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Fenix TX|Lechuza

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Fenix TX

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Fenix TX was one of droves of circa-2000 major label bands that took their cues from punk, both of the hardcore and poppy variety, of the 1970s and 1980s. They're not the worst of the lot, but neither do they stand out from the crowd, which is quite a problem considering how much many members of this particular crowd resemble each other. There are a dozen concise songs with buzzsaw guitars and anthemically sung lyrics about the frustration and alienated joys of youth. The pace only occasionally slows down, as on the closing "El Borracho," which like many songs of this era builds from a sluggish slow spare arrangement to a crescendo. Sometimes it verges on amelodic hardcore, but at other times there are enough harmonies to make it something that major labels might actually be able to pitch to commercial radio. There are some love songs, but they're not happy ones. There are some complaints against the shallow materialistic overload of American life, but if you're in their camp philosophically, you probably won't be learning anything new.

© Richie Unterberger /TiVo

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1
Phoebe Cates (Album Version)
00:03:40

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - Donnie Reyes, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

2
Katie W. (Album Version (Explicit)) Explicit
00:03:33

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Dennis Hill, Guitar, AssociatedPerformer - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - Donnie Reyes, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

3
Threesome (Album Version)
00:02:33

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - Donnie Reyes, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist

℗ 2001 UMG Recordings, Inc.

4
Something Bad Is Gonna Happen (Album Version (Explicit)) Explicit
00:03:35

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Dennis Hill, Background Vocalist, AssociatedPerformer - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

5
Tearjerker (Album Version)
00:03:44

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

6
Pasture Of Muppets (Album Version)
00:03:00

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

7
A Song For Everyone (Album Version)
00:04:08

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

8
Manufactured Inspirato (Album Version)
00:02:51

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Dennis Hill, Guitar, AssociatedPerformer - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

9
Beating A Dead Horse (Album Version)
00:03:16

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

10
Abba Zabba (Album Version)
00:04:01

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

11
El Borracho/Hidden track (Album Version)
00:17:36

ANDY WALLACE, Mix Engineer, StudioPersonnel - Jerry Finn, Producer - Sean O'Dwyer, Producer, Co-Producer, Recording Engineer, StudioPersonnel - Fenix TX, MainArtist - Damon De La Paz, ComposerLyricist - William Salazar, ComposerLyricist - Adam Lewis, ComposerLyricist - James Love, ComposerLyricist

℗ 2001 Geffen Records

Resenha do Álbum

Fenix TX was one of droves of circa-2000 major label bands that took their cues from punk, both of the hardcore and poppy variety, of the 1970s and 1980s. They're not the worst of the lot, but neither do they stand out from the crowd, which is quite a problem considering how much many members of this particular crowd resemble each other. There are a dozen concise songs with buzzsaw guitars and anthemically sung lyrics about the frustration and alienated joys of youth. The pace only occasionally slows down, as on the closing "El Borracho," which like many songs of this era builds from a sluggish slow spare arrangement to a crescendo. Sometimes it verges on amelodic hardcore, but at other times there are enough harmonies to make it something that major labels might actually be able to pitch to commercial radio. There are some love songs, but they're not happy ones. There are some complaints against the shallow materialistic overload of American life, but if you're in their camp philosophically, you probably won't be learning anything new.

© Richie Unterberger /TiVo

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