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Joe Henry|Fuse

Fuse

Joe Henry

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Idioma disponível: inglês

Henry has often made stylistic departures, so Fuse shouldn't be all that shocking. Yet, "Fat" sounds freaky till the beats soak in; the faux soul of "Want Too Much" is cloying. But ultimately, the new groove-a-delic Henry knows how to work the sound as he mixes and matches old and new, as on the Dylan-y bits with a "millennial" backing track (Daniel Lanois and T-Bone Burnett step in to mix); the subtle, catchy chorus in the opener "Monkey"; the laid-back and fuzzy "Angels"; and the fantastically evocative and poetic mysticism in the title song. There's upbeat melodicism in (I love you with my) "Skin and Teeth." But why that George Benson-like guitar solo during "Curt Flood"?

© Denise Sullivan /TiVo

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Fuse

Joe Henry

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1
Monkey
00:04:01

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

2
Angels
00:05:42

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

3
Fuse
00:04:18

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

4
Skin And Teeth
00:03:51

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

5
Fat
00:03:24

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

6
Want Too Much
00:05:44

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

7
Curt Flood
00:03:49

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

8
Like She Was A Hammer
00:04:27

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

9
Great Lake
00:05:31

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

10
Beautiful Hat
00:03:34

The Dirty Dozen Brass Band, MainArtist - Joe Henry, MainArtist, ComposerLyricist

℗ 1999 Mammoth Records, Inc.

11
Untitled Hidden Track / We'll Meet Again
00:01:53

Joe Henry, MainArtist

℗ 1999 Mammoth Records, Inc.

Resenha do Álbum

Henry has often made stylistic departures, so Fuse shouldn't be all that shocking. Yet, "Fat" sounds freaky till the beats soak in; the faux soul of "Want Too Much" is cloying. But ultimately, the new groove-a-delic Henry knows how to work the sound as he mixes and matches old and new, as on the Dylan-y bits with a "millennial" backing track (Daniel Lanois and T-Bone Burnett step in to mix); the subtle, catchy chorus in the opener "Monkey"; the laid-back and fuzzy "Angels"; and the fantastically evocative and poetic mysticism in the title song. There's upbeat melodicism in (I love you with my) "Skin and Teeth." But why that George Benson-like guitar solo during "Curt Flood"?

© Denise Sullivan /TiVo

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