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Carmen|Fandangos In Space / Dancing On A Cold Wind

Fandangos In Space / Dancing On A Cold Wind

Carmen

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Ludicrously ahead of their time, even in the experimental early '70s, Carmen were unlike anything else on the scene, least of all the American scene. The Allen siblings, David and Angela, were raised on flamenco, forming Carmen in 1970 as a way to meld their roots with their love of rock. Unable to find a label in the U.S., the group decamped to London in 1973, hooking up with Tony Visconti, who recorded the band's debut album Fandangos in Space that summer. Songs like "Poor Tarantos" and "Sailor Song" beautifully showcase David's exquisite flamenco guitar, while "Bulerias" and "Retirando" capture the Spanish flavor along with the rock leanings of the group. The title track, in contrast, highlights their more operatic bend, a styling that Queen would more successfully exploit. "Fandangos" also boasts a decidedly funky rhythm, and its the album's shifting, intricate, and unique rhythms that further removed them from the pack. "Bullfight" and "Looking Outside (My Window)"'s distinctive rhythm patterns would both be borrowed later in the decade by experimental punk bands like Wire, Fashion and Gang of Four. Carmen's sophomore album, Dancing on a Cold Wind, recorded again with Visconti the following spring, was even more adventurous. The rhythms were more disjointed, the styling more operatic, the sound more majestic. At points, the album meanders into prog rock, as Angela's spacey keyboard effects swoop across the grooves; elsewhere, British influences strongly surface. Visconti's production understandably emphasizes the glammy feel of this set, the last one rocked, this one glitters in the vastness of the sparse arrangements. Fandangos is the more commercial of the two albums, so much so that many of the songs could receive airplay today. Dancing, in contrast, is the more intriguing for noodlers and lovers of the unique. Angel Air has now reissued both albums together across two CDs, tossing in a pair of bonus tracks to boot. Carmen returns with a passion.

© Jo-Ann Greene /TiVo

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Fandangos In Space / Dancing On A Cold Wind

Carmen

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1
Bulerias
00:05:23

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

2
Bullfight
00:04:17

Carmen, MainArtist - Roberto Amaral, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

3
Steppingstone
00:02:52

Carmen, MainArtist - Roberto Amaral, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

4
Sailor Song
00:05:12

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

5
Lonely House
00:04:06

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

6
For Tarantos
00:01:44

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

7
Looking Outside My Window
00:05:07

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

8
Tales of Spain
00:08:58

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

9
Retirando
00:00:43

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

10
Fandangos in Space
00:06:36

Carmen, MainArtist - Roberto Amaral, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

11
Reprise
00:00:56

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

12
Viva Mi Seville
00:06:03

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

13
I've Been Crying
00:05:04

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

14
Drifting Along
00:07:18

Carmen, MainArtist - Roberto Amaral, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

15
She Flew Across The Room
00:01:31

Carmen, MainArtist - David Clark Allen, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

16
Purple Flowers
00:05:18

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

17
Table Two For One
00:02:15

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

18
She's Changed
00:02:57

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

19
Gypsy Girl
00:01:38

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

20
The City
00:03:12

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

21
Time (She's No Lady)
00:01:24

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

22
People Dressed In Black
00:04:05

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

23
Dancing On A Cold Wind
00:02:04

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

24
The Horseman
00:03:45

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

25
She's Changedd
00:02:12

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

26
Quiriquitu
00:02:52

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

27
Out On The Street
00:06:13

Carmen, MainArtist - John Glascock, Composer, Lyricist

2006 ANGEL AIR 1973 ANGEL AIR

Resenha do Álbum

Ludicrously ahead of their time, even in the experimental early '70s, Carmen were unlike anything else on the scene, least of all the American scene. The Allen siblings, David and Angela, were raised on flamenco, forming Carmen in 1970 as a way to meld their roots with their love of rock. Unable to find a label in the U.S., the group decamped to London in 1973, hooking up with Tony Visconti, who recorded the band's debut album Fandangos in Space that summer. Songs like "Poor Tarantos" and "Sailor Song" beautifully showcase David's exquisite flamenco guitar, while "Bulerias" and "Retirando" capture the Spanish flavor along with the rock leanings of the group. The title track, in contrast, highlights their more operatic bend, a styling that Queen would more successfully exploit. "Fandangos" also boasts a decidedly funky rhythm, and its the album's shifting, intricate, and unique rhythms that further removed them from the pack. "Bullfight" and "Looking Outside (My Window)"'s distinctive rhythm patterns would both be borrowed later in the decade by experimental punk bands like Wire, Fashion and Gang of Four. Carmen's sophomore album, Dancing on a Cold Wind, recorded again with Visconti the following spring, was even more adventurous. The rhythms were more disjointed, the styling more operatic, the sound more majestic. At points, the album meanders into prog rock, as Angela's spacey keyboard effects swoop across the grooves; elsewhere, British influences strongly surface. Visconti's production understandably emphasizes the glammy feel of this set, the last one rocked, this one glitters in the vastness of the sparse arrangements. Fandangos is the more commercial of the two albums, so much so that many of the songs could receive airplay today. Dancing, in contrast, is the more intriguing for noodlers and lovers of the unique. Angel Air has now reissued both albums together across two CDs, tossing in a pair of bonus tracks to boot. Carmen returns with a passion.

© Jo-Ann Greene /TiVo

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