Composer, Lyricist - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

9
M.E. 262 (Live 1974)
00:08:22

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Composer, Guitar, Lyricist, Synthesizer - Sandy Pearlman, Producer - D. Roeser, Composer, Lyricist - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - S. Pearlman, Composer, Lyricist - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

10
Before the Kiss (A Recap) (Live 1974)
00:05:12

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - S. Pearlman, Composer, Lyricist - Sandy Pearlman, Producer - Donald (Buck Dharama) Rooser, Guitar - M. KRUGMAN, Composer, Lyricist - Jack Douglas, Mixing Engineer, Recording Engineer - A. Lanier, Composer, Lyricist - Greg Calbi, Mastering Engineer - D. Roeser, Composer, Lyricist - Tom Scott, Recording Engineer - Allan Lanier, Keyboards - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

11
Maserati GT (I Ain't Got You) (Live 1974)
00:08:59

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - C. Carter, Composer, Lyricist - Sandy Pearlman, Producer - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 SONY BMG MUSIC ENTERTAINMENT

12
Born to Be Wild (Live 1974)
00:06:28

Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - Eric Bloom, Guitar, Synthesizer - M. Bonfire, Composer, Lyricist - Sandy Pearlman, Producer - Jack Douglas, Mixing Engineer, Recording Engineer - Allan Lanier, Keyboards - Greg Calbi, Mastering Engineer - Tom Scott, Recording Engineer - Kurt Kuntzel, Recording Engineer - Aaron Baron, Recording Engineer - Tim Geelan, Recording Engineer - Pete Weiss, Recording Engineer - Howie Lindermann, Recording Engineer - Rob O'Brian, Recording Engineer - Jerry Smith, Recording Engineer

(P) 1975 Columbia Records, a division of Sony Music Entertainment

Resenha do Álbum

On Your Feet or on Your Knees, Blue Öyster Cult's first live album (there would be two more), was also their first to peak inside the Top 40 best-sellers, which is more of an indication of the audience the group was building up through extensive touring than of its quality. Songs that had a tight, concentrated impact on studio albums got elongated here, and that impact was dissipated. And the song selection left a great deal to be desired if this was to be a fitting summation of the band's career so far. Perhaps by their 1974 tour, BÖC had dropped such classics from their first album as "Transmaniacon MC," and "Stairway to the Stars," but the less impressive material from the third album was no substitute. The album did mark the first commercial release of a version of "Buck's Boogie" as well as covers of the Yardbirds' "I Ain't Got You" and Steppenwolf's "Born to Be Wild."

© William Ruhlmann /TiVo

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