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Bob Dylan|Good As I Been To You

Good As I Been To You

Bob Dylan

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Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- "Frankie and Albert," "Blackjack Davey," "Sitting on Top of the World," "Froggie Went A-Courtin'" -- to provide an entryway to the less familiar numbers, which are delivered equally well. Yes, this could be seen as a rather unassuming record, but that's what's special about it. In 1992, not even folksingers were working with this material, but Dylan did, reviving folk's (and rock's) ties to the past at an unexpected time and with unexpectedly strong results. A minor high point in his catalog.

© Stephen Thomas Erlewine /TiVo

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Good As I Been To You

Bob Dylan

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1
Frankie & Albert
00:03:49

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

2
Jim Jones
00:03:53

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

3
Blackjack Davey
00:05:48

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

4
Canadee-I-O
00:04:21

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

5
Sittin' on Top of the World
00:04:28

Bob Dylan, Associated Performer, Guitar, Main Artist, Associated Performer, Guitar - Walter Vinson, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

6
Little Maggie
00:02:53

Bob Dylan, Associated Performer, Guitar, Main Artist, Associated Performer, Guitar - Traditional, Composer, Lyricist - Snakefarm, Arranger - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

7
Hard Times
00:04:32

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

8
Step It up and Go
00:02:55

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

9
Tomorrow Night
00:03:41

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

10
Arthur McBride
00:06:19

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

11
You're Gonna Quit Me
00:02:46

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

12
Diamond Joe
00:03:15

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

13
Froggie Went a Courtin'
00:06:22

Bob Dylan, Arranger, Associated Performer, Guitar, Main Artist, Arranger, Associated Performer, Guitar - Traditional, Composer, Lyricist - Debbie Gold, Producer - Stephen Marcussen, Mastering Engineer - Micajah Ryan, Recording Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

Resenha do Álbum

Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- "Frankie and Albert," "Blackjack Davey," "Sitting on Top of the World," "Froggie Went A-Courtin'" -- to provide an entryway to the less familiar numbers, which are delivered equally well. Yes, this could be seen as a rather unassuming record, but that's what's special about it. In 1992, not even folksingers were working with this material, but Dylan did, reviving folk's (and rock's) ties to the past at an unexpected time and with unexpectedly strong results. A minor high point in his catalog.

© Stephen Thomas Erlewine /TiVo

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