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Marc Almond|Enchanted

Enchanted

Marc Almond

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Idioma disponível: inglês

A slightly fallow period for Almond's more high-profile releases began with Enchanted, an ultimately flawed attempt to build on his more mainstream success with The Stars We Are. Crucially, keyboardist and co-songwriter Annie Hogan, who had been Almond's longest musical partner ever, starting with the first solo record in 1982, had departed, while La Magia ceased to exist as a musical entity. Billy McGee remained to provide orchestral arrangements, which give the album some zest, while the subject matter is still Almond's own, tales of "Waifs and Strays," a "Toreador in the Rain," and "Orpheus in Red Velvet." This said, the album ends up as just too anonymous to truly succeed -- Bob Kraushaar's production this time out seems much more concerned at creating slick Euro-pop as opposed to the distinct blend of styles that Marc usually pursues. There are a couple of solid winners nonetheless, like the perversely jaunty "Death's Diary" and "A Lover Spurned," a dramatic tale of vengeance from the other woman. Regardless, this is possibly Marc's most disappointing release overall.

© Ned Raggett /TiVo

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Enchanted

Marc Almond

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1
Madame De La Luna
00:04:47

Marc Almond, Composer, MainArtist - Bill McGee, Composer

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

2
Waifs and Strays
00:05:08

Marc Almond, Composer, Featured Vocalist, Writer, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

3
The Desperate Hours
00:04:27

Almond, Composer - Marc Almond, Composer, Featured Vocalist, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

4
Toreador in the Rain
00:02:52

Marc Almond, Composer, Featured Vocalist, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

5
Widow Weeds
00:05:38

Marc Almond, Composer, Featured Vocalist, MainArtist - Bill McGee, Composer

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

6
A Lover Spurned (Full Length Version)
00:05:37

Marc Almond, Composer, Featured Vocalist, Writer, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

7
Death's Diary
00:03:59

Marc Almond, Composer, Featured Vocalist, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

8
The Sea Still Sings
00:03:48

Marc Almond, Composer, Featured Vocalist, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

9
Carnival of Life
00:04:38

Marc Almond, Composer, Featured Vocalist, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

10
Orpheus in Red Velvet
00:05:06

Marc Almond, Composer, Featured Vocalist, MainArtist

© 2002 Parlophone Records Ltd, a Warner Music Group Company ℗ 1990 Parlophone Records Ltd, a Warner Music Group Company

Resenha do Álbum

A slightly fallow period for Almond's more high-profile releases began with Enchanted, an ultimately flawed attempt to build on his more mainstream success with The Stars We Are. Crucially, keyboardist and co-songwriter Annie Hogan, who had been Almond's longest musical partner ever, starting with the first solo record in 1982, had departed, while La Magia ceased to exist as a musical entity. Billy McGee remained to provide orchestral arrangements, which give the album some zest, while the subject matter is still Almond's own, tales of "Waifs and Strays," a "Toreador in the Rain," and "Orpheus in Red Velvet." This said, the album ends up as just too anonymous to truly succeed -- Bob Kraushaar's production this time out seems much more concerned at creating slick Euro-pop as opposed to the distinct blend of styles that Marc usually pursues. There are a couple of solid winners nonetheless, like the perversely jaunty "Death's Diary" and "A Lover Spurned," a dramatic tale of vengeance from the other woman. Regardless, this is possibly Marc's most disappointing release overall.

© Ned Raggett /TiVo

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